O Estrangulador Assombrado

"Grip of the strangler" or "The Haunted Strangler" is a nice terror movie in which Boris Karloff is a novelist investigating a 20-year-old murder to his own cost who begins copying some of the killer's acts. Then , a series of grisly killings happening and an intelligent Police Inspector : Anthony Dawson investigate the strange events . Their wild beauty marked them for death by... The Haunted Strangler! Karloff King of Monsters in his new picture of 1000 Horrors ! Karloff King of the Monsters in his new Horror Hit !

Eeerie and frrightening story from a script by John Cooper and Jan Read , both of whom contributed efficiently to deliver a really riveting story in "Dr Jekill and Mister Hyde" style that involves a writer investigating an old murder case . Boris Karloff is awesome as the writer investigating past crimes resulting in fateful consequences . An effective and horrifying detective tale in which the great Boris Karloff plays masterfully a novelist who develops the homicidal tendencies of a long-dead murderer he's been writing about and eventually unravelling the mystery at a cemetery at last . This splendid film brought Karloff back to British films after 20 years away , from now on , Boris to play several English horror movies : "The Sorcerers" , "Curse of Red Altar" and other countries as Italy : "Black Sabbath" , Spain : " Cauldron of Bood" and Mexico : " Cult of the Dead" , : The Incredible Invasion" , "Fear Chamber" . For the ocassion Karloff , without makeup , puts weird faces , twisted gestures and terrific manners , causing a deeply creepy impression . Karloff is very well accompanied by a good support cast , such as : Elizabeth Allan , Jean Kent , Tim Turner Vara Day and special mention for Anthony Dawson as police Inspector Burk .

There's a magnificently atmospheric cinematography , heightened by professional cameraman Lionel Banes providing vivid black and white photography . This literate terror thriller was competently directed by Robert Day . This British director was a good artisan who made all kinds of genres as adventures , thriler , terror , such as : "The Big Game" , " Corridors of Blood" , " Click and the dead" , "Initiation of Sarah" , "Man with Bogart's Face" , " Grass is always Greener over the Septic Tank", "She" , "The Way Stretch" . Furthermore , he made TV series episodes from Dallas, Disleyland , The Sixth Sense , Ghost story , Sam Cade , Matt Lincoln , The Bold ones , Ironside, FBI , The Invaders The avengers , among others .

... or did he? Ever? In 19th century England Edward Styles, a one-armed man, is being hung, for the murder of several women, with a large crowd watching. Who thinks watching an execution is entertainment anyways? But I digress. Styles is professing that he is innocent up to his death. He is buried in a lonely prison yard grave.

Fast forward twenty years and novelist James Rankin (Boris Karloff) is revisiting the Styles case to prove that if he had an attorney provided he would have likely been acquitted. He is trying to get this policy - the crown paying for an attorney for indigent defendants - to become law in England and use the Styles case as an example. After some digging - and some of that literally - he determines that the case against Styles was not only weak, but that the evidence points to a doctor who did the autopsy on Styles, was at his burial, and was the doctor present when the strangler killed all of his victims. He tries to find this man but his trail goes cold.

As for the rest of it, it has such a unique premise that I will say no more. Karloff is the best thing about this film, and the rest of the actors just seem like props around which he performs. It has great atmosphere, and I can really only say one bad thing about it. That one bad thing is that the scene at the bawdy music hall where The Strangler killed one of his victims is long and tedious. There actually is an entire musical singing number by one of the actresses and it just bored me. It would have been better if Karloff had just asked his questions, and maybe given you a feel for the place, and then have the movie just leave that place never to return.

Set in Victorian times, Boris Karloff plays a determined writer who becomes obsessed with a twenty-year-old case surrounding "The Haymarket Strangler" and intends to prove that the young man who was hanged for the murders two decades earlier was in fact innocent. All evidence seems to point to a certain Dr. Tenant who used a surgeon's knife to not only choke the life out of his victims, but to slash their flesh as well. But the details of Tenant's life and whereabouts since the crimes remains a mystery, one which Karloff comes to learn hits closer to home for him than he suspected.

It's amazing to realize that Boris Karloff was nearly 70 when he appeared in this film as it is impressive to see him perform so vigorously in a very physically demanding role. He is required to undergo very strenuous activity as he contorts his body and facial features to simulate a Jekyll/Hyde madman on the loose -- upper teeth gnawing spasmodically at his lower lip, one eye half-closed, a twisted arm wielding a scalpel. At more refined times, Karloff is very dedicated in his role as the well-meaning but disoriented author on a road to madness.

There is no question that there are some powerful moments in this feature, and it is highly required viewing for any fan of Karloff. Unfortunately, the film bears a weight of becoming tedious on occasion, so first-time viewers would want to make allowances for this in between the thrills. **1/2 out of ****

Boris Karloff makes his living as a novelist. He is also a social reformer, investigating murderers hanged at Newgate whom he believes innocent. One such is the Haymarket Strangler, executed twenty years earlier. He bribes a guard to let him dig up the Strangler's coffin, and locates a key bit of evidence.... and goes mad, strangling showgirls.

Karloff achieves the transformation into a grotesque figure by taking out his dentures. Director Robert Day directs this old-fashioned thriller with some loving details, showing the filth beneath late Victorian propriety, with some effective camerawork by Lionel Banes. The cast includes Elizabeth Allan in her last screen role, Jean Kent as a strumpety showgirl, and Leslie Perrins in his last big-screen appearance.

Some people have asked why Boris Karloff never played a serious version of "Dr. Jekyll and Mr. Hyde" . Well, here it is, even though it is in the form of some "Dr. Tennant / Hyde-like strangler" duality. Once again, Boris Karloff plays the "monster" and like Mr. Hyde in the previous films, he plays a man who degenerates to a rampaging animal which lives to kill. Also like Mr. Hyde, the transformations to the lower form seem to be based on some sort of sexual repression that bursts out in the form of savage attacks on women. In addition, like the "beast" in the "Dr. Jekyll and Mr. Hyde" films, whether one is watching Fredric March, Spencer Tracy, or John Barrymore, the transformation from man to the lower animal state gets uglier with each change. Another thing, the graveyard scenes in the movie are really creepy - kind of a throwback to films such as "Frankenstein", "Bride of Frankenstein", "Return of the Vampire", and "The Body Snatcher". Even though the plot has some strange twists, this is one of the best post-Universal thrillers starring Boris Karloff - one of the last in which he plays both the monster ("Mr. Hyde") and the mad doctor (Tennant). (Karloff did the same thing in "Frankenstein 1970" in which he played both creator and created.) Great hair-raiser.

Watch it in the dark.

Dan Basinger