AVALIAÇÃO DA IMDb
5,8/10
944
SUA AVALIAÇÃO
Um correspondente de guerra americano se apaixona por uma repórter da BBC, mas seu relacionamento parece condenado desde o início.Um correspondente de guerra americano se apaixona por uma repórter da BBC, mas seu relacionamento parece condenado desde o início.Um correspondente de guerra americano se apaixona por uma repórter da BBC, mas seu relacionamento parece condenado desde o início.
- Direção
- Roteiristas
- Artistas
Jack Armstrong
- Reporter
- (não creditado)
Mabel Etherington
- Woman at Inn
- (não creditado)
Lee Fenton
- Reporter
- (não creditado)
Aidan Harrington
- Man at Inn
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Set in Cornwall (not that you'd know from the accents, least of all Connery's) in 1945 (not that you'd know from Lana Turner's chic fifties wardrobe). The title is apt, as it belongs to a very specific moment in 1957 when Sid James was still playing Americans, Lana's film career was simply treading water (just before the publicity resulting from the Stompanato scandal revived it again) and Sean Connery - suffering yet another false start - cost next to nothing. Likewise it completely lacks the glossy high contrast colour photography by Russell Metty and mellow piano music by Frank Skinner (rather than the noisy score here by Douglas Gamley) that became a hallmark of her vehicles for Ross Hunter.
Turner's penchant for Bad Boys showed both in her offscreen liason with Johnny Stompanato and her onscreen one with a Connery still sporting his original bushy eyebrows. But it's really about Lana's relationship with Connery's wife Glynis Johns.
Turner's penchant for Bad Boys showed both in her offscreen liason with Johnny Stompanato and her onscreen one with a Connery still sporting his original bushy eyebrows. But it's really about Lana's relationship with Connery's wife Glynis Johns.
Everybody around here seems to be criticizing this fine piece of melodrama. It feels like a duty to say some good things to save it right away. I only heard about the title yesterday from Amazon, and then, in the afternoon, a friend of mine offered to lend it to me. I appreciated the coincidence. I've just finished watching it, and must confess I really enjoyed the show. The image is great, Lana Turner is beautiful. I will accept the fact that it's not as original as other melodramas, but it definitely uses all the ropes we love about this kind of movies. So my mark here is seven, I had a great time and I would advise anyone interested in melodramas to have a look at it on a sunny day, just before going to the beach. And dream while watching seagulls in the sky.
I found myself 'fast-forwarding' thru the last half hour. The script missed some great chances at early character development, which left the 'talent' struggling to pull this movie together. Their characters lacked depth and motivation in the later going, and the 96 minutes seemed much longer.
In 1945, while in a temporary assignment in London, the "The New York Standard" journalist Sara Scott (Lana Turner) has a torrid love affair with the reporter of BBC Mark Trevor (Sean Connery) and she falls in love for him. Just before the end of the war, they cover a sapper disassembling a bomb and Sara is informed that her boss and fiancé Carter Reynolds (Barry Sullivan) is coming to London to meet her. When she tells the news to Mark, he surprisingly discloses to her after three months of relationship that he is married and has a son in St. Giles, Cornwall, and he loves and will stay with his family. Mark leaves Sara and travels to Paris with his assistant Alan Thompson (Terence Longdon), but the plane crashes and he dies. The grieving Sara has a nervous breakdown and is interned in the Headway Nursing Home for treatment. Six weeks later, Carter buys a ship trip to her from Plymouth to New York; however, Sara decides to visit St. Giles by train before returning to her country. When she meets Mark's wife Kay Trevor (Glynis Johns) and his son Brian (Martin Stephens), she is invited by Kay to stay with them until the next morning. During the night, Sara has a crisis, faints and Kay invites her to stay at her home during for recovering.
The silly "Another Time, Another Place" is an unconvincing romance, with a laughable screenplay. The story begins without a previous development of characters, but sooner the viewer understands that Sara is an experienced American correspondent that writes a column for her newspaper and is engaged of her boss. Mark is a married man that broadcasts news about the war and is having an affair with Sara, and disapproved by his friend and assistant Alan. When Sara tells that her fiancé is coming to London, Mark decides to end his affair since he loves his family. This revelation, associated to the shock of the death of Mark lead Sara to a breakdown. Up to this point, the story is convincing and I have no remarks. However, the decision of Sara to travel to St. Giles is the beginning of an unthinkable attitude of an experienced woman living overseas. The rest of this forgettable movie is pure crap with a corny conclusion, despite the good performance of Glynis Johns and the magnificent locations in Cornwall. My vote is four.
Title (Brazil): "Vítima de uma Paixão" ("Victim of a Passion")
The silly "Another Time, Another Place" is an unconvincing romance, with a laughable screenplay. The story begins without a previous development of characters, but sooner the viewer understands that Sara is an experienced American correspondent that writes a column for her newspaper and is engaged of her boss. Mark is a married man that broadcasts news about the war and is having an affair with Sara, and disapproved by his friend and assistant Alan. When Sara tells that her fiancé is coming to London, Mark decides to end his affair since he loves his family. This revelation, associated to the shock of the death of Mark lead Sara to a breakdown. Up to this point, the story is convincing and I have no remarks. However, the decision of Sara to travel to St. Giles is the beginning of an unthinkable attitude of an experienced woman living overseas. The rest of this forgettable movie is pure crap with a corny conclusion, despite the good performance of Glynis Johns and the magnificent locations in Cornwall. My vote is four.
Title (Brazil): "Vítima de uma Paixão" ("Victim of a Passion")
I had heard a lot about this film. I like Lana Turner and I have always thought that Glynis Johns is one of the loveliest British actresses who ever went to Hollywood - our loss, their gain. She seemed to steal every scene that she was in.
I thought this was just going to be another love story with a wartime background, but it was more than that. It turned out to be a very touching and human story.
The scenes of Cornwall were beautiful. It would have been great in colour, and the film had the loveliest ending that I have ever seen in any film of this genre.
Lana Turner never won an Oscar, but I am surprised that she was not, at least, nominated for an Academy Award for this picture. She was always good at playing this sort of role, lighting up the screen as her performance developed.
I am not usually a fan of love stories, but there was just something about this film that made me keep watching it. I do not know what it was. Maybe it was just Lana Turner's performance and the beautiful scenes of Cornwall. I have recorded it on Talking Pictures. I might even watch it again.
I have also enjoyed watching Sean Connery in one of his early roles. He is always good, no matter what film he is in. However, I should imagine that British audiences must have sat in the cinema wondering how a Scotsman could have been born in Cornwall.
I thought this was just going to be another love story with a wartime background, but it was more than that. It turned out to be a very touching and human story.
The scenes of Cornwall were beautiful. It would have been great in colour, and the film had the loveliest ending that I have ever seen in any film of this genre.
Lana Turner never won an Oscar, but I am surprised that she was not, at least, nominated for an Academy Award for this picture. She was always good at playing this sort of role, lighting up the screen as her performance developed.
I am not usually a fan of love stories, but there was just something about this film that made me keep watching it. I do not know what it was. Maybe it was just Lana Turner's performance and the beautiful scenes of Cornwall. I have recorded it on Talking Pictures. I might even watch it again.
I have also enjoyed watching Sean Connery in one of his early roles. He is always good, no matter what film he is in. However, I should imagine that British audiences must have sat in the cinema wondering how a Scotsman could have been born in Cornwall.
Você sabia?
- CuriosidadesDuring the shooting of the movie in England, Sir Sean Connery was confronted by Johnny Stompanato, an ex-marine turned mob enforcer, who was in an abusive relationship with Lana Turner. At the time, Connery and Turner got along very well, so much that when Stompanato found out about it, he suspected that they were having an affair. Stompanato, who was notorious for his jealousy and violent tendencies, then stormed to the set and threatened Connery with a gun. But he quickly disarmed Stompanato and forced him from the set. Following that incident, Stompanato was deported by Scotland Yard. Shortly after he arrived in the USA, he met his end at the hands of Turner's teenage daughter Cheryl, who fatally stabbed him in self-defence while he was beating her mother. Connery, who was filming A Lenda dos Anões Mágicos (1959) at the time of the latter incident, behaved very cautiously when he walked the streets of Los Angeles, because it was rumoured that a mobster made him responsible for Stompanatos death. That caused him to avoid the USA for several years.
- Erros de gravaçãoThe story takes place in 1945, but all the women's hairstyles and clothes, particularly the high fashion designs worn by Lana Turner, are strictly 1958.
- Citações
Kay Trevor: Music has such a way of bringing back memories doesn't it? Does it remind you of anyone?
- ConexõesReferenced in 007 Contra a Chantagem Atômica (1965)
- Trilhas sonorasAnother Time, Another Place
Written by Jay Livingston and Ray Evans
Principais escolhas
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- How long is Another Time, Another Place?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Another Time, Another Place
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was Vítima de uma Paixão (1958) officially released in India in English?
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