Águia Solitária

When people think of the great Billy Wilder films they often forget to mention this one. A great picture that tells the story of the flight, certain events in Lindbergh's life, how he came to make the flight, the design and building of the plane, his association with the people who helped make it happen and even some of the trademark Billy Wilder humor. Visit your local fish market get some Sanddabs (if they have them, they're a California fish) fry em up and sit back and enjoy a great movie about one of the great accomplishments of this century with one of the greatest actors of this century in the lead role. The wide screen version is tops.

This is as close to a one-man show as you're ever going to see on film as Jimmy Stewart dominates the picture while all others just have bit roles.

I found it interesting because I find Charles Lindberg's feat amazing and worth watching. I also enjoyed the widescreen picture. I'm surprised it's not available on DVD. The most amazing part of Lindberg's feat, from what I discovered watching the movie, was that he went 30 hours without sleep before he even took off! To stay awake for the entire trip to Paris after that was incredible.

To keep the viewers' interest, the film flashes back a number of times to Lindberg's earlier days and most of that is pretty interesting. Yes, there are some lulls in here and the movie could have been shortened from its 138 minutes but Stewart does a nice job of entertaining us, as he usually did.

I do have one question, one complaint and one suggestion. My question is, "Why is there no mention of his wife, Anne Morrow?" Odd, they totally left her out of this. She was famous in her own right.

My complaint is the emphasis - it's brought up twice in case you missed it the first time - on Lindberg not believing in prayer, only the things he could see. Pagan Hollywood just has to get their agenda in, and much of it began in the 1950s when moral restrictions began to slowly ease. This is just one more example.

They also left out what happened right after the flight, thus making the film more of a story about the voyage than of Lindberg's aviation career. Too bad, because, as many of you might know, his son's kidnapping is one of the biggest stories of that era. My suggestion then is that a full biography, with the emphasis on this flight across the Atlantic, might have been a better way to go. I think you would see that with a re-make, along with a faster- moving film.

Someone once said to me that there are only four basic movie plots: the first, boy meets girl: the second, man against apparently insuperable odds: the others.....I can't remember. Although I am not by nature agoraphobic, I guess when it comes to cinema I prefer the cosily domestic to wide open spaces. Every so often, however, I find myself responding to man battling it out against the elements, particularly if the point is being made that, without the sheer determination of an individual to grapple with prejudice and ignorance, civilization would not gain a pace or two forward. Billy Wilder's epic of human endeavour, "The Spirit of St. Louis", is just such an instance. It is heaps better than most in this category mainly through the excellent central performance by James Stewart as Charles Lindbergh, the first successful transatlantic flyer. True, Stewart was twice the age of the man he was portraying but he brilliantly manages the demeanour of a much younger person and has the advantage of being one of the very few actors able to convey the determined obsessive fanaticism that Lindbergh must have possessed. One can admire Wilder's skill in sustaining audience interest throughout what is essentially a one character and a one scene film but he achieves it through interspersing the present from the night before the takeoff, with flashbacks that retell the background to the mission, each a little story in itself, some quite tense such as Lindbergh's adventurous flight during a blizzard when he was a flying mail courier and others rather droll such as giving a flying lesson to a priest who is the most incompetent would-be aviator ever. The main journey once it gets going is mainly smooth and something of a leisurely travelogue with nice views over Nova Scotia and Newfoundland on the way. Far more dramatic is the takeoff during foul weather from a rain drenched runway in which Stewart grapples with his tiny aircraft narrowly clearing pylons and a clump of trees. The miracle that so flimsy a machine could make it not only for a few miles but across a vast ocean is reinforced by the hazardous implications of this wonderfully atmospheric sequence in a way that make the journey and the arrival in Paris quite uplifting.

Jimmy Stewart is Charles Lindbergh in "The Spirit of St. Louis," a 1957 film directed by Billy Wilder and based on Lindbergh's book about his transatlantic flight.

The film deals with little else but Lindbergh's career up to and including his monumental flight from Roosevelt Field to Le Bourget in France in 33 hours back in 1927. We see Lindbergh as a mail pilot, then attempting to raise funds to buy a plane, though a plane ended up being built by a small aircraft company. And then the flight itself - and Wilder somehow makes it suspenseful and interesting. He really captures the pilot's complete isolation with no copilot or radio, talking to himself (Stewart provides the narration), sleep-deprived, with only the sound of the plane for company, falling asleep at the wheel, and finally, unsure where he was and using map topography to figure it out. It's an amazing story. During the flight sequence, there are flashbacks to earlier points in Lindbergh's life.

The Spirit of St. Louis is replicated, and once seen, it's very hard to believe it got out of Roosevelt Field. Lightweight, Lindbergh made sure it carried only the absolute essentials and refused to even bring a parachute or radio because of the extra weight.

Today, for me anyway, James Stewart is just James Stewart, one of the great film stars and actors. I'm blissfully unaware of his age most of the time, and I was in this film as well. For me, he was tall, lanky Lindbergh, determined to succeed and very likable. I realize that John Kerr was offered the role first, but if he had taken it, the film would have flopped initially, as it did starring Stewart, due to the huge budget, but I don't believe it would hold up as well as it does today.

Heroes are very rarely discussed as human beings, and many of their words and actions are taken out of context and out of the era. Lindbergh was ahead of his time in his environmental and aeronautical pursuits and very much of his time in some of his political beliefs. And as we now know, fidelity wasn't one of his strong points. Reading an excellent, well-researched biography like Scott Berg wrote is preferable to making snap judgments. Hindsight is easy.

Complicated men have complicated lives. You don't achieve what Lindbergh did in the Spirit of St. Louis by being ordinary. Wilder does an excellent job in showing his crowning achievement, and in evoking the excitement people felt at the time.

The word impossible has led many to select a particular view concerning any incredible task. In 1927, it was believed no man could fly the breath of the Atlantic Ocean. Many had tried but failed and some even gave their lives to the effort. Nevertheless, it had to be done as every challenge needs to be met with equal determination. Such then is the heart of this movie called "The Spirit of St. Louis." The actor chosen for this historic film is none other than America's own James Stewart who convincingly plays Charles Lindbergh. Although there are many facets of Lindbergh's life, the segment featured here is his efforts to be the First Man to fly across the Atlantic. The story is an interesting one and for Stewards' fans compelling to say the least. Seeking enough funds to build a special aircraft, to the fateful decision to began the journey on a gloomy day in May 1927, 'Luck Lindy' as he was christened, endured enormous risks, which are featured in this superb film. Other notables which helped make this film believable are Murray Hamilton who plays Bud Gurney, Bartlett Robinson as Ben Mahoney, Arthur Space and Charles Watts as O.W. Schultz. The sum total of this now famous movie is that despite poor endorsement on its debut, it has since become a Classic in it's own right. Well done! ****