Show Infernal

Fun Bugs and Daffy short directed by Friz Freleng. This one has Bugs and Daffy both performing at a theater, where Daffy is upset to learn that Bugs is getting top billing. When he's told this is because Bugs is the bigger star, Daffy sets out to upstage his rival. A very funny series of gags follows as Daffy tries one thing after another to get over with the crowd. The animation is good, with bright colors and nicely-drawn characters and backgrounds (although the backgrounds are of that slightly sketchy, slightly off-kilter style that was becoming popular in the mid-to-late '50s). Excellent voice work from the great Mel Blanc. The music is bouncy and lively. This is a fun short that any fan of Bugs or especially Daffy will like. The Bugs/Daffy rivalry was rarely funnier than it is here.

Daffy Duck has an oversized opinion of himself. He is incensed that Bugs Bunny has the top billing over him. He intends to prove his stardom over Bugs in their performance. The applause says otherwise. Daffy challenges Bugs and he tries so very hard to no avail. He tries attempted murder and finally the ultimate stunt.

The xylophone gag is a classic although it is the second time used against Bugs. Looney Tunes keeps going back to this iconic gag over and over again. Bugs is basically playing this one straight while Daffy is going all out Daffy. That is what sells this. Daffy being so Daffy is so fun.

Although Bugs plays the title role, Daffy is the real star of this show and gets the most screen time. Bugs fans, of course are happy because once again Bugs outsmarts Daffy. But Daffy fans will enjoy the true genius of the Duck. Bugs may have more charisma but Daffy has more heart. Daffy is more like a human being, flawed yet lovable while Bugs seems to be too much of an ideal character.

Bugs Bunny and Daffy Duck are a dancing double act in a vaudeville theatre. However Daffy is not content for equal billing and wants to have all the glory for himself. He challenges Bugs that whatever he can do, Daffy can do better. Bugs does his stuff on stage to great acclaim from the audience, but everything Daffy tries is greeted with all the appreciate of a f*rt in a lift. As the stakes continue to rise, Daffy increasingly pulls out all the stops.

I love Daffy Duck a great deal but much prefer him when he is in full-on wacky mode rather than the more greedy duck of his later cartoons. In this short we see Daffy being his greedy self but him being pushed to crazy limits reminds me of whom he once was. The material is not that good when I think about it and some of the gags are a little under whelming but it still manages to be pretty amusing. The ending is OK but it has been done elsewhere to better effect with Porky Pig and a wolf.

What makes this short work past the average material is the characters. Bugs' delivery is pretty fun although he isn't really his usual tricky self - all he's doing is being a good dancer. Daffy is also good and it is his jealous rage that makes the material much better than it should be. His big finish is not as good as he deserved but up till that point he is funny even if he is not the Daffy that I prefer.

Overall this is enjoyable enough but that's it. The material is average enough and is pretty thin but thankfully the two famous characters both do good work to make it better than it really is.

As a young adult buff of the Warner cartoons, I felt that this was #5 on my personal list of Freleng's greatest Bugs films….that was a couple of years before I saw more of the greatest pre-1948 cartoons when I re-subscribed to cable. Man. There were biggies like "Stage Door Cartoon," "Bugs Bunny Rides Again," and "Slick Hare"—prompting me to revise somewhat my list of Freleng faves.

I've always been befuddled by cartoon buffs' downgrading a short because it uses gags utilized before. If it's a "cheater" film, that's a different matter. But nearly all the animation here's genuinely new, including Gerry Chiniquy's exemplary execution of Bugs's and Daffy's dances. Also, I for one never penalized, say, Benny Hill for using the same dozen or so gags multiple times: he always makes me feel I'm experiencing it and laughing at it for the first time because he always puts some new wrinkle in.

Similary, then, I don't penalize Freleng for borrowing wholesale several scenes and jokes from his earlier "Curtain Razor" and "Ballot Box Bunny" because, despite the fact he's aware of that, he now is doing all those gags in DEFINITIVE form.

"Show Biz Bugs" also benefits from the work of new backgrounds man Boris Gorelick. He was at Warner's for only a year, and contributed to the success of some of Freleng's finest (this one, and " Birds Anonymous"). The signature part of Gorelick's style was his use of portions of art apparently crayoned or charcoaled over sandpaper (or maybe a miniature pebble garden). Gorelick apparently crumbled early on, over Freleng's frequent and legendary temper tantrums.