Adicionar um enredo no seu idiomaPrivate eye Mike Hammer passes over beautiful women and corpses to find stolen jewels.Private eye Mike Hammer passes over beautiful women and corpses to find stolen jewels.Private eye Mike Hammer passes over beautiful women and corpses to find stolen jewels.
- Direção
- Roteiristas
- Artistas
Donald Randolph
- Col. Holloway
- (as Don Randolph)
Booth Colman
- Capt. Pat Chambers
- (as Booth Coleman)
Gina Maria Hidalgo
- Maria
- (as Gina Coré)
Charles Boaz
- Gangster
- (não creditado)
Dick Cherney
- Photographer
- (não creditado)
George Cisar
- Customs Inspector
- (não creditado)
Johnny Clark
- Detective
- (não creditado)
Avaliações em destaque
Spillane's Hammer Books Sold Like Hot-Cakes in the Cold-War Making Mickey one of the Best-Selling Authors of All-Time.
A Reality-Check also makes Clear that the Author is Never on Any Best Writer Lists. Truth is that Spillane was a Blistering Commodity that Tapped a Nerve. Returning Vets (Mickey was a Marine), and Macho Types of All Stripes Loved the Noble Savagery.
But Spillane was and Never Will be Considered a "Great" Writer Despite His Highly-Impressive Numbers. Is McDonalds Considered "Great" Dining.
The One Film that had the Backing and Will to put Hammer on the Screen with a Production Worth the Popularity of the Character was "Kiss Me Deadly" (1955).
Director Robert Aldridge's Seminal Film-Noir, some Consider a Masterpiece.
This B-Movie is like all the Other Hammer Movies...Low on Everything Including Talent and a Desire to Not Risk much on the Successor to the 30's and 40's Pulp Icon's.
So the Salivating Public was Short-Changed and the Hammer Legacy on the Screen has been Relegated, mostly, to an Anemic Artistic Wasteland of Missed Opportunities and Creative Indifference.
All of the Movies in the Hey-Day Suffered and Blend Together with such a Degree of Sameness from the Actors to the Style or Lack Thereof, to the Story and the Soundtrack, that in Retrospect it's Difficult to Distinguish Among the Product Offered.
A Reality-Check also makes Clear that the Author is Never on Any Best Writer Lists. Truth is that Spillane was a Blistering Commodity that Tapped a Nerve. Returning Vets (Mickey was a Marine), and Macho Types of All Stripes Loved the Noble Savagery.
But Spillane was and Never Will be Considered a "Great" Writer Despite His Highly-Impressive Numbers. Is McDonalds Considered "Great" Dining.
The One Film that had the Backing and Will to put Hammer on the Screen with a Production Worth the Popularity of the Character was "Kiss Me Deadly" (1955).
Director Robert Aldridge's Seminal Film-Noir, some Consider a Masterpiece.
This B-Movie is like all the Other Hammer Movies...Low on Everything Including Talent and a Desire to Not Risk much on the Successor to the 30's and 40's Pulp Icon's.
So the Salivating Public was Short-Changed and the Hammer Legacy on the Screen has been Relegated, mostly, to an Anemic Artistic Wasteland of Missed Opportunities and Creative Indifference.
All of the Movies in the Hey-Day Suffered and Blend Together with such a Degree of Sameness from the Actors to the Style or Lack Thereof, to the Story and the Soundtrack, that in Retrospect it's Difficult to Distinguish Among the Product Offered.
I have never read any of the Mike Hammer novels so I cannot comment on how faithful the film adaptations are but I have seen all the films.
This film has a plot similar to the previous Mike Hammer film KISS ME DEADLY. As in the latter film Mike Hammer helps a girl escape from a gang of thugs, but the girl later turns up dead. Mike meets a women whom he thinks is trying to help him solve the girls murder, but like Gabrielle in KISS ME DEADLY, she is really working for the bad guys. The bad guys are lead by a retired English army officer who is trying to recover stolen Nazi loot he smuggled out of Europe after the war. Robert Bray is adequate as Mike Hammer, but he is no Ralph Meeker. But his Mike Hammer performance is light years ahead of Biff Elliot's or Armand Assante's.
This film has a plot similar to the previous Mike Hammer film KISS ME DEADLY. As in the latter film Mike Hammer helps a girl escape from a gang of thugs, but the girl later turns up dead. Mike meets a women whom he thinks is trying to help him solve the girls murder, but like Gabrielle in KISS ME DEADLY, she is really working for the bad guys. The bad guys are lead by a retired English army officer who is trying to recover stolen Nazi loot he smuggled out of Europe after the war. Robert Bray is adequate as Mike Hammer, but he is no Ralph Meeker. But his Mike Hammer performance is light years ahead of Biff Elliot's or Armand Assante's.
A private detective (Robert Blay) helps a prostitute being assaulted, and notices that she is wearing a unique ring. She is later found murdered and there is no trace of the ring, which turns out to be part of a cache of jewelry stolen by the Nazis during World War II.
This is apparently what a B-movie film noir looks like. No actors whose names mean anything to me (including star Robert Blay). Made by United Artists, and then acquired by MGM. Now probably sort of in limbo from the financial mess of MGM...
But you know what? Low budget or not, lack of star power or not, this is a pretty good story with a cool detective, some ladies of the night, shady characters...
This is apparently what a B-movie film noir looks like. No actors whose names mean anything to me (including star Robert Blay). Made by United Artists, and then acquired by MGM. Now probably sort of in limbo from the financial mess of MGM...
But you know what? Low budget or not, lack of star power or not, this is a pretty good story with a cool detective, some ladies of the night, shady characters...
Robert Bray is Mike Hammer in My Gun is Quick from 1957, directed by Victor Saville.
This was a very loud movie, in that it seemed as if everyone was shouting at the top of their lungs.
Hammer meets a young woman (Jan Chaney) whom he calls Red. She's down on her luck, so he gives her money and his phone number. She's wearing an unusual ring, which she says is worthless. Later she is found dead, and the ring is gone.
The ring was part of the Venacci jewelry collection, Nazi loot stolen after the war by a Colonel Holloway, who went to prison. The jewels have not been recovered, but several entities are after them.
The investigation into Red's murder ties into the quest for the jewels, resulting in several more murders.
During the movie, Hammer follows someone in his car. This was not a car chase. It was the most tedious thing I've ever seen. I swear it lasted twenty minutes.
Meredith Baxter's mother, Whitney Blake, who was Mrs. B on Hazel, is a main character who lives in the place once rented by Colonel Holloway.
Boring with loud performances. Like Lawrence Tierney, Bray had the detective familiar monotone.
This was a very loud movie, in that it seemed as if everyone was shouting at the top of their lungs.
Hammer meets a young woman (Jan Chaney) whom he calls Red. She's down on her luck, so he gives her money and his phone number. She's wearing an unusual ring, which she says is worthless. Later she is found dead, and the ring is gone.
The ring was part of the Venacci jewelry collection, Nazi loot stolen after the war by a Colonel Holloway, who went to prison. The jewels have not been recovered, but several entities are after them.
The investigation into Red's murder ties into the quest for the jewels, resulting in several more murders.
During the movie, Hammer follows someone in his car. This was not a car chase. It was the most tedious thing I've ever seen. I swear it lasted twenty minutes.
Meredith Baxter's mother, Whitney Blake, who was Mrs. B on Hazel, is a main character who lives in the place once rented by Colonel Holloway.
Boring with loud performances. Like Lawrence Tierney, Bray had the detective familiar monotone.
Mike Hammer (Robert Bray) is the quintessential hard-boiled private investigator. He helps out a working girl named Red with an unusual ring. She had come out from Nebraska looking to make it in Hollywood. She is later found dead. It is a case of a mysterious Colonel Holloway confiscating stolen Nazi jewels.
This is a Mike Hammer film. The production is lesser B-movie. The filming is rather static with many bland interior shoots. The filmmaking isn't that imaginative. There are plenty of women with big assets. The acting is a bit forced at times. There is some violence although nothing shocking. All in all, it adds up to a lesser effort in this B-movie genre.
This is a Mike Hammer film. The production is lesser B-movie. The filming is rather static with many bland interior shoots. The filmmaking isn't that imaginative. There are plenty of women with big assets. The acting is a bit forced at times. There is some violence although nothing shocking. All in all, it adds up to a lesser effort in this B-movie genre.
Você sabia?
- CuriosidadesRobert Bray receives an "introducing" credit, even though he is credited in 32 prior movies starting in 1947 (and 31 more, uncredited, before that). The "introducing" credit is qualified by "as Mike Hammer", suggesting that further appearances as Mike Hammer were planned or at least considered.
- Erros de gravaçãoWhen Hammer drives Maria from the club to Red's apartment, his car has the top up. Cut to a two-shot in the car, and the top is down.
- Citações
Mike Hammer: Off my back, chick - I'm tired!
- ConexõesFeatured in Mike Hammer's Mickey Spillane (1998)
- Trilhas sonorasBlue Bells
Written by Marlin Skiles and Stanley Styne
Principais escolhas
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- How long is My Gun Is Quick?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Mickey Spillane's My Gun is Quick
- Locações de filme
- Hotel Astoria, Olive St. and 3rd St., Bunker Hill, Downtown, Los Angeles, Califórnia, EUA(Hammer parks here and then finds Jean the janitor's body)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Proporção
- 1.85 : 1
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