Um Rosto na Multidão

The fictional story of a vagabond who is discovered and becomes a mega entertainment star who not only aquires fame and fortune but also political power. I came away from this film with the thinking that in 1957 when the picture came out in a strange way it must have terrified viewers. The film was clearly ahead of its time. By todays standards the egotistical, cynical and power hungry Lonesome Rhodes actually is quite tame but in 57 he must have been viewed as a cross between Hitler and Arthur Godfrey. Andy Griffith is nothing less than brilliant as Rhodes. Superb support from Patricia Neal, Walter Matthau, Anthony Franciosa and Lee Remick in her first motion picture. The movie never lags as it grips the viewer from the opening right to the final scene.

A timeless story,as evidenced by all the allegories to recent personalities here ( Howard Stern, Clinton, etc...)...HOWEVER..the film is based (loosely) on a personality of the mid-50s: one Arthur Godfrey..yes, the IL' Redhead himself. Skillfully wrapped in the cliché of 'country boy makes good' story, the Godfrey story was hot news in 1957,and there weren't too many people back then who missed its allusions For those who do not know: Arthur Godfrey was one of THE hottest things in the country in the early to mid 1950's: he literally had about two or three different TV shows on the schedule, plus a radio show that was among the most popular in the day. Godfrey was JUST like this movie in this respect: on the air, he was America's home-spun hero..telling folksy stories....crooning in an off tone baritone, and presenting pure, CLEAN entertainment. OFF the air,however the legend that is Arthur Godfrey to this day is one of THE biggest control freaks in show biz history..to the point of controlling the lives of all of his 'family'..unfortunately that turned out to be downfall...One Julius LaRosa had been a singer that Godfrey had 'discovered' in the US Navy Band...after he was discharged LaRosa became a singer on Godfrey's nighttime TV show "Arthur Godfrey and Friends",where he became an instant star among the bobby sox set. In time, LaRosa started a recording career,and started to have VERY successful records..then suddenly, in 1953, Godfrey suddenly fired LaRosa from his show for the mysterious reason of him having 'no humilty' ...it has been assumed since then that Godfrey was extremely jealous of Larosa's success...Anyways, this exposed the 'real' Godfrey to the public.,and while it didn't happen as quickly or as totally as Lonesome Rhodes' career,Godfrey's career as a superstar was effectively over after that..he eventually was reduced to hosting game shows and such. Writer Schulberg obviously also puts in his 2 cents on fame...politics..the show business...and early television here, but as I said,there wasn't NO ONE in those days who didn't know it was about Godfrey....

This film shows what a fine actor Andy Griffith truly is, and what roles he could have mastered had he not chosen the Mayberry path instead.

Directed by Elia Kazan, the political drama and satire of commercialism "A Face in the Crowd" is the story of Lonesome Rhodes (Griffith), a charismatic guitar-playing drifter who is discovered by radio executive Marcia Jeffries (the husky-voiced Patricia Neal) while in jail on a public drunk charge. He catapults to radio and TV stardom under the guise of being an aw-shucks homeboy who loves his fans. In fact, Lonesome Rhodes is a slimy, greedy, egotistical, manipulative womanizer with underhanded political aspirations and nothing but contempt for his gullible audience. The film was far ahead of its time in its theme and telling, and Andy Griffith gives a blazing performance that rivals Burt Lancaster's in "Elmer Gantry" (for which Lancaster won an Oscar). That this film wasn't even nominated for any awards is very surprising.

I also am saddened that it's never been released on DVD; it's one of the best of its kind I have ever seen, and was certainly Griffith's plum role and best performance. With a stellar supporting cast, including Patricia Neal, Walter Matthau, Tony Franciosa and a beautiful Lee Remick in her first film role, "A Face in the Crowd" is a must-see film, and should eradicate any opinion you may have that Griffith was only capable of his wholesome TV roles of Sheriff Taylor and Ben Matlock.

One of the best pictures I've seen to date. Griffith had the part of the womanizing, opinionated, lazy, loud mouthed bum down pat. In fact, the entire cast was superb in this dynamic, gripping, and in the first half, uproariously funny drama which clearly shows how ego can not only destroy the egotist but those close to him. This film is an equal to Griffith's fine performances as Horton Maddock in "Savages" and Howard Pike in "Hearts of the West". 4 stars.

It is surprising that 'A Face in the Crowd' only got a mixed critical reception when it first came out, though can actually understand why some were not so taken with it. It is great though that 'A Face in the Crowd' has gotten the acclaim it deserves over-time and is so highly regarded here. Anybody that wants to see every film directed by Elia Kazan, see a different side to star Andy Griffith and see a very interesting subject being addressed should absolutely watch this film.

As far as Kazan's films go (all of which are woth watching, even if for a couple of them just the once though to me he never made a "bad" film), 'A Face in the Crowd' is not as iconic as 'On the Waterfront', 'A Streetcar Named Desire' or 'East of Eden' or as emotionally powerful as 'A Tree Grows in Brooklyn', 'Pinky' and 'Man on a Tightrope'. It is still up there as one of his better films in my view, but he is not the only reason to see it. It was really interesting to see Griffith in such a different role and do it so well and in terms of subject matter it is one of the bravest ones of Kazan's films along with 'Pinky'.

With the exception of 'The Visitors', one of the few films from Kazan that didn't feel like it came from him, Kazan's films were very well made visually. That is the case with 'A Face in the Crowd', it is shot intimately without being static and opened up enough without being heavy or trying to do too much. While having the right amount of audacious style and grit. The editing is sharp and fluid and the locations are made good use of. The music is effective enough, isn't overused and at least fits the mood, wouldn't have said no to Alfred Newman or Alex North scoring though.

Kazan's direction is typically on the money, apart from the rare occasions where a film of his doesn't feel like it was directed by him (i.e. 'The Visitors'). He has great visual style, gives so much dramatic impact to scenes and his famously peerless direction of actors and how he got such great performances from actors against type or inexperienced is all on display here in 'A Face in the Crowd'. The script is razor sharp and has scathing bite as ought for a film with a satirical edge, and provokes a lot of though. Although it is very scathing to the extent that it's almost scary, it is done in good taste too.

The story is a compelling and brave one, really admire it when any film or anything take on this subject and represent the media in this way (a truthful one by the way and should be portrayed a lot more) and it has aged incredibly well. Namely because, sadly, the subject is still very relevant today (just like when 'Pinky' tackled racism). Anybody who has read any of my previous reviews will notice my admiration for films handling difficult but worth addressing topics and exploring them in an uncompromising way, which 'A Face in the Crowd' does and brilliantly, and if anybody feels uncomfortable after watching that is a good thing.

Furthermore, the characters are interesting. Can understand where some critics are coming from when they feel that with Rhodes being such a juicy and larger than life character with an incredibly powerful presence in a quite scary way that he dominates everything else too much, but personally don't agree so much. Although it is Rhodes that everybody remembers, one shouldn't overlook the other characters as Marcia brings a lot of heart to the film. He also doesn't feel too much of a cartoon at all and is quite accurate too. Griffith is absolutely brilliant and was never better, while there is also a fine performance from an emotive Patricia Neal. All the performances are very good.

My only complaint is the slightly too drawn out ending.

Otherwise, this is absolutely great in almost every way. 9/10