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8,1/10
41 mil
SUA AVALIAÇÃO
Um ex-jornalista frustrado que agora trabalha para um jornal de Albuquerque aproveita uma história sobre um homem preso em uma caverna para reavivar sua carreira, mas a situação rapidamente ... Ler tudoUm ex-jornalista frustrado que agora trabalha para um jornal de Albuquerque aproveita uma história sobre um homem preso em uma caverna para reavivar sua carreira, mas a situação rapidamente se transforma em um circo descontrolado.Um ex-jornalista frustrado que agora trabalha para um jornal de Albuquerque aproveita uma história sobre um homem preso em uma caverna para reavivar sua carreira, mas a situação rapidamente se transforma em um circo descontrolado.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 5 vitórias e 3 indicações no total
Robert Arthur
- Herbie Cook
- (as Bob Arthur)
Roy Regnier
- Nagel - New York Editor (replaced by Richard Gaines)
- (cenas deletadas)
Oscar Belinda
- Barker
- (não creditado)
Avaliações em destaque
10castolon
The movie very closely parallels the real events of January 30 to February 16, 1925 in terms of the general story line. There are some significant differences concerning the actions of the characters.
Floyd Collins, a cave explorer working alone (not a real good idea), was trapped in Sand Cave KY, near Mammoth Cave. He was not looking for treasure, but for a new cave suitable for commercializing to produce income in an economically depressed region...and this was before the Depression occurred.
He became trapped on the way out of the cave by a 27 lb. rock which rolled onto his leg in a narrow crawlway. The configuration was such that it could not be moved enough to get his foot past.
When he failed to return home, the family went searching and quickly found him only 150' inside the cave.
A huge rescue effort was mounted and a cub reporter, Skeets Miller, from Louisville KY showed up to cover the story. It became one of the three most widely broadcast events of the time. Besides the extensive newspaper coverage, the relatively new medium of commercial radio riveted listeners with hourly accounts. It quickly became the first media circus ever seen.
Because of the print and radio coverage people began flocking to the site. A carnival atmosphere did indeed spring up around the cave. The state police and National Guard were called out by the governor to control the chaos and the more than 20,000 onlookers. The similarity between the real event and the movie on this account are likely nearly identical.
As in the movie, a decision was made to drill a shaft and, also as in the movie, the rock was fairly unstable and prone to collapse from the pounding of the cable tool drilling rig. The longer the effort went on, the more unstable the cave passage became.
Unlike Kirk Douglas' character in the movie, Skeets Miller served a most honorable role. Due to his small build he became one of very few persons able, and eventually the only one willing, to enter in an attempt to deliver food and water to Collins. He received a Pulitzer Prize for his reporting. Also unlike the movie, there was no manipulation of the event to delay the rescue, but there was considerable disagreement over how to best do it. Area coal miners made the initial attempts and the event concluded with the above-mentioned shaft.
Collins was presumed to have died 3 days before rescuers reached him. Because the conditions were so unstable, the body was left in the cave. The family was able to remove him about 80 days afterward for a proper burial. Later, his glass-topped casket was returned to the now-commercial cave as a tourist attraction. It was removed once again, and finally, in 1989.
In 1982, a definitive account of the event was published in the book 'Trapped!'. A most informative read.
In a take-off of the 'Free Tibet' bumper stickers, vehicles are occasionally seen with a 'Free Floyd Collins' sticker.
Floyd Collins, a cave explorer working alone (not a real good idea), was trapped in Sand Cave KY, near Mammoth Cave. He was not looking for treasure, but for a new cave suitable for commercializing to produce income in an economically depressed region...and this was before the Depression occurred.
He became trapped on the way out of the cave by a 27 lb. rock which rolled onto his leg in a narrow crawlway. The configuration was such that it could not be moved enough to get his foot past.
When he failed to return home, the family went searching and quickly found him only 150' inside the cave.
A huge rescue effort was mounted and a cub reporter, Skeets Miller, from Louisville KY showed up to cover the story. It became one of the three most widely broadcast events of the time. Besides the extensive newspaper coverage, the relatively new medium of commercial radio riveted listeners with hourly accounts. It quickly became the first media circus ever seen.
Because of the print and radio coverage people began flocking to the site. A carnival atmosphere did indeed spring up around the cave. The state police and National Guard were called out by the governor to control the chaos and the more than 20,000 onlookers. The similarity between the real event and the movie on this account are likely nearly identical.
As in the movie, a decision was made to drill a shaft and, also as in the movie, the rock was fairly unstable and prone to collapse from the pounding of the cable tool drilling rig. The longer the effort went on, the more unstable the cave passage became.
Unlike Kirk Douglas' character in the movie, Skeets Miller served a most honorable role. Due to his small build he became one of very few persons able, and eventually the only one willing, to enter in an attempt to deliver food and water to Collins. He received a Pulitzer Prize for his reporting. Also unlike the movie, there was no manipulation of the event to delay the rescue, but there was considerable disagreement over how to best do it. Area coal miners made the initial attempts and the event concluded with the above-mentioned shaft.
Collins was presumed to have died 3 days before rescuers reached him. Because the conditions were so unstable, the body was left in the cave. The family was able to remove him about 80 days afterward for a proper burial. Later, his glass-topped casket was returned to the now-commercial cave as a tourist attraction. It was removed once again, and finally, in 1989.
In 1982, a definitive account of the event was published in the book 'Trapped!'. A most informative read.
In a take-off of the 'Free Tibet' bumper stickers, vehicles are occasionally seen with a 'Free Floyd Collins' sticker.
Of the many movies I viewed in the early 50's, so many ,like now, were here today, forgotten tomorrow. However some movies that became memorable and that were able to make a dramatic impact on this young guy include, Duel in the Sun and Gone with the Wind. Strangely enough, Ace in the Hole is the most memorable of all movies viewed. It is one that invades the mind and leaves one sad.
Few films I remember as vividly as this dark movie, the images linger to haunt me still. 'Why?' one might ask 'would a sombre movie like this made over 50 years ago remain so memorable, when so many others have vanished. Was it the surreal inhumanity of the plot, the repugnant newsman devoid of ethics, the exploitation of the trapped victim, the purposeful prolonging of the victim's entrapment to create a media frenzy, the ultimate commercial creation of an 'event' style attraction complete with a circus like atmosphere surrounding the cave while the victim remained entrapped and close to death.'
Supposedly based on a real incident, it's a tough movie to watch and more so if one is prepared to accept the premise that such inhumanity displayed in the movie has an element of truth.
I echo the desires of others to have the availability of this movie on VHS or DVD. In the interim my memory will continue to keep the images intact. See it if you can.
Few films I remember as vividly as this dark movie, the images linger to haunt me still. 'Why?' one might ask 'would a sombre movie like this made over 50 years ago remain so memorable, when so many others have vanished. Was it the surreal inhumanity of the plot, the repugnant newsman devoid of ethics, the exploitation of the trapped victim, the purposeful prolonging of the victim's entrapment to create a media frenzy, the ultimate commercial creation of an 'event' style attraction complete with a circus like atmosphere surrounding the cave while the victim remained entrapped and close to death.'
Supposedly based on a real incident, it's a tough movie to watch and more so if one is prepared to accept the premise that such inhumanity displayed in the movie has an element of truth.
I echo the desires of others to have the availability of this movie on VHS or DVD. In the interim my memory will continue to keep the images intact. See it if you can.
A powerful toasting of the media of the day. Imagine what this would have been like in the age of television. Kirk Douglas plays a self-centered heel, and does so very well. I also liked Jan Sterling as Lorraine. It's true that there is no really sympathetic character in this film, except maybe Leo, the man trapped in the cave. Someone wrote that he too, wasn't a sympathetic character, because he was trapped while collecting Indian artifacts for sale, but I don't think that would have bothered anyone in 1951. The tone of the film throughout was one of total cynicism, that seems a bit out of place for the times. Maybe that's why this movie was not a commercial success. It fits much better now, though, since everyone has seen the media behaving in such disgraceful fashion. However, that may rob it of some of its (probably intended) shock value. Grade: A
This is a movie I have loved since the first time I saw it as a child. Kirk Douglas plays the lead role in "The Big Carnival", or "Ace in the Hole" as it was originally titled. As down and out former ace newspaper reporter Chuck Tatum, he finds himself broke in the southwest and manages to talk himself into a reporting job with a small town newspaper. He and a cub photographer are sent to cover a snake hunt and on the way they come across a more interesting story. A man hunting Navaho artifacts got caught in a cave in.
Tatum, after visiting the man, Leo Minoso in the cave, has visions of Floyd Collins and a Pulitzer prize dancing in his head. Through blackmail and manipulation of the story, Tatum sells his soul and his journalistic ethics in his quest for a chance at the big time again.
This movie was ahead of it's time in estimating how low the media would go to sell a story. Tatum leads the carnival of onlookers, vendors and other reporters wanting a piece of the story until the inevitable tragic ending occurs. He realizes too late how he has turned a simple event into a tragedy and become part of the story instead of a reporter. Kirk Douglas turns in a powerful performance.
Tatum, after visiting the man, Leo Minoso in the cave, has visions of Floyd Collins and a Pulitzer prize dancing in his head. Through blackmail and manipulation of the story, Tatum sells his soul and his journalistic ethics in his quest for a chance at the big time again.
This movie was ahead of it's time in estimating how low the media would go to sell a story. Tatum leads the carnival of onlookers, vendors and other reporters wanting a piece of the story until the inevitable tragic ending occurs. He realizes too late how he has turned a simple event into a tragedy and become part of the story instead of a reporter. Kirk Douglas turns in a powerful performance.
Saw this films years ago and it's still gripping.Mr.Wilder seldom did films that gripped the human condition like this one.After this movie flopped he stuck to screen adaptions of stage hits through most of the fifties.Both director and star,Kirk Douglas really delivered a stinging expose of media hype and manipulation of the newspaper business.Herein,burned out reporter Douglas chances on a man trapped in a cave and ruthlessly exploits it for his own gain.There's no softness here,even the leading lady (played wonderfully by Jan Sterling)is as hard as Douglas.The scenes of all the gawkers showing up,complete with carnival,are outright creepy.There's even a cheesy country western singer plunking a guitar and singing about poor Leo,(the trapped man.) The only sympathetic person is poor Leo's mom who continually prays for his release.Definitely a film for lovers of great movie drama.
Você sabia?
- CuriosidadesAfter the film was released, it got bad reviews and lost money. The studio, without Billy Wilder's permission, changed the title to "The Big Carnival" to increase the box office take of the film. It didn't work. On top of that, Wilder's next picture, O Inferno Nº 17 (1953), was a hit and he expected a share of the picture's profits. Paramount's accountants told him that since this picture lost money, the money it lost would be subtracted from the profits of "Stalag 17".
- Erros de gravaçãoWhen Lorraine and Chuck are talking out in front of Minosa's store by the gas pumps, reflections of the crew moving around behind the camera can be seen in the store windows.
- Citações
Charles Tatum: Bad news sells best. Cause good news is no news.
- ConexõesFeatured in AFI Life Achievement Award: A Tribute to Billy Wilder (1986)
- Trilhas sonorasThe Hut-Sut Song
(uncredited)
Written by Leo Killion, Ted McMichael and Jack Owens
Sung by Richard Benedict and Kirk Douglas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- A Montanha dos Sete Abutres
- Locações de filme
- Laguna Pueblo, Novo México, EUA(church exteriors)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.800.000 (estimativa)
- Faturamento bruto mundial
- US$ 2.300.087
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Proporção
- 1.37 : 1
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