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7,0/10
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Victor Frankenstein constrói uma criatura e a traz à vida, porém, não se comporta como ele pretendia.Victor Frankenstein constrói uma criatura e a traz à vida, porém, não se comporta como ele pretendia.Victor Frankenstein constrói uma criatura e a traz à vida, porém, não se comporta como ele pretendia.
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- 1 vitória e 1 indicação no total
Josef Behrmann
- Fritz
- (não creditado)
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Avaliações em destaque
This was Hammer Films opening entry into their Horror re-imagining of classic Universal Studios Monsters and it is still one of the best. Here we get a new take on the familiar Frankenstein myth with the young Frankenstein coming from a fatherless background and embracing only science and reason with any real conviction. Finally when a breakthrough comes, the Young master will stop at nothing to achieve the fame, glory and notoriety he desires--his lack of regard for others is frightening even to his mentor Paul Krempe(played excellently by Robert Urquhart)who warns him against tampering with the forces of nature and that nothing good will come from it. Cushing is outstanding in the role and adds a real sense of tragedy, genius and malice. Hazel Court is certainly lovely as the innocent cousin Elizabeth who naively becomes entangled into Frankenstein's sinking path of unconscious self-destruction.
Outstanding horror film that began a series starred by two greatest terror icons as Peter Cushing and Christopher Lee ; being one of the best movies from Hammer Productions . It starts in prison when a prisoner is awaiting death row , he is Dr. Victor Frankenstein (Peter Cushing) who retells to a priest what led him to his execution . He inherited his family state with the title 'Baron Victor Von Frankestein' after the death of his parents when he was still only a young man (Hayes) . He contacted Paul Krempe (Robert Uquhart) as his tutor and he immediately developed an interest in medical science . After several years , Victor and Krempe became notorious scientists and they developed a penchant in the human origins and Victor then creates a weird being and brings it to life . After successfully re-animating a dead dog , Victor sets about constructing a man using body parts he acquires for the purpose including the hands of an artist and the brain of a prestigious scholar (Paul Hardmouth). But as Elizabeth (Hazel Court) , Victor's Cousin arrives to marry him, Paul stays in the house to protect her . Victor Frankenstein whose experimentation with creation of life becomes an obsession , but his creature behaves not as he intended .
The classic actor of horror movies named Christopher Lee is terrific as the monster and Peter Cushing brings a strong portrayal of the scientific attempting to create a human taking parts here and there . Although they had both previously appeared in Hamlet and Moulin Rouge, Christopher Lee and Peter Cushing met on the set of this film for the first time and quickly developed a fast friendship, which lasted until Cushing's death in 1994 . Atmospheric, slick terror film , creaky at times but it's still impressive . Thought-provoking and broody screenplay has nice atmosphere especially in Eastmancolour by expert cameraman Jack Asher . The idea originated with Milton Subotsky, who went on to co-found Amicus Films, Hammer's main rival during the 1960s and early 1970s , the script was revised several times to avoid repeating any elements from the Universal Frankenstein series , as part of this effort, new monster make-up had to be devised especially for this film . After the successful Universal Pictures as ¨House of Frankestein¨, ¨Bride of Frankestein¨ , ¨Son of Frankestein¨, ¨Frankestein meet the wolf man¨ and ¨ The Zingara and the monsters¨ , Frankestein personage was left until Hammer Productions took him and produced this magnificent movie ; although Universal threatened a lawsuit if Hammer copied any elements from the classic version . Followed by six sequels as ¨Revenge of Frankestein¨ by Fisher , ¨Evil of Frankestein¨ by Freddie Francis , Frankestein created woman¨ by Fisher , ¨Frankestein must be destroyed¨ by Fisher , ¨The horror of Frankestein¨ by Jimmy Sangster and ¨Frankestein and the monster from hell¨ by Fisher ; all of them starred by Peter Cushing and one by Ralph Bates , besides similar artistic and technician team as the cameraman Jack Asher , Production designer Bernad Robinson , musician James Bernard and make-up by Philip Leaky.
¨The curse of Frankestein¨ displays excellent set design , ambitious screenplay with too many eerie scenes and adequate interpretation for all casting . Peter Cushing does a top notch performance in the role which made him a terror movie legend , it still stands as one of the great screen acting . Thrilling and chilling musical score by James Bernard . Colorful and imaginative cinematography by Jack Asher , being first Frankenstein movie to be filmed in color . The motion picture was masterfully directed by Terence Fisher who directed classic horror films as ¨Dracula¨, ¨Dracula , prince of darkness¨ , ¨The brides of Dracula¨ , ¨The mummy¨ , ¨Phantom of opera¨, ¨The Gorgon¨ , ¨The devil rides out¨ and many others . Rating : Top-drawer terror film , essential and indispensable watching .
The classic actor of horror movies named Christopher Lee is terrific as the monster and Peter Cushing brings a strong portrayal of the scientific attempting to create a human taking parts here and there . Although they had both previously appeared in Hamlet and Moulin Rouge, Christopher Lee and Peter Cushing met on the set of this film for the first time and quickly developed a fast friendship, which lasted until Cushing's death in 1994 . Atmospheric, slick terror film , creaky at times but it's still impressive . Thought-provoking and broody screenplay has nice atmosphere especially in Eastmancolour by expert cameraman Jack Asher . The idea originated with Milton Subotsky, who went on to co-found Amicus Films, Hammer's main rival during the 1960s and early 1970s , the script was revised several times to avoid repeating any elements from the Universal Frankenstein series , as part of this effort, new monster make-up had to be devised especially for this film . After the successful Universal Pictures as ¨House of Frankestein¨, ¨Bride of Frankestein¨ , ¨Son of Frankestein¨, ¨Frankestein meet the wolf man¨ and ¨ The Zingara and the monsters¨ , Frankestein personage was left until Hammer Productions took him and produced this magnificent movie ; although Universal threatened a lawsuit if Hammer copied any elements from the classic version . Followed by six sequels as ¨Revenge of Frankestein¨ by Fisher , ¨Evil of Frankestein¨ by Freddie Francis , Frankestein created woman¨ by Fisher , ¨Frankestein must be destroyed¨ by Fisher , ¨The horror of Frankestein¨ by Jimmy Sangster and ¨Frankestein and the monster from hell¨ by Fisher ; all of them starred by Peter Cushing and one by Ralph Bates , besides similar artistic and technician team as the cameraman Jack Asher , Production designer Bernad Robinson , musician James Bernard and make-up by Philip Leaky.
¨The curse of Frankestein¨ displays excellent set design , ambitious screenplay with too many eerie scenes and adequate interpretation for all casting . Peter Cushing does a top notch performance in the role which made him a terror movie legend , it still stands as one of the great screen acting . Thrilling and chilling musical score by James Bernard . Colorful and imaginative cinematography by Jack Asher , being first Frankenstein movie to be filmed in color . The motion picture was masterfully directed by Terence Fisher who directed classic horror films as ¨Dracula¨, ¨Dracula , prince of darkness¨ , ¨The brides of Dracula¨ , ¨The mummy¨ , ¨Phantom of opera¨, ¨The Gorgon¨ , ¨The devil rides out¨ and many others . Rating : Top-drawer terror film , essential and indispensable watching .
26 years after Universal Studios and James Whale hit gold with both critics and audiences alike with their interpretation of Mary Shelley's classic novel Frankenstein, another production studio was about to reinvigorate the horror genre with a vastly different take on the same book. Hammer Studios seemed to know something no-one else did - that audiences had a thirst for blood. The critics may not have appreciated it at the time (though they certainly do now), but the paying audiences lapped up The Curse of Frankenstein's amped-up levels of gore and Gothic atmosphere.
The film begins with Victor Frankenstein (Peter Cushing) in a jail cell awaiting his execution for an unknown crime. He calls for a priest who he tells his story to. Victor was only a child where he became a baron and inherited his family's estate, and employed his teacher, Paul Krempe (Robert Urquhart), to teach him everything there is to know about the science of anatomy. Years later, Victor and Paul manage to bring a puppy back to life, much to their delight. While Paul is thrilled with their achievement, Victor is unsatisfied and longs to create a human life of his own.
Anyone hoping for a faithful re-telling of Mary Shelley's novel will be sorely disappointed. Director Terence Fisher and writer Jimmy Sangster (director of Hammer's Fear in the Night (1972)) makes the film more about Frankenstein than his creation. While the novel focused more on the tragic nature of the Creature's creation and treatment, the film portrays Victor not only as a flawed and arguably misguided visionary, but a stone-cold murderer, pushing a scientific genius to his death in order to have his superior brain for his creation. The brain is damaged in an alteration between Victor and Paul, so the creature is of low intelligence anyway.
For all the 're-imaginings' of Frankenstein, this is certainly the best I've seen. The diversions from the source material make it a different experience entirely, and one simply to be enjoyed rather than to ponder it's deeper meanings. Cushing's performance is incredible, adding a gravitas to his character even when the movie dips into camp. Christopher Lee, playing the Creature and in his first of many appearances for Hammer, puts in an impressive physical performance and manages to invite sympathy with no dialogue at all. Hazel Court also appears as Victor's cousin Elizabeth, in what is little more than the obligatory female role. A fantastic kick-start to what would be one of the greatest movements in horror.
www.the-wrath-of-blog.blogspot.com
The film begins with Victor Frankenstein (Peter Cushing) in a jail cell awaiting his execution for an unknown crime. He calls for a priest who he tells his story to. Victor was only a child where he became a baron and inherited his family's estate, and employed his teacher, Paul Krempe (Robert Urquhart), to teach him everything there is to know about the science of anatomy. Years later, Victor and Paul manage to bring a puppy back to life, much to their delight. While Paul is thrilled with their achievement, Victor is unsatisfied and longs to create a human life of his own.
Anyone hoping for a faithful re-telling of Mary Shelley's novel will be sorely disappointed. Director Terence Fisher and writer Jimmy Sangster (director of Hammer's Fear in the Night (1972)) makes the film more about Frankenstein than his creation. While the novel focused more on the tragic nature of the Creature's creation and treatment, the film portrays Victor not only as a flawed and arguably misguided visionary, but a stone-cold murderer, pushing a scientific genius to his death in order to have his superior brain for his creation. The brain is damaged in an alteration between Victor and Paul, so the creature is of low intelligence anyway.
For all the 're-imaginings' of Frankenstein, this is certainly the best I've seen. The diversions from the source material make it a different experience entirely, and one simply to be enjoyed rather than to ponder it's deeper meanings. Cushing's performance is incredible, adding a gravitas to his character even when the movie dips into camp. Christopher Lee, playing the Creature and in his first of many appearances for Hammer, puts in an impressive physical performance and manages to invite sympathy with no dialogue at all. Hazel Court also appears as Victor's cousin Elizabeth, in what is little more than the obligatory female role. A fantastic kick-start to what would be one of the greatest movements in horror.
www.the-wrath-of-blog.blogspot.com
Next to the Amimus anthology horror films, Hammer horror films (especially the ones directed by Terrance Fisher) are my favorite British films! "The Curse of Frankenstien" is one of my favorite of those great Terrance Fisher directed Hammer horror films! Unlike the original Frankenstein of 1931, this film put most of the enthuses on the Doctor instead of the Monster and I think it was a good ideal! Peter Cushing in my opinion, was the greatest Docter Frankenstein ever! He was the main villain in this film! The film was in color and it had a good moral message in it as well! I also like how those British horror films of the late 1950s though early 1970s, while less conservative than earlier horror films, did not go to extremes with blood and gore like later horror films do! They were very much in between the two extremes!
'The Curse Of Frankenstein' is a landmark horror movie for several reasons. Firstly, though Hammer had already released 'The Quatermass Xperiment', a science fiction movie with some horror elements, it was the studios first real entry into the genre which it is still revered around the world for. Secondly, it was the first movie inspired by Mary Shelley's 'Frankenstein' made in colour. And thirdly, while it wasn't the first movie to feature both Peter Cushing and Christopher Lee, it was their first horror movie together, and one which introduced one of THE great screen duos, who eventually made over twenty movies together. Lee doesn't have as much on screen time as one might expect, but his Monster is memorable and visually striking (after Universal threatened to sue if the image of Karloff's monster was copied). As well as Lee, the supporting cast includes good performances from Robert Urquhart and Hazel Court. Urquhart plays Paul Krempe, initially the young Baron's tutor (the Baron being briefly portrayed by Melvyn Hayes before Cushing), and later his often unwilling assistant. Court, best remembered for her roles in some of Roger Corman's Poe series, plays the Baron's cousin/fiancee. The standout performance of the movie is by Peter Cushing. I still think Karloff is the definitive Monster but Cushing is the definitive Baron Frankenstein. There were six sequels to 'The Curse Of Frankenstein' and Cushing played Frankenstein in all but one, the second last in the series 'The Horror Of Frankenstein', which was actually a tongue in cheek remake of 'Curse..' starring Ralph Bates as the Baron. The movie wasn't completely successful and thankfully Cushing returned for the final movie 'Frankenstein And The Monster From Hell'. For me the first and last in the series tie as the best Hammer Frankenstein movies and Cushing is remarkable in them both. I highly recommend 'The Curse Of Frankenstein', one of Hammer's greatest horror movies. No-one can truly call themselves a horror movie fan if they haven't seen it.
Você sabia?
- CuriosidadesAlthough they had both appeared in Hamlet (1948), Moulin Rouge (1952), and Alexandre Magno (1956), Christopher Lee and Peter Cushing met on the set of the film for the first time. They would pass the time between shots by exchanging "Looney Tunes" phrases and quickly developed a fast friendship, which lasted until Cushing's death in 1994.
- Erros de gravaçãoWhen Justine is creeping up to the Baron's laboratory, she is wearing 20th century high-heeled shoes.
- Citações
Baron Frankenstein: Let's let our friend here rest in peace... while he can.
- Cenas durante ou pós-créditosOpening credits prologue: More than a hundred years ago, in a mountain village in Switzerland, lived a man whose strange experiments with the dead have since become legend. The legend is still told with horror the world over.... It is the legend of...
The Curse of Frankenstein
- Versões alternativasFor its original cinema release the BBFC required cuts to the scene where a man's head is severed by the Baron and dissolved in acid. The severing was reduced to a brief shot and no footage at all survives of the acid scene. Video and early DVD releases featured the U.S print which was cut further to remove a shot of a severed eyeball as seen through a magnifying glass, though the UK cinema print, which contains this shot, was often shown on BBC television. The 2012 Lionsgate release features the restored version which includes the eyeball shot from the UK print.
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- La maldición de Frankenstein
- Locações de filme
- Oakley Court, Windsor Road, Oakley Green, Windsor, Berkshire, Inglaterra, Reino Unido(Chateau Frankenstein-exterior)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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- Orçamento
- £ 65.000 (estimativa)
- Tempo de duração1 hora 22 minutos
- Proporção
- 1.37 : 1(original & negative ratio / alternative theatrical ratio, Blu-ray release)
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By what name was A Maldição de Frankenstein (1957) officially released in India in English?
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