Comedores Anônimos de Pássaros

Perhaps, since there are hundreds of these featuring Bosco, Goofy Gophers, H. Hawk, Col. Shuffle, Buddy, Foghorn Leghorn, Gabby Goat, Pete Puma, Nasty Canasta, Sniffles, Speedy Gonzales, Hector the Bulldog, Pepe Le Pew, Melissa Duck, Slowpoke Rodriguez, Hubie & Bertie, Black Jack Shellac, Beaky Buzzard, Angus Mac Roary, Foxy, Granny, Witch Hazel, Rocky & Mugsy, Penelope Cat, Miss Priscilla Hen, Spike the Bulldog and Chester the Terrier. However, it is quite important to remember that though BIRDS ANONYMOUS was far worthier of a gelded statuette award than any of the umpteen Tom & Jerry's so honored, it pales in comparison to hundreds of OTHER Looney Tunes, including the universally acclaimed Best Animated Short of All-Time, Bugs Bunny and Elmer's classic WHAT'S OPERA, DOC?

This is a delightful cartoon and one of the most effective and entertaining Sylvester and Tweety cartoons Warner Brothers did. The B. A. meeting is inspired parody and Sylvester's attempts to kick the "bird habit" are exceptionally funny. Tweety's closing line is the perfect capper to a wonderful ending. Won a well-earned Oscar. Shows frequently on Cartoon Network. Highly recommended.

"Birds Anonymous" is a very good Looney Tunes cartoon. However, I really can't see why it won the Oscar for Best Animated Short--especially since the studio clearly has made much better cartoons that never received this recognition. The animation was decent but very late 1950s style--with minimalistic backgrounds and familiar characters.

The short begins with Sylvester doing what he always does in these cartoons--he's trying to eat Tweety. However, just before he does the deed, he's stopped by another cat--a cat who is a member of Bird-eaters Anonymous. Inexplicably, Sylvester joins as well and thinks he's finally conquered his addiction. Naturally, however, things don't go all that smoothly and his BA buddy comes to his aid.

While this is a good but not great cartoon, I am actually amazed at how timely it was, as AA had only just begun the same year this cartoon debuted. In an odd way, the cartoon brought a lot of positive publicity to the program--so in that sense it's a fascinating film.

"Birds Anonymous" is one of the many classic Looney Tunes cartoons that comes across funnier when you're an adult than when you're a kid, as you understand what it's spoofing. In this case, the target is Alcoholics Anonymous, as Sylvester enters an organization that helps cats break their bird addiction. But it's not that easy for him to think about anything other than Tweety (it's hard to deny that felines really develop dependencies on avians).

They hit it right on the nail with this cartoon. The meeting early on shows cats talking about how their bird addictions were running their lives into the ground until the organization saved them. And when the organization's rep Sam catches Sylvester trying to eat Tweety, Sam goes off on a speech about how this one snack will open Sylvester's addiction back up! I actually think that it's really good that they spoofed Alcholics Anonymous. Once, I was watching Penn & Teller's show, and they said that AA is basically a religion. Aside from the fact that a "12-step program" is a rather dogmatic idea, AA apparently hasn't changed it's modus operandi since its creation in 1935. But if AA helps people break their addiction, then it probably balances everything out.

Anyway, this is a really funny cartoon. Like I said, it becomes funnier once you're old enough to understand it (as do many if not most of the classic Looney Tunes cartoons). It certainly deserved its Oscar.

I do like the Sylvester and Tweety cartoons in general, Tweety I do like when he is active and not nothing more than a plot device, but I love Sylvester who always excels at providing the laughs. Birds Anonymous is a contender for their best cartoon. Tweety is underused and is more a plot device here, but this is one instance where this works, because Sylvester is so good and delightful to watch. The story is reminiscent of a spoof while also stepping away from the usual formula in this set of cartoons, and it is fast-paced and energetic, helped by the witty writing, infectious music and delightful gags, while the animation is of fluid and colourful quality and the opening sequence is wonderful and almost Hitchcockian. Mel Blanc does a brilliant job with the voices and it shows perfectly that it was apparently his favourite WB cartoon. Overall, wonderful and probably the best of this cartoon duo. 10/10 Bethany Cox