O Falcão

"Hawk" (1966) had a brilliant core idea of filming a detective series on location in New York City at night. Making the central character an American Indian and casting 30-year old Burt Reynolds as Lt. John Hawk were also extremely smart moves. (David Carradine was also considered for the role of Hawk.) This show had enormous promise.

"Hawk" was created by Emmy winner Allan Sloane ("Teacher, Teacher", "East Side, West Side", "The Breaking Point"). Sloane also wrote several strong episodes. The executive producer was Hubbell Robinson ("Boris Karloff's Thriller", "87th Precint"), who always strove for quality.

The stories were literate and intriguing (coming from the same people who were doing "The Defenders" and the other top dramatic shows of the day.) The casting of guests was impeccable, often drawing from the fine pool of actors working out of New York City. Some of the guest stars were Gene Hackman, Robert Duvall, Martin Sheen, Frank Converse, Philip Bosco, Scott Glenn, Diana Muldaur, Diane Baker, Louise Sorel, Bradford Dillman, Carol Rossen, James Best, Emily Prager and Beverlee McKinsey.

The main problem with the series was that the character of John Hawk was an arrogant jerk, apparently modeled after Ben Casey with a little Marlon Brando thrown in. Hawk had a big chip on his shoulder. It was impossible to like him. Burt Reynolds was never more appealing than as "half-breed" blacksmith Quint Asper on "Gunsmoke" for two years in the early 60's. The writers and producers should have let Reynolds play Hawk more like Quint Asper.

Another weakness was that Hawk always had to be right and always had to perform the heroics solo. This made Hawk even more insufferable. The producers should have given Hawk a partner who was an equal rather than an eager beaver trainee. Gerald S. O'Loughlin, Ossie Davis or Frank Converse could have been good choices for Hawk's partner. Reynolds could have easily developed a humorous, easy rapport with any of those actors. The partner could have shared some of the heroics and might even have made fun of John Hawk's preening self-importance.

Even with its weaknesses, "Hawk" was an excellent effort, and I wish it had lasted longer. With just a little tweaking of the main character, this could have been one of the finest TV cop shows in history. Indeed, th premise of "Hawk" was so good, it could be remade as a series today.

Between this and Quinn Martin's Dan August, Burt's potential as a dramatic action star seemed sealed. He was good in this moody, jazzy and sometimes violent series. There was always that emphasis on his (American) Indian heritage and the wretchedness of his job (one episode dealt with the unrewarding job of a stool pigeon). Too bad Burt didn't seem to care much about his movie career considering the spate of bad films he made in the 70's (Deliverance notwithstanding).

Before playing a monotone detective in the 1969 series DAN AUGUST, young mustache-less/Marlon-Brando-looking Burt Reynolds played a monotone detective named HAWK... the difference being he's, like the initial breakthrough role on GUNSMOKE, part Indian... and instead of investigating old friends mostly during daylight, the twist here's a seedy gumshoe style world after midnight...

In this case, one of the few episodes available, THE HANDS OF CORBIN CLAYBROOKE, centering on an offbeat artist with gorgeous assistant Marianna Hill teamed with a handsome criminal that had murdered another artist, both involved in a scam a bit difficult to follow, for the audience more than Burt's titular detective, knowing the girl's involved as if he'd seen enough noir films...

Providing young Burt his first of two one-season-shows before the second of three catapults: first on the big screen for DELIVERANCE before riding high in SMOKEY AND THE BANDIT...

Meanwhile, it's already famously infamous that his comedic brand derailed an otherwise serious dramatic career... yet he could have used some of that likeable levity both in DAN AUGUST and HAWK since, liken to Jack Nicholson, when Burt discovered a more breezy style, even his dramatic performances improved.

Hawk retains the grittiness of an earlier Screen Gems series, Naked City, but has a nice touch with it's use of color film in mostly night shots. One of the best aspects is the sound by Don Kirshner, and the very eerie nocturnal theme music by Kenyon Hopkins played while Hawk drives his 1966 Pontiac Bonneville up 7th Avenue at 11:52:59 pm (according to a digital clock).

"HAWK" was a crime drama/police series with a twist that made it difference from all other cop shows that were around during the 1960's. The series,starring Burt Reynolds came around after his stint as Quint Asper,the "half-breed" blacksmith/assistant deputy ended during his tenture on "Gunsmoke" from 1962-1965 whom he starred in 50 episodes.

His new status in this series would be totally different,and it would be known that "HAWK" was the first detective series to feature an Native-American in a positive role. And this short-lived series would be some four years before he would star in another detective series "Dan August". Of the 17 episodes that this series produced,it was filmed on location in New York City and in color and it ran on ABC-TV from September 8,1966 until December 29,1966. It was one of the shortest shows that premiered on the ABC fall line-up for the 1966-1967 season. "HAWK" lasted no more than four months on the air but it had a great premise. When it premiered it had some strong competition opposite on the network's Thursday night line-up where it went up against "The Dean Martin Show",the situation comedy series "My Three Sons",not to mention "The CBS Thursday Night Movie" which clobbered it in the ratings. Burt Reynolds character of Lt. John Hawk was a full-blooded Iroquois Indian assigned to the District Attorney's Office in New York City. He works the nightbeat(or graveyard shift)with his partner Detective Dan Carter(Wayne Grice)and is assigned cases under the Assistant District Attorney Murray Slaken(Bruce Glover)and the Assistant District Attorney Ed Gorton(Leon Janney). The cases where he was involved with sent him from the rich and the poor from the exclusive penthouses along Park Avenue,to the run down tenaments of the West Side. Some of the stories from this series were literate and intriguing not to mention brilliant(coming from the same producers who were behind "The Defenders","East Side/West Side",and "Naked City" with other dramatic shows that exploded during that era)writing from this series coming from the talents of Edward Adler,Donald Mankiewicz and Albert Ruben. Not to mention some excellent directing from Paul Henreid, Alexander Singer,Leonard Horn,Richard Benedict,Tom Donavan,and one episode that put Burt Reynolds behind the camera in a emotional episode titled "Blind Man's Buff".

Some of the episodes that this series produced were excellent in their own right which included not only "Blind Man's Buff",but also "Wall of Silence","The Hands of Corbin Claybrooke","Some Devil Whispered in his Ear",and "H Is A Dirty Letter". The guest stars that came onboard were some of the finest and it featured an array of talent that consisted of Gene Hackman, Robert Duvall,Martin Sheen, Frank Converse,Diana Muldaur, Diane Baker,Ossie Davis,Bradford Dillman,and Louise Sorel. However,the star of this series of Burt Reynolds himself who was half-Indian. Originally aired on ABC from 9/8/1966 thru 12/29/1966 and was cancelled after 17 episodes. However,ABC found a replacement for this series in January of 1967. However,ten years later after it was cancelled in 1966 and hoping to capitalize on Burt Reynolds' later development into a huge celebrity not to mention box office star,NBC-TV aired repeated episodes during April of 1976 thru August of 1976 in prime-time