Adicionar um enredo no seu idiomaFifty-something Edith Lambert is thrilled to find out that she's expecting a baby, but her husband Harry is less enthusiastic.Fifty-something Edith Lambert is thrilled to find out that she's expecting a baby, but her husband Harry is less enthusiastic.Fifty-something Edith Lambert is thrilled to find out that she's expecting a baby, but her husband Harry is less enthusiastic.
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Michael Abelar
- Lumberyard Man
- (não creditado)
Lou Bernard
- Lumberyard Man
- (não creditado)
Robert Biheller
- Young Husband
- (não creditado)
Ted Blair
- Lumberyard Man
- (não creditado)
Gino Cappelletti
- Lumberyard Man
- (não creditado)
Charles Dornan
- Surveyer
- (não creditado)
Johnny Eimen
- Boy
- (não creditado)
Tommy Farrell
- Fred Ainsley
- (não creditado)
Jesslyn Fax
- Saleswoman
- (não creditado)
Pamelyn Ferdin
- Little Girl in Elevator
- (não creditado)
John Francis
- Plumber
- (não creditado)
Avaliações em destaque
Before Bud Yorkin and Norman Leer shot to fame for films such as "Start the Revolution Without Me" or TV shows like "All in the Family", they had a big stage success with "Never Too Late". And, unlike most Broadway shows that make it to the big screen, the starts of the play, Paul Ford and Maureen O'Sullivan, starred in BOTH!
The story is very simple. Edith is in her 50s and finds herself pregnant. However, oddly, her husband just seems to be in a very foul mood throughout the film...complaining about pretty much everything! You'd think he'd be happy and initially shocked...but his reaction just seemed bizarre and inappropriate. And, speaking of inappropriate, when the daughter and her husband hear about it, suddenly the daughter (Connie Stevens) insists she also wants a baby and her husband (Jim Hutton) also then spends the rest of the film complaining! And, after a while, I just got tired of it!
While the story is fun, at least initially, it just didn't seem the least bit realistic nor enjoyable. Yelling isn't comedy...and this is pretty much yelling from start to finish. It has some good moments here and there...but overall it left me flat.
By the way, if you watch the film, notice that they never use the word 'toilet' in the scene with the toilet. They also act as if it's something unmentionable. Too weird.
The story is very simple. Edith is in her 50s and finds herself pregnant. However, oddly, her husband just seems to be in a very foul mood throughout the film...complaining about pretty much everything! You'd think he'd be happy and initially shocked...but his reaction just seemed bizarre and inappropriate. And, speaking of inappropriate, when the daughter and her husband hear about it, suddenly the daughter (Connie Stevens) insists she also wants a baby and her husband (Jim Hutton) also then spends the rest of the film complaining! And, after a while, I just got tired of it!
While the story is fun, at least initially, it just didn't seem the least bit realistic nor enjoyable. Yelling isn't comedy...and this is pretty much yelling from start to finish. It has some good moments here and there...but overall it left me flat.
By the way, if you watch the film, notice that they never use the word 'toilet' in the scene with the toilet. They also act as if it's something unmentionable. Too weird.
10ellery99
I thought this movie was GREAT! And I also thought Jim Hutton & Connie Stevens were great as well...I was sorry to see it end! Very enjoyable.....
In those early Sixties Kennedy years this play and film were big hits with an across the board appeal to generations, but particularly the senior citizen crowd. Paul Ford and Maureen O'Sullivan who repeated their roles from the 1007 performance run Broadway play show that those thought past their prime can still do some things totally unexpected.
Menopause was late coming in the Lambert household of Concord, Massachusetts because Maureen O'Sullivan has announced after a 20 year span after the birth of her daughter Connie Stevens that she is pregnant again. She and Paul Ford are about to be parents again at an age when they should be expecting their first grandchildren. That is of particular interest to Connie Stevens and her husband Jim Hutton who are trying ever so hard to get Connie in a family way.
But in general Ford who is a conservative man by nature is getting all kinds of Ooohs and Ahs from the town for his unexpected virility. His neighbor and rival Lloyd Nolan who is the mayor of the town is really ribbing him something awful.
Sight gags abound in Never Too Late usually involving Ford and his middle age paunch. There's a scene in the pediatric waiting room where Ford is sitting with a bunch of young fathers to be. There's another one in an elevator with Ford and a little girl and some pregnant women with the young girl drawing all kinds of conclusions.
In the non-visual category Ford and Hutton both really tie one on and a bit of truth telling emerges from the booze.
I remember seeing this in the theater back when it first came out and the timeless family situations make Never Too Late as fresh as it was when I first saw it. This could get a remake today and not lose a thing. But until then this fine version will suffice.
Menopause was late coming in the Lambert household of Concord, Massachusetts because Maureen O'Sullivan has announced after a 20 year span after the birth of her daughter Connie Stevens that she is pregnant again. She and Paul Ford are about to be parents again at an age when they should be expecting their first grandchildren. That is of particular interest to Connie Stevens and her husband Jim Hutton who are trying ever so hard to get Connie in a family way.
But in general Ford who is a conservative man by nature is getting all kinds of Ooohs and Ahs from the town for his unexpected virility. His neighbor and rival Lloyd Nolan who is the mayor of the town is really ribbing him something awful.
Sight gags abound in Never Too Late usually involving Ford and his middle age paunch. There's a scene in the pediatric waiting room where Ford is sitting with a bunch of young fathers to be. There's another one in an elevator with Ford and a little girl and some pregnant women with the young girl drawing all kinds of conclusions.
In the non-visual category Ford and Hutton both really tie one on and a bit of truth telling emerges from the booze.
I remember seeing this in the theater back when it first came out and the timeless family situations make Never Too Late as fresh as it was when I first saw it. This could get a remake today and not lose a thing. But until then this fine version will suffice.
Since this film followed a successful Broadway play, I can only conclude that the play must have been funnier. I found Paul Ford's character completely repugnant. He is a blowhard who has no appreciation for anyone around him. This is supposed to be hilarious but I just found it irritating and sad. The idea that a lovely, charming woman like Maureen O'Sullivan would be married to the crude, unattractive Paul Ford strains credulity. Not the fault of the actor - he is very funny in other movies - it is instead the result of the hostile screenplay.
I have to put this one on my personal top 10 list. Its quaint and very well cast. Maureen O'Sullivan is awesome, and Paul Ford, well what can you say about him, he is magnificent. They play the expecting middle-aged couple to perfection. Everything about this movie is classy, especially the ladies outfits. Women knew how to dress back then, and looked like ladies. The dialogue is snappy & funny, and the film never drags, but is funny from start to finish.
If you want a nice little movie to watch on a rainy Sunday afternoon, to cheer you up, this is one DVD to pop in the machine and watch.
If you want a nice little movie to watch on a rainy Sunday afternoon, to cheer you up, this is one DVD to pop in the machine and watch.
Você sabia?
- CuriosidadesTimothy Hutton, son of Jim Hutton, made his first screen appearance in this movie as the little boy who runs to his father.
- Erros de gravaçãoLate in the movie, after the "drunken fight" scene when Edith tells Harry "it's not true", a portable phonograph (record player) sitting on a table alternates between being crooked on the table and being aligned with the table edge.
- Citações
Charlie Clinton: A lot of people hate you. What's that got to do with it? Look, if the city needs lumber, it might as well be ours.
Harry M. Lambert: Just what do you mean by a lot of people hate me?
- ConexõesReferenced in What's My Line?: Maureen O'Sullivan (1965)
- Trilhas sonorasNever Too Late
Music by David Rose
Lyrics by Jay Livingston and Ray Evans
Sung by Vic Damone during the opening credits
Played often in the score
Principais escolhas
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- How long is Never Too Late?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 45 min(105 min)
- Mixagem de som
- Proporção
- 2.35 : 1
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