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IMDbPro

No Vale das Grandes Batalhas

Título original: Parrish
  • 1961
  • Approved
  • 2 h 18 min
AVALIAÇÃO DA IMDb
6,5/10
1,3 mil
SUA AVALIAÇÃO
Troy Donahue, Sharon Hugueny, Diane McBain, and Connie Stevens in No Vale das Grandes Batalhas (1961)
Official Trailer
Reproduzir trailer3:16
1 vídeo
99+ fotos
Drama

Adicionar um enredo no seu idiomaIn the Connecticut River Valley, Parrish McLean and his mother are newly employed by the Sala Post tobacco farm that is engaged in a competition war with the neighboring Judd Raike tobacco c... Ler tudoIn the Connecticut River Valley, Parrish McLean and his mother are newly employed by the Sala Post tobacco farm that is engaged in a competition war with the neighboring Judd Raike tobacco corporation.In the Connecticut River Valley, Parrish McLean and his mother are newly employed by the Sala Post tobacco farm that is engaged in a competition war with the neighboring Judd Raike tobacco corporation.

  • Direção
    • Delmer Daves
  • Roteiristas
    • Mildred Savage
    • Delmer Daves
  • Artistas
    • Claudette Colbert
    • Troy Donahue
    • Karl Malden
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    1,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Delmer Daves
    • Roteiristas
      • Mildred Savage
      • Delmer Daves
    • Artistas
      • Claudette Colbert
      • Troy Donahue
      • Karl Malden
    • 35Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Parrish
    Trailer 3:16
    Parrish

    Fotos100

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    Elenco principal54

    Editar
    Claudette Colbert
    Claudette Colbert
    • Ellen McLean
    Troy Donahue
    Troy Donahue
    • Parrish McLean
    Karl Malden
    Karl Malden
    • Judd Raike
    Dean Jagger
    Dean Jagger
    • Sala Post
    Connie Stevens
    Connie Stevens
    • Lucy
    Diane McBain
    Diane McBain
    • Alison Post
    Sharon Hugueny
    Sharon Hugueny
    • Paige Raike
    Dub Taylor
    Dub Taylor
    • Teet Howie
    Hampton Fancher
    Hampton Fancher
    • Edgar Raike
    David Knapp
    David Knapp
    • Wiley Raike
    Saundra Edwards
    Saundra Edwards
    • Evaline Raike
    Sylvia Miles
    Sylvia Miles
    • Eileen
    Bibi Osterwald
    Bibi Osterwald
    • Rosie
    Madeleine Sherwood
    Madeleine Sherwood
    • Addie
    Hayden Rorke
    Hayden Rorke
    • Tom Weldon
    Ken Allen
    • Lemmie
    • (não creditado)
    John Barracudo
    • Willie
    • (não creditado)
    Frank Campanella
    Frank Campanella
    • Foreman
    • (não creditado)
    • Direção
      • Delmer Daves
    • Roteiristas
      • Mildred Savage
      • Delmer Daves
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários35

    6,51.2K
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    Avaliações em destaque

    dbdumonteil

    The tobacco road

    They do not do movies like "Parrish" anymore nowadays ;and even if they made a remake ,they could not locate the action on tobacco fields anymore:tobacco has become uncool ."Parrish" ,like "a summer place" "Peyton Place" or "imitation of life " (the latter being the best of the genre ,surpassing the first version in several respects) is this kind of giant melodrama for which 135 min are not enough;there are so many characters it would take a miniseries to make them all really live ;anyway this kind of story lives on in miniseries such as "Dallas" ,"Dynasty" and others .When the movie ends ,it could actually go on and on and on for two more hours .

    "Parrish" is certainly enjoyable if you like this kind of long tale .They say Troy Donahue was a limited actor but he carries the weight of a two hours and a quarter movie on his shoulders for his time on screen is twice as long as veterans Claudette Colbert (last role) and Karl Malden who overacts all the way and his three (count'em) loves appear only now and then ,the first one (Connie Stevens) almost absent in the last hour.And he manages quite well:James Dean ,he was not ,but he was more than a pretty face (more expressive than in "a summer place" )and he turns his scenes opposite Malden and son to his advantage .

    It's love at first sight all the way :there's a kiss in Donahue's first scenes with the first two girls ;and Colbert and Malden fall for each other just after they met for the first time.The part of the mother (and stepmother) is underwritten and does not do Colbert justice .Sometimes it seems that Parrish is in fact in love with her,she's the only one he really fights for (during the scene of the ball,he forces Malden's evil son to make an announcement to welcome his stepmother;he tells him that when she offers to shake hands with him ,he MUST do it)

    The cinematography is splendid ,with a great use of wide screen ,particularly during the scene of the fire in the night.So you forget how stereotyped the characters are : the ruthless tycoon,his lazy offspring,the field hand pregnant by her secret date,the wise man who gives the young rebel pieces of advice and who considers him his son after Alison's money match.

    It's amazing that Delmer Daves ,who excelled at western and gave classics such as "broken arrow" and "3:10 To Yuma " gave up after "the hanging tree" (1959).From "A summer place" (in which Donahue starred too) to "the battle of the Villa Florita" ,melodrama rules.

    That said "Parrish " has stood the test of time quite well and remains eminently watchable today.You simply haven't got the time to get bored!
    6HeathCliff-2

    I admit it - I love Troy Donahue. His movies are guilty pleasures.

    This is a semi-guilty pleasure. In some ways it retains the sheen and talents at the waning days of the big studio machine, and that's a plus. It's soapy, melodramatic and over-the-top, which is certainly entertaining if you don't look for Art with a capital A. And there is a visual lushness in the cinematography not to mention the emphasis on physical lushness, eg Troy Donahue and Diane McBain, and some of the other characters, all dressed to the nines in suits, ties, contrasting sharp vests, crinolined party dresses, preppy red v-neck sweaters backdropped against a blue sky on an impossibly handsome blond Adonis. I can't even say anymore if Troy Donahue is a good actor. I just like watching and listening to him, and I think he does have a certain conviction- his earnestness - which lends authenticity to his performances. Others call him wooden. I think he's more than good, and under-rated. (And my eyes can't get enough of his physical beauty.) Then there's Diane McBain, who I scantly know but is right up there with Donahue - breathtakingly beautiful. Claudette is okay, but the part itself is anachronistic and annoying - a bit long-suffering and stoic, as her parts often are - in a role that demands she ignore a cruel, brutish, crass man she marries. And rounding out the pluses, I love Max Steiner's lush, anachronistic score. The negatives do abound: the script is a bit shrill and melodramatic, which you expect of soap operas of that period. I can't decide if Karl Malden is dynamic or excessive, though he's always effective. Connie Steven was never my perky cup of tea. Dean Jagger caught my attention as a gentle father-figure, and touched me deeply. Ultimately, my feelings are colored by the bias of nostalgia. I very young when it was released, and have some residual nostalgia for what I remember and miss from that era. Someone twenty years old would find it mostly silly, I think.
    6moonspinner55

    Not a superior soaper by any means--but it should satisfy those in the requisite silly spirit...

    Director Delmer Daves also adapted Mildred Savage's sprawling novel about four adjoining tobacco farms in New England, and the love, lust and sabotage which occurs there. Troy Donahue is the stilted, inert title-named lothario who arrives in town with his mother, a dignified Claudette Colbert (in her theatrical bow); Connie Stevens, Diane McBain, and Sharon Hugueny are Donahue's love interests; Karl Malden is the tyrannical stepfather and boss from hell. Beautifully filmed by Harry Stradling, but the heated melodrama is engineered to be overwrought (Daves probably wouldn't have it any other way!). It's actually more involving than it has any right to be, though the narrative (spanning several years) is ridiculously rushed along in the third act, and the romantic clinches are so florid they generate some unintended laughs. **1/2 from ****
    jaymckenna

    Diane McBain's Stunning Close-Up

    There is an extreme close-up of Diane McBain fairly early in the picture, when she runs into Troy on the lawn of the manor house. It is still one of the most beautiful close-ups I have seen, ever. It never fails to take my breath away, even when I know its coming.

    McBain was equally beautiful in "Claudelle English". Of the three women, McBain, Connie Stevens and Sharon Hugeny, it is Connie who takes the acting honors. She was even better in her follow up, "Susan Slade".

    How strange that McBain's career would end with weird films like "Thunder Alley" and "Mini-Skirt Mob". By then her acting was excellent and there is a powerful scene in "Mini" when she describes a snake eating a mouse. But her looks had become shockingly hard.

    Connie became more and more beautiful, but too Vegas and cartoon-like to play real people.
    sweet16_11357

    A beautiful film !

    Connie Stevens in her hayday with her old nose and delightful presence.A charmer as Lucy the bad girl with the heart of gold. Diane Mc Bain stunningly beautiful and a gifted actress at her best. Claudette Colbert utterly elegant,charming and a great performance as the single Mother. Dean Jagger strong but sensitive in his portrayal. Karl Malden the epitome of an actor doing his craft. Troy Donahue was so-so.Not a good actor but looking good at this point in time.Warren Beatty would have been perfect in this role as Parrish. Max Steiner the musical genius of this film.The music was captivating and gave the story that extra specialness.The film score was four stars here.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The final feature film for superstar Claudette Colbert. Her previous film was O Drama de uma Consciência (1955) and she would not appear again on any screen, large or small, until the mini-series O Crime do Século (1987).
    • Erros de gravação
      The submarine shown in stock footage was not the USS Nautilus (SSN-571). It was the USS Skate (SSN-578). The Skate was the second sub to reach the North Pole after the Nautilus accomplished this historic feat the previous week. The Nautilus is seen at the sub base, where as of 2018 she remains as part of the Submarine Force Library and Museum, being the world's first nuclear-powered submarine.
    • Citações

      Gramma: You'll go to hell, Lucy. Mark my words. Right to the fiery place!

      Lucy: [to Parrish] Don't mind grandma, she's nuts about sin and all that.

    • Conexões
      Referenced in Madame's Place: Come Fly with Me (1982)
    • Trilhas sonoras
      Secret Love
      Written by Sammy Fain and Paul Francis Webster

      Sung at the Raike's homecoming

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    Perguntas frequentes21

    • How long is Parrish?Fornecido pela Alexa
    • What is 'Parrish' about?
    • Is 'Parrish' based on a book?
    • Since when do they grow tobacco in Connecticut?

    Detalhes

    Editar
    • Data de lançamento
      • 4 de maio de 1961 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Parrish
    • Locações de filme
      • Mystic Seaport - 75 Greenmanville Avenue, Mystic, Connecticut, EUA
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.500.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 18 minutos
    • Proporção
      • 1.85 : 1

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    Troy Donahue, Sharon Hugueny, Diane McBain, and Connie Stevens in No Vale das Grandes Batalhas (1961)
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