AVALIAÇÃO DA IMDb
6,2/10
3,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTeenagers Libby and Kit innocently spend an evening making random prank calls that lead to murderous consequences.Teenagers Libby and Kit innocently spend an evening making random prank calls that lead to murderous consequences.Teenagers Libby and Kit innocently spend an evening making random prank calls that lead to murderous consequences.
- Direção
- Roteiristas
- Artistas
Sara Lane
- Kit Austin
- (as Sarah Lane)
Sara Anderson
- Jill Adams
- (não creditado)
Russ Bender
- Police Sgt. Harris
- (não creditado)
Dee Carroll
- Telephone Operator
- (não creditado)
John Crowther
- Tommy Kane
- (não creditado)
Douglas Evans
- Tom Ward
- (não creditado)
Janet Hamill
- Linda Carson
- (não creditado)
Tom Hatten
- Gerald Nyes
- (não creditado)
Glen Vernon
- John Adams
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Kids left alone in the house inadvertently play a phone prank on psychopath John Ireland, who has just murdered his trampy Mrs. in the shower! Whenever you see a biography of Joan Crawford's career, this title usually gets left out. True, she has a minor role in it (playing Ireland's neighbor, hoping to blackmail him into marriage), however it's one of the better movies she was involved in after "What Ever Happened to Baby Jane?" William Castle did a good job as producer/director of this story, and the two teenage girls are very appealing and natural. The movie builds some credible suspense (underlined with a jokey tone) and has interesting visual tricks and groovy music. Avoid the awful, too-literal 1988 TV-remake. **1/2 from ****
The concept of this movie is one of its strongest points. Two teenage girls making a series of prank calls that they 'saw what you did' until by chance they call someone who actually has killed someone. Unlike the other Castle movies I've seen, this one actually has subtext. The girls' blossoming sexuality becomes the main reason for their problems as they (one in particular) are keen to rid themselves of teenage sexual frustration. Joan Crawford has a small role (but star billing, thank you very much) and, as has already been noted, does seem to be quite drunk in her scenes. Unfortunately, she also has about two feet of piled up grey hair that certainly wasn't her best look. She's convincing enough as an aging woman desperate to keep her man. Enjoyable enough for what it is, and recommended to anyone who liked 'Strait-Jacket' and the like.
...which is a no-budget thriller.
Two teenage girls (Sara Lane, Andi Garrett) make prank phone calls saying the title line. By mistake they call Steve Marak (John Ireland) who's just killed his wife. Then things get out of control.
One of William Castle's low budget horror films that he churned out in the 1960s. None of them are that good but this is definitely one of the better ones. It's photographed in moody black & white and director Castle makes excellent use of darkness (notice all the darkness above the girls when they make the calls) and shadows and fog (which inexplicably shows up at the end). There's also a very vicious shower stabbing in the first 20 minutes with shots obviously imitating "Psycho". There are also quite a few good moments calculated to make you jump.
On the debit side--there's not enough story even for 83 minutes; Joan Crawford (dressed to the 9s for no reason) is wasted as a next-door neighbor; Ireland is stone-faced throughout; Lane and Garrett are horrible actresses (and, tellingly, never made another movie) and the script has lines that no teenager would utter.
Still, there are worse ways to kill 90 minutes and the jolts in this film do work. Worth seeing if you're a horror fan.
Two teenage girls (Sara Lane, Andi Garrett) make prank phone calls saying the title line. By mistake they call Steve Marak (John Ireland) who's just killed his wife. Then things get out of control.
One of William Castle's low budget horror films that he churned out in the 1960s. None of them are that good but this is definitely one of the better ones. It's photographed in moody black & white and director Castle makes excellent use of darkness (notice all the darkness above the girls when they make the calls) and shadows and fog (which inexplicably shows up at the end). There's also a very vicious shower stabbing in the first 20 minutes with shots obviously imitating "Psycho". There are also quite a few good moments calculated to make you jump.
On the debit side--there's not enough story even for 83 minutes; Joan Crawford (dressed to the 9s for no reason) is wasted as a next-door neighbor; Ireland is stone-faced throughout; Lane and Garrett are horrible actresses (and, tellingly, never made another movie) and the script has lines that no teenager would utter.
Still, there are worse ways to kill 90 minutes and the jolts in this film do work. Worth seeing if you're a horror fan.
and she knows who you are!
This is another strange William Castle concoction that features Joan Crawford in one of the B-horror movies she made near the end of her career, and yet the only way they could fit her into this story was to make her a kooky neighbor lady who wears tacky jewelry that looks like some sort of bizarre Aztec armor.
Everyone knows the plot, which involves two teenage girls who spend an evening making prank phone calls and, through the miracle of plot contrivance, stumble into the path of a psychotic man who has just committed murder.
I don't know if any of the other viewers felt the same way, but I really think the movie's violence is a bit shocking for its day. The first murder is an ironic ripoff of "Psycho", with the person in the shower committing the murder instead of being slashed, and I was surprised at how graphic it really is.
Also, I don't know whether this was really the filmmakers' intention or not, but they have captured the excitement of a teenage adventure and carried it effortlessly into a suspenseful conclusion. Ironically, the only thing in the movie that feels wrong is the subplot involving Crawford. It was obviously inserted to give the movie a star and to pad out the running time.
This is another strange William Castle concoction that features Joan Crawford in one of the B-horror movies she made near the end of her career, and yet the only way they could fit her into this story was to make her a kooky neighbor lady who wears tacky jewelry that looks like some sort of bizarre Aztec armor.
Everyone knows the plot, which involves two teenage girls who spend an evening making prank phone calls and, through the miracle of plot contrivance, stumble into the path of a psychotic man who has just committed murder.
I don't know if any of the other viewers felt the same way, but I really think the movie's violence is a bit shocking for its day. The first murder is an ironic ripoff of "Psycho", with the person in the shower committing the murder instead of being slashed, and I was surprised at how graphic it really is.
Also, I don't know whether this was really the filmmakers' intention or not, but they have captured the excitement of a teenage adventure and carried it effortlessly into a suspenseful conclusion. Ironically, the only thing in the movie that feels wrong is the subplot involving Crawford. It was obviously inserted to give the movie a star and to pad out the running time.
I saw this movie when I was about 11 or 12 and I remember it to this day. (I am almost 40.)It scared the wits out of me and I certainly never wanted to make prank phone calls after that! I would love to see it again and share it with my kids. This a great B classic that not many people have seen.
Você sabia?
- CuriosidadesJoan Crawford was approached for this film one month after she left Com a Maldade na Alma (1964) due to an "ailment" that prevented her from working (which is believed to have actually been sick of working with her arch enemy Bette Davis). Therefore, William Castle requested that Crawford's doctors sign a statement attesting that she was completely well before giving her the role.
- Erros de gravaçãoDuring the struggle in the shower with Marek and his wife, her hair goes back and forth from wet, dry, then back to wet again.
- Citações
[repeated line]
Libby Mannering, Kit Austin: I saw what you did, and I know who you are.
- Cenas durante ou pós-créditosClosing credit (over picture of phone lines): "The End of the Line."
- ConexõesFeatured in Coming Soon (1982)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Broma macabra
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 22 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was Eu Vi que Foi Você (1965) officially released in India in English?
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