Minha Querida Brigitte

In the 1960's this might have passed for wholesome family entertainment. Getting Fabian for a throw-away role was probably a good casting coup, and for comic relief you have Ed Wynn and Billy Mumy's 'Rain Man' routines. He is an IBM in sneakers, from which most of the plot develops. He secretly writes a love letter to Bardot every night and one day he gets a response in the form of an invitation to visit her in France. Billy and dad Jimmy Stewart go to Paris and have a meeting with Miss Bardot. She gives the little boy an autograph, a kiss and a puppy.

Inoffensive little comedy that might give you a laugh or two. I like movies that reference real movie stars in their title, like "Being John Malkovich" and "To Wong Foo, Thanks for Everything, Julie Newmar" so this makes the hat trick for me.

In the 1960s, Jimmy Stewart did several family films that were just rather bland and, in my opinion, wasted his amazing talents. I am not saying they are BAD films, just imminently forgettable and are best described as "fluff". In other words, while time-passers, they have very little lasting value. The movie does have a few mildly interesting moments but that's really about all. In fact, the only reason the film even gets a score of 6 is because Stewart is in the film and he tries his best with the mediocre material. My recommendation is do NOT run out and rent it or buy it but wait until it comes out on cable. This is a far cry from THE MAN WHO SHOT LIBERTY VALANCE or MR. SMITH GOES TO WASHINGTON. It's more like an episode of GIDGET combined with PLEASE DON'T EAT THE DAISIES.

This is pretty much the same review I gave for MR. HOBBES TAKES A VACATION. Both were almost exactly as bland as the other. What sets this apart is the strange plot involving a young Billy Mumy as a genius who is smitten with the actress Brigitte Bardot (the kid had good taste). Ms. Bardot makes a cameo near the end of the film, but apart from that it's a pretty forgettable film.

Fun James Stewart film about a professor whose son has a dream to meet superstar Brigette Bardot. The circumstances are pleasing and the film has wonderful moments of laughter and tenderness.

It's a bit of a slow start, but Dear Brigitte is a very cute movie. James Stewart plays a stereotypical absentminded professor who randomly lives with his family in a ship that's ashore. It's a shameless copy of Mary Poppins, with Ed Wynn as the giggling, bumbling narrator with no character development, and Glynis Johns as the never-wavering matriarch who stands by her husband.

The family comedy can be separated into three sections. In the first third, everyone in the family plays a classical instrument. They're all very talented, except for the youngest son Bill Mumy. He doesn't fit in, and Jimmy worries. In the second third, Bill discovers his hidden talent: mathematics. It's a slap in the face to his father, who is an poetry professor instead. But since Bill is able to do complex math in his head, he quickly becomes a sensation. The final third addresses the title of the movie. Bill has a crush on Brigitte Bardot, and he writes her fan letters. But you won't find any spoilers here. To find out how all three sub-plots end up, you'll have to watch this pseudo-Disney family flick. James Stewart is very sweet with his children, but the opening silliness is a little unnecessary. Fast-forward if you need to, because the last third is very cute.

I've always have had a soft spot for family comedies, when they are charming, witty, and engaging, and this fits the bill. Its a harmless, lovely entertainment. Jimmy Stewart is is good, warm mode as a father who finds that his son (an endearing Bill Mumy) is a math genius who can solve the hardest of equations in just seconds and also has the knack for figuring out horse races as well. True he's also colorblind and tonedeaf, but not even geniuses can have everything. Glynis Johns has a bit of a smaller part as Stewart's wife but she is as welcome as ever and knows exactly how to play a scene.

The film receives its name from all the lett ers the boy sends to Brigitte Bardot, upon whom he has a case of a very youthful crush. Ms. Bardot actually appears toward the end, and her cameo is one of the high points of the film. This film might not be appreciated by cynics, nor by those wanting the height of sophistication, but as an example of cinematic comfort food, it is utterly enchanting.