Danger Man

Taken as a whole, "Danger Man" is one of the finest Television series of its era. Patrick McGoohan did an excellent job portraying British Intelligence Agent John Drake, providing a frankly refreshing alternative to the James Bond type character of the Spy genre.

Danger Man consisted of 4 seasons done in a somewhat unusual manner. In the first season, televised 1960-1961, John Drake is a NATO intelligence officer working for the UN in New York. There were 39 half-hour episodes filmed in black and white. The series was cancelled after this first season and it was not until 1964 that it was reprised (because of the "spy craze" of that time) for its second season. John Drake no longer works for NATO but rather for the British Government intelligence agency "M9". The shows are also now 1 hour episodes, and for seasons 2 & 3 (combined total 45 episodes) are filmed in black and white. The fourth season consists of only 2 1-hour episodes that are filmed in color (or is it "Colour" :-)?

The character of John Drake is one of a spy with morals. He doesn't use women, rarely carries a gun much less uses one, and prefers to think his way through his missions. He is no weakling however ( McGoohan is 6' 2.5") and knows how to handle himself very well in hand-to-hand fighting. He is adept at several languages and reasonably good at disguises. The gadgetry is more sparse and more believable than that found in the Bond films, with the most common spy accessories being a camera hidden in a cigarette lighter, and an electric razor that doubles as a tape recorder. He is sometimes at odds with his superiors when they request him to do things that he considers immoral or dishonorable and pays the price for doing what he sees as right.

When aired in the US, a different opening sequence and song was added. Originally the series title of "Danger Man" was going to be retained but at the last moment it was deemed that "Secret Agent" would catch a bigger share of the US audience. The famous "Secret Agent" song sung by Johnny Rivers had its refrain originally phrased for "Danger Man" but then had to be changed to "Secret Agent MAN" to work.

As of this writing, A&E Home Video has brought to DVD region 1 (USA/Canada) the first 38 episodes of Seasons 2&3. It is hoped they will pubish the remaining 7 Season 3 episodes and the 2 Season 4 episodes, and it is the personal hope of this author that the will then consider to publish the original 39 half hour episodes of Season 1.

Patrick McGoohan stopped doing Danger Man because he thought the stories had run their course and because he wanted to do his own unique project, which became the legendary series "The Prisoner". There has been ongoing rumor that a Prisoner Movie is in the make, with McGoohan having the hand at writing the script, and possibly directing and staring in a cameo role. To Patrick, your fans hope in relation to this project, that one more time we can all "Be seeing you".

in my opinion the greatest ever spy series on TV. the original half hour series were amazing and you got a start, middle and end, John Drake always delivers. fast forward 3/4 years and Mr. Drake is back in 1 hour episodes and looking at these you will find an a to z of character actors involved in some fantastic stories. Drake is a loner who will not let himself get involved with anyone romantically due to the nature of his job, in fact he is the ultimate gentleman spy and he has to get close to people to solve the case. look at the episode with Bernard Bresslaw drake really does to get to like him and vice versa the pay off leaves Bernard a very sad man. all in all a fantastic slice of British TV and history, forget Bond, Drake is the man

This spy drama was in the mold of the first '007' movie, "DR. No". A crossover from the paranoid deep cover spy of the 50's to the gadget and spoof of the 60's. And to top it off, Patrick McGoohan, as the secret agent, was terrific. Cool, low keyed, sharp as a tack, traveling to different ports of call. Plots were generally good. Unfortunately, due to its mature nature and age, chances of it being televised grows less year by year...Alas poor Yorick. If you do gain access to these episodes, go for it. You won't be disappointed.

For forty years, cult T.V. fans have been asking the question: "Who was Number Six?", referring, of course, to Patrick McGoohan's fantasy masterpiece 'The Prisoner'. But in an earlier series, he played a character who was equally mysterious and enigmatic. The show was 'Danger Man' and the character was 'John Drake'.

Throughout the series, we see little of Drake himself. We know he lives in London, at a fashionable mews address, drives a Mini Cooper, is fond of cigars and doesn't seem all that fond of women. Whenever one throws herself at him, such as the Jill Melford character in 'The Galloping Major', he keeps her at arms length. This self-imposed chastity endeared him to us kids, as it meant that the stories could not get bogged down in soppy romantic sub-plots. Like Bond, Drake loves gadgets - the 'From Russia With Love' variety - radios in electric razors, microphones concealed in walking sticks, typewriters containing cameras and so on. Occasionally, Drake is called upon to impersonate an army major, butler, or schoolteacher, which meant his entire personality would go submerged. In this respect, 'Danger Man' was the forerunner to the U.S. series 'Mission:Impossible', which also featured agents about whom the viewer knew next to nothing other than their names.

The series was grounded in reality, unlike the later 'Avengers' and 'U.N.C.L.E.'. Each week, Drake would be assigned to rescue a captured British agent, locate stolen defence plans, or penetrate an enemy spy ring. McGoohan played 'Drake' in a terse, arrogant yet oddly charismatic way, preempting Sean Connery's early performances as 'James Bond'.

'Danger Man' was produced in two batches - one transmitted in Britain in 1959/60, and another from 1964-67. Its the early half-hour episodes which work best for me, being more tightly written and directed. In these, Drake works for N.A.T.O., and appears to be an American, but later on, he would be redefined as an Englishman attached to the British Secret Service outfit M9. Of the hour-long episodes, I cite 'Colony Three' ( the inspiration for 'The Prisoner' ), 'No Marks For Servility', 'Not So Jolly Roger' and 'Whatever Happened To George Foster?' as amongst my personal favourites.

'Danger Man' ended with a rousing two-part colour adventure set in Japan - 'Koroshi' and 'Shinda Shima'. Though not popular with many fans, for my money they rounded off the series nicely, and made one wish McGoohan had done more in similar vein before moving onto 'The Prisoner'.

'Danger Man' does not get repeated often because it was mostly made in black and white. Yet, for anyone who loves '60's action television, it is essential viewing.

Patrick McGoohan (The Prisoner, Scanners, Braveheart) stars as Secret Agent John Drake in this highly entertaining series full of quick dialogue, twist endings, and inventive storylines that would be right at home on Primetime TV now. McGoohan's subtle yet intense acting and well-choreographed fight scenes, as well as minorities and women in the roles of intelligent, important people are far ahead of their time and worth watching again and again. The characters have a fair amount of depth for a show that's primarily "us-against-them"; the bad guys are sympathetic and the good guys aren't squeaky-clean.

The fact that John Drake occasionally makes mistakes and has to improvise with his wits, luck and humor rather than a series of well-placed gadgets sets this series above the Bond films. It's fast-paced and tightly written...exceedingly clever overall.

McGoohan's acting style reminds me of both Mel Gibson and Ben Browder; he's capable of saying loads of things with no dialogue, is equally adept at humor, action and anger, and can flip emotions quickly. Today's audience may find some of the styles of the other actors a little dated, and the contrast is more pronounced because McGoohan is so much better than most of them.

FIGHTING: The fight scenes are inventive and action-packed. McGoohan's boxing experience shows, but he isn't limited to one fighting style, fights dirty when necessary and isn't above unexpectedly throwing furniture across a room or tossing an adversary down the stairs. There are several back-breaking stunts in the fight scenes which are probably not allowed any more, so if you're a fight buff as I am, they're worth rewinding.

GADGETS: The spy gadgets are for the most part items which could actually exist, and they are brought in as part of a plan rather than the Gothic Trick style gadgets of 007; Drake never has to hope that someone borrows his exploding pen at just the right time. I love Q's inventions, they add humor and flavor to the Bond films, but I find that I don't really miss them since it's clear Drake could beat Bond on an IQ test.

BONUS FOR THE LADIES: If you like James Bond (McGoohan actually turned down the role of James Bond -- twice), but prefer someone who's less of a rake with a bigger sense of humor, this is the guy for you. Not quite funny enough to beat Austin Powers, mind you, but he has better teeth. He's cute, clever and charming and I became a "Drake Drooler" upon my first viewing.

LOVE SCENES: While other characters kiss and have affairs and trade sex for secrets on the show, and Drake clearly enjoys the parties he attends and gambling with the Agency's money, the main character had not one kissing scene throughout the entire series, (which may have something to do with the fact Drake smokes constantly-- his lighter is a camera). I had thought this would make it seem dated, but actually it became an important detail of a well-crafted character, and is part of why I grew to like him better than Bond after only the first disk. I am speaking as a lifetime Bond fan, too, so it wasn't easy for me to admit.

BONUS FOR PRISONER FANS: Fans of McGoohan's cult hit The Prisoner will love to join the scavenger hunt and pick out the characters and clues that have led many to conclude that John Drake and Number 6 are one in the same, or at least that the Everyman in the Prisoner is represented by John Drake. (McGoohan categorically denies this, but it's more fun to play with it.)

Those who have watched The Prisoner may wish to start with set 2, which contains the episode Colony Three, the first appearance of a town full of spies referred to as "The Village". Villagers will also feel quite at home in "The Ubiquitous Mr. Lovegrove", a surreal look into Drake's mind in which he sees Death at every turn. The symbolic use of midnight, mirrors and reflection will satisfy your urge to dissect if you're one of the more fervent Prisoner fans.

Be Seeing You!