Os Guarda-Chuvas do Amor

when I was in high school, taking french, the teacher would occasionally push a tape into a slot and show a "movie." the idea was for us kids to hear the language. well, this was one of the movies. at the time, my feelings concerning "umbrellas" were... truthfully, I didn't know what to think. as a seventeen year old I don't think I would have recommended it.

channel surfing last night I came across it again on TCM. what a difference 9000 days makes. this is a very unique film. it's not a musical, even with the sung dialog, jazzy score and saturated colors. it's stylish camera work/art direction doesn't contradict the neorealism aspect either. It enhances it.

even with the "star crossed lovers" aspect, the film isn't sentimental or corny. and the socio-economic angle is also treated tastefully.

This is an ART film in the true sense of the term. and Anne Vernon. Je t'aime.

A very French, very idiosyncratic musical that while lacking any discernible 'songs' or dance routines manages to be one of the most affecting musicals ever written. Remy says he was inspired by American musicals, and yet a more non-American could hardly be imagined. Can we really pretend that an American studio in 1963 would endorse the story of pre-marital sex and the romance of marrying a 17-year old girl pregnant with another man's child and not feel the need to moralize or condemn? Only in France, and thank God for it. All the cast are brilliant - charming and charismatic; the production design looks like a psychedelic gingerbread house; the score is exceptional; the singing genuinely heart-felt and moving; and the whole thing is carried off with such effortless confidence and unreserved joy that it's impossible not to fall in love with it.

I saw this movie in 1964 when I was 11 years old. It was my introduction to heartbreaking love and this movie probably influenced my love life or how I imagined love was supposed to be. My mother had to lead me from the theatre when it was over because I was blinded with tears. Many years passed until I was able to order the film in VHS and watch it again (about 3 years ago). I still love it. The vivid colors, Genevieve and Guy's beauty and youth, and the beautiful score by Michele LeGrande combine to transport you to a magical place. I loved the fact that every word was sung, but it was not like opera at all. After a few minutes it was as if every word is always sung and talking doesn't exist. Catherine Deneuve was so beautiful! I love this movie and highly recommend it.

Absolutely wonderful French musical featuring twenty-year old Catherine Denevue singing every word of dialogue along with a cast of well-known (at the time) French actors. The production is opera as only the French knew how to do it. The tale is from old Europe -- love, betrayal, remorse but cast against the last years of France's Algerian crisis. The music, well it starts to sound like side 2 of a Sergio Mendes & Brasil '66 record after awhile, nevertheless it does catch your attention and makes you focus on the story. A truly unique movie-going experience, "Umbrellas" is sure to entertain from its giddy start to its surprisingly poignant end. Find it!

This must be amongst the most distinctive, idiosyncratic and exquisite films I have seen in a long while. There is nothing particularly new about the plot, which is a straightforward and uncomplicated love story divided into three acts, but the beauty of this film is in the telling of it.

All the dialogue in this film is sung, which at first is a little unsettling, but it actually takes very little time to adjust to. The verse/chorus format of popular music and the musical genre is eschewed for an approach more resembling a modern opera, as the characters croon their lines to each other over a continuous score. This gives the most banal of lines a rhythm and cadence of their own. Because of this I found the French a lot easier to understand than with more naturalistic films, which was fairly handy for me as the print I was watching was with Dutch subtitles! I must confess, I did find that the music (written by Michel Legrand) began to grate towards the end of the 87 minute running time but even so there is still much to admire here. Visually it's stunning, with a bold and vibrant colour palette of almost hallucinogenic intensity and sumptuous costume and set design (that wallpaper!). The opening credit sequence sets the mood perfectly: a birds eye view of the inhabitants of Cherbourg in the rain beneath their umbrellas as they walk across the frame is reduced to a colourful abstraction. Catherine Deneuve is predictably gorgeous and the first act of the young couples courtship is one of the most beautifully pure pieces of cinema I can think of. It reminded me a bit of 'Jacques Brel is Alive and Well and Living in Paris', a film which I saw in television a long time ago and would do absolutely anything to get hold of a copy. 'Les Parapluies de Cherbourg' is a wonderful, sincere and uplifting film that everyone should go and see at least once, and preferably on a big screen. Once seen, never forgotten.