Evil Brain from Outer Space

This is a bad film, but enjoyable in a childish sort of way; I'm certainly willing to waste time on it after a hard night's work.

Most of the other comments on the film so far have been dead-on; it does look like a re-edited serial or TV show, it is a Japanese variant on the Capt. Marvel type serials of the '30s, it does include some of the same tonality as the later Kaiju films, and it is not very well made. But, as I say, it goes along at a pretty good clip, so its never really dull, and can be watched without using much mental muscle.

Historically, the most important thing about this movie is that it's right now the earliest example we have widely available in America of the choreography of martial arts in Asian cinema. (The IMDb date is clearly that of its American release, everything else says this was made in the early-mid-'50s.) The fight scenes are important - Capt. Marvel essentially brawls and wrassles when he fights, like every other Hollywood hero of his era; the fight scenes in "Evil Brain" are brief, well-choreographed dances; this actually makes it more advanced than similar American films of the period, and for this reason worth seeing at least once for all Martial arts fans.

As you would expect from an 88 minute feature culled from three 45-minute episodes, 'Evil Brain from Outer Space' is more than a little disjointed; combining scenes that resemble 'Flash Gordon' to those that wouldn't be out of place in a contemporary yakuza.

Our old friend Starman cuts a far more impressive figure disguised as a detective in a smart fifties suit than in that stupid costume, just as the Zemarian mutants look a lot sharper in the trench coats and trilbys they wear to mingle with Earthlings.

Hopefully she got more time in the original, but I would certainly have to have seen more of the witch-like dancing creature seen near the climax: an image truly worthy of classic Japanese cinema.

The high council of The Emerald Planet—a motley collection of cardboard/papier-mâché extraterrestrials—are so embarrassed by their 'superhero' Starman (Ken Utsui) that they once again elect to send him billions of miles away to help the inhabitants of an insignificant blue planet called Earth who are under attack from Balazar, a disembodied brain, and his army of mutants.

Flying to wherever there is trouble with the aid of his clearly visible harness, Starman uses his amazing martial arts/dance moves to defeat the creatures without ever seeming to make contact (I imagine that they're more stunned by his hysterical attire than by any of his punches). Once again, Starman is aided in his quest by a couple of cute Japanese kids with whom the superhero sneaks in a few surreptitious hugs whenever possible (a strange, fully-grown man in a leotard getting pally with minors: I'm surprised he's not been picked up by the police for questioning).

If you've already been unfortunate enough to witness the horror of a Starman movie, you should have a pretty good idea of what to expect—choppy editing, diabolical dubbing, no sense of excitement whatsoever, really bad monsters—and you will have no doubt prepared yourself mentally for what is in store for you this time around. On the other hand, If you haven't already had the pleasure of Ken Utsui prancing around in the daftest space get-up since Ming the Merciless, then all I can say is, expect the worst: you won't be disappointed.

This is one you have to watch with the time frame in mind. It started out as a Japanese TV series back in the days when George Reeves was playing Superman, and is of comparable quality. I also find it reminiscent of early Doctor Who in some ways, notably the council of extraterrestrials at the beginning.

I find it strange that Ken Utsui doesn't like to talk about having starred in this. He certainly has nothing to be ashamed of, not in his acting or his athletics! He was a fine-looking young man in the 1950s, and did a good job of playing a superhero (including keeping in shape for the role, which I seem to recall a certain Mr. Shatner having had problems with a decade later!)

This is remindful of the bad television shows that made up the majority of offerings of the fifties. It may have been the golden age but there was a lot of lead among the gold. This has a sappy superhero in tights (like Superman) who clicks with little kids. He doesn't seem to have any problem beating up 60 or 70 bad guys at a time. There is a threat from outer space and a brain that controls everything. It must be destroyed. The monsters are a collection of Japanese guys in weird costumes. They seem versed in the martial arts, but come to no good end. This isn't a show for adults and if you were to update it and substitute cartoon characters for the humans here, it would fit right in on Saturday morning. Hardly worth the effort.