AVALIAÇÃO DA IMDb
5,6/10
3,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed i... Ler tudoBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.British archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.
Chris Adcock
- Workman
- (não creditado)
Ray Austin
- Shipboard Thief
- (não creditado)
Maxwell Craig
- Footlights Operator
- (não creditado)
Olga Dickie
- Housekeeper
- (não creditado)
Avaliações em destaque
After a cripplingly slow start, the second-half of this low-budget (even by Hammer standards) tale is quite lively and gruesome. Devotees may miss Cushing and Lee but Hammer alumnus Michael Ripper IS on hand, as an unlikely Cockney-accented Egyptian called Ahmed. Director Michael Carreras liked to shoot all his films in widescreen and the film is probably best seen in its original Hammerscope format.
All Hammer Movies had that look. They had a way of presenting Color in a formula of their own design and it is part of their appeal to this day. In a word, it is sumptuous. Here we have the Studio's second Mummy Movie as our old friend is awakened once again to materialize the proverbial Curse.
It has a rather talky first half but the verbiage is slightly interesting and the "Mummy as Sideshow" is a new take. The second half kicks into gear and moves quite energetically, well as energetic as a Mummy can be. He seems determined to wreak the necessary havoc and does so quite brutally.
In the finale things really come together with a Plot twist and an exciting chase through the sewers. Overall, this is mid-range Hammer and that is almost always better than the Studio's contemporaries. Definitely worth a view for Hammer, Horror, and B-Movie Fans.
It has a rather talky first half but the verbiage is slightly interesting and the "Mummy as Sideshow" is a new take. The second half kicks into gear and moves quite energetically, well as energetic as a Mummy can be. He seems determined to wreak the necessary havoc and does so quite brutally.
In the finale things really come together with a Plot twist and an exciting chase through the sewers. Overall, this is mid-range Hammer and that is almost always better than the Studio's contemporaries. Definitely worth a view for Hammer, Horror, and B-Movie Fans.
Hammer Films which took over the famous Universal horror icons did a mummy's tale with The Curse Of The Mummy's Tomb. A little bit of Oscar Wilde's Dorian Gray story was weaved into the plot of this movie.
Set at the turn of the last century, three archaeologists unearth the tomb of a crown prince of Egypt who legend has it was slain by his brother a few thousand years BC. But someone with reasons of his own to finance the expedition has used some ancient spells to revive the dead and the prince is out settling a few scores against those who've violated his sleep.
Terrance Morgan stars in this film and he's the fellow with the Dorian Gray situation. He's got an agenda himself working here at it involves putting an end to his Dorian Gray like existence and being reunited in eternity with his true love. In that sense a leaf is borrowed from the classic original Mummy film that starred Boris Karloff.
Which happens to be my favorite horror film of all time so every other mummy film just pales in comparison. Still The Curse Of The Mummy's Tomb has enough on its own merits to rate some comparison and Terrence Morgan who is best remembered on the big screen for playing Laertes to Laurence Olivier's Hamlet does a fine job here as a most tortured soul.
Set at the turn of the last century, three archaeologists unearth the tomb of a crown prince of Egypt who legend has it was slain by his brother a few thousand years BC. But someone with reasons of his own to finance the expedition has used some ancient spells to revive the dead and the prince is out settling a few scores against those who've violated his sleep.
Terrance Morgan stars in this film and he's the fellow with the Dorian Gray situation. He's got an agenda himself working here at it involves putting an end to his Dorian Gray like existence and being reunited in eternity with his true love. In that sense a leaf is borrowed from the classic original Mummy film that starred Boris Karloff.
Which happens to be my favorite horror film of all time so every other mummy film just pales in comparison. Still The Curse Of The Mummy's Tomb has enough on its own merits to rate some comparison and Terrence Morgan who is best remembered on the big screen for playing Laertes to Laurence Olivier's Hamlet does a fine job here as a most tortured soul.
Hammer movies have always been a tad hokey and that's forgivable, some sloppy writing however isn't.
This is the second Hammer Horror movie from "The Mummy" franchise and this time the star power has taken quite a dip. No longer did they have the presence of Christopher Lee and Peter Cushing and that really showed.
It tells the story of a rich American who plans on making the opening of a mummy's sarcophagus a tourist event in order to make money but oddly enough things don't go quite as planned.
The film looks great, the performances though spotty are mostly passable and the Hammer Horror brand of musical score is present. It's all very colour by numbers stuff, but that's okay.
Sadly the writing is inconsistent, some is poor and some is baffling especially when it comes to character development.
Passable stuff but again this underlines why though I appreciate Hammer Horror I've never exactly been blown away by it.
The Good:
Looks great
The Bad:
The absence of the likes of Cushing/Lee is very damaging
The bulletproof bandages have returned!
Mummy actually looks worse
No character consistency
Awful cover art
Things I Learnt From This Movie:
Belly dancing is sexy or awkward, never anything inbetween
This is the second Hammer Horror movie from "The Mummy" franchise and this time the star power has taken quite a dip. No longer did they have the presence of Christopher Lee and Peter Cushing and that really showed.
It tells the story of a rich American who plans on making the opening of a mummy's sarcophagus a tourist event in order to make money but oddly enough things don't go quite as planned.
The film looks great, the performances though spotty are mostly passable and the Hammer Horror brand of musical score is present. It's all very colour by numbers stuff, but that's okay.
Sadly the writing is inconsistent, some is poor and some is baffling especially when it comes to character development.
Passable stuff but again this underlines why though I appreciate Hammer Horror I've never exactly been blown away by it.
The Good:
Looks great
The Bad:
The absence of the likes of Cushing/Lee is very damaging
The bulletproof bandages have returned!
Mummy actually looks worse
No character consistency
Awful cover art
Things I Learnt From This Movie:
Belly dancing is sexy or awkward, never anything inbetween
Curse of the mummy's tomb certainly is not a best effort from Hammer studios, as many of their true classics outshine it without any serious effort. However, it is not as much a disaster as many comments here in IMDb suggest. The movie doesn't have any Hammer's big stars in the cast, the story doesn't bring anything new into the mummy myth, and at few times the going gets unintentionally hilarious in the film. But on the other hand, the characters are acted quite solidly, even if the performances don't truly shine. Comical reliefs are mostly done with certain style, especially by Fred Clark as a P.T. Barnum replica, and the plot has few interesting twists. We even have here few scenes of surprisingly graphic of it's time, if a bit unrealistic screen violence, if that's your cup of tea. Slow pace and low action rate of the film works more for than against the movie, at least in my books, and the whole package is short enough, so the story can carry it all through till the end.
All in all, if you're a fan of old horror films, give it a go, whether you're a fan of Hammer studios works or not. At least this one certainly beats the stuffing out of it's follow-up, Mummy's shroud, which in my opinion truly deserves any public stoning it gets.
This is my truth - what is yours?
All in all, if you're a fan of old horror films, give it a go, whether you're a fan of Hammer studios works or not. At least this one certainly beats the stuffing out of it's follow-up, Mummy's shroud, which in my opinion truly deserves any public stoning it gets.
This is my truth - what is yours?
Você sabia?
- CuriosidadesDuring the Egyptian flashback scenes, Franz Reizenstein's theme from "Hammer"'s original "A Múmia (1959)" can be heard.
- Erros de gravaçãoDuring one of the 19the century scenes, there is a modern lit exit sign visible over a doorway. Those exit signs had not been invented yet.
- Citações
Alexander King: [to a belly dancer] You ever learn to do that to ragtime, give me a call... we'll make a fortune!
- ConexõesEdited from Somente Deus por Testemunha (1958)
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- La maldición de la momia
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 18 min(78 min)
- Proporção
- 2.35 : 1
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