The Black Torment

After all, WITCHFINDER GENERAL was not a Hammer production either and it will remain a pure golden masterpiece, the best film about witch hunt. So this gothic horror film set in seventieth century England is a good discovery for sixties horror fans, British or not. And the director was not a horror film maker, he was not Freddie Francis, Terence Fisher, Roy Ward Baker, Gordon Hessler, Peter Sasby, UK horror specialists. CORRUPTION, INCENSE FOR THE DAMNED and THE FIEND, will be the only horror films, besides this one, that he will give us. For the rest of his filmography, you have some comedies and also Blaxploitation movies in the seventies, shortly before his death. The story of this one is not that unusual, we have seen this kind of more or less same topic many times before and despite this, the boredom is absent, it is a prettyeffective horror movie.

BLACK TORMENT was a movie I read about in books on British horror films but it was one which I had never seen until I was recently able to rent it locally. I was so impressed that I went out and bought it. It's not a classic but it is very well done. BLACK TORMENT was made in 1964 by a small production called Compton headed up by Tony Tenser who would eventually start one of Hammer's main competitors Tigon Films (makers of WITCHFINDER GENERAL, BLOOD ON SATAN'S CLAW) later in the decade.

Compton produced some interesting films in the mid-1960s including Roman Polanski's REPULSION, The Sherlock Holmes meets Jack the Ripper thriller A STUDY IN TERROR and George Harrison's WONDERWALL. BLACK TORMENT was obviously an attempt to cash in on the success of Hammer Films and the film turns out to be not such much a horror film as a Gothic one like those being produced in Italy with Barbara Steele (CASTLE OF BLOOD, NIGHTMARE CASTLE) although not as gruesome. In fact it was of the few true English Gothic movies that I've seen as it comes straight out of the tradition of Ann Radcliffe and Horace Walpole.

The plot is standard Gothic stuff. An 18th century nobleman returns to his family estate only to be told that he's been there before and committed murder. He begins to see the ghost of his first wife and starts to doubt his own sanity. Meanwhile more murders occur. If you're a fan of Gothic literature you'll have a pretty good idea of how this all turns out but I won't spoil it for you. The film is beautifully shot which comes as no surprise since the cameraman is Peter Newbrook who would later direct the atmospheric Victorian shocker THE ASPHYX.

The real surprise is that the director is Robert Hartford-Davis who would go on to make CORRUPTION and BLOOD SUCKERS (INCENSE FOR THE DAMNED) two very different films in terms of style and content. All were photographed by Newbrook so there is that connecting thread. Although there are no major genre stars, the costumes are appropriate, the settings atmospheric (inside and out), and the music is effective. A good, old-fashioned Gothic thriller that really entertains if you're into this sort of thing. This Redemption DVD of BLACK TORMENT looks very good but I'm sure there's a better print out there somewhere...For more reviews visit The Capsule Critic.

It is indicative of the problems of the writers,that in the last couple of minutes they have to include explanatory dialogue to explain the rather surprise denouement. Thoigh in fact it is not that surprisong when you think the plot through.

This eerie and suspenseful film is developed in an ancient and isolated mansion . A nobleman lord named Richard Fordyke (John Turner) goes back to his manor with his new spouse (Heather Sears) after some time in London , to hear rumors that he had already secretly gone back . He soon hears disquieting reports about the neighbours seeing him running around, chased by a female figure that bears remarkable resemblance to his late first wife . Meanwhile, at his mansion and surroundings have been committed several murders. He will have to confront the mysterious evil force and legacy of horror of his family . Richard Fordyke is caught up by an ominous ghost and becomes inextricably involved in weird killings. Things go awry until a astonishing and surprising finale. Terror Creeps From the Fringe of the Fear to the Pit of Panic. A Creature From the Grave Bears Witness to Murder. What was the deadly power that desired and devoured the women of Fordyke?

This s a good terror film in Hammer Film style with malevolent spectres, family curses and an amazing final surprise . The plot is plain and simple an aristocrrat returns to the family manor with his new sweetheart when bloody events start happening , as he could very well be responsible for some rapes & murders that have occurred . The movie is plenty of grisly killings , tension , terror , genuine screaming , horrible chills and a little bit of blood . The picture packs a creepy atmosphere and strange color by the fine cinematographer Peter Newbrook who subsequently directed the Cult terror : The Asphyx . In addition , a frightening and intriguing musical score by Robert Richards . It is an acceptable British terror film with suspense , plot twists and weird appearances, but little slow-moving , at times . The casting is frankly well , there appears various awesome British actors , such as : John Turner as the suspicious Lord Richard who must ponder the idea that there could be some sort of conspiracy to drive him craziness . Along with his good-natured and beautiful wife well played by Heather Sears . Being well accompanied buy a fine support cast , such as : Peter Arne , Ann Lynn , Francis De Wolff , Norman Bird , Edina Ronay, Raymond Huntley and Patrick Throughton.

The movie was professionally directed by Robert Hatford Davies who often used pseudonym as Michael Burrows , author of some other Horror films and other genres as ¨Corruption¨ (with Peter Cushing) , ¨The Fiend¨ (with Patrick McNee) ,¨The Sandwich Man¨, ¨Ritual¨, ¨The Smashing Bird I Used to Know¨ , ¨Nobody Ordered Love¨, ¨Gonks Go Beat¨, ¨Saturday Night Out¨, ¨Crosstrap¨ and Blaxploitation movies as ¨Black Gunn¨ (with Jim Brown) and ¨ The Take¨ (Billy Dee Williams) . The motion picture will appeal to British horror enthusiasts .

Robert Hartford-Davis interrupted his schedule of very contemporary exploitation pictures to make this rip-roaring hybrid of a modern Hammer psycho-drama and the sort of thing Bava and Freda were making on the continent, handsomely mounted in Eastmancolor with an interesting cast of familiar faces, old and new.