A Sétima Aurora

Odd, that I don't recall the word 'communist' being uttered throughout this picture. Anyone notice if it was? It was pretty clear from the references and the red stars the Ng and his guerrillas were communists. This is an entertaining film from a jungle war that has been largely forgotten in the shadow of Vietnam. The British spent 12 years eradicating the elements they called "communist terrorists" before Malaysia became independent. Most of their enemies weren't conveniently

uniformed like Ng's forces, but were more like the grenade-tossing chauffeur. The SAS played a key role in suppressing the communists, and the British pretty much wrote the book on how to deal with these sort of insurgencies, lessons the

Americans too often seem to forget (though they slowly seem to be figuring it out in Iraq and Afghanistan). Saw this movie years ago and liked it, liked it more in a recent viewing, in spite of its flaws. Always liked Holden, have a real soft spot for Susannah York - and Capucine was splendid. Some great cars in this movie, too (and a Gloster Meteor, too, I think). And yes, superbly photographed.

For years I would notice this in television guides rated as one check or one star, right down there with Attack of The Killer Tomatoes. I have often puzzled at who is responsible for this and other way-off subjective ratings I have seen.

This movie was a two star movie just for Freddie Young's photography.

While not up there with The Bridge On The River Kwai, I believe this film is worthy of being rated higher than hundreds I have seen rated with two and three stars.

This film has some fine performances by Susannah York, Capucine, and Tetsuro Tamba, as well as William Holden.

This film has one of the most beautiful opening scenes of any picture I have seen, coupled with the music of Riz Ortolani, which I believe only Freddie Young's gifted artistic photo talents could have accomplished.

The only possible reason for it's low rating that I could think of, was the era it was released, when anti-war sentiments were building towards Viet Nam. At any rate, personal point of views should not affect the grading of art forms, and is a travesty to truth.

William Holden, Capucine, Susannah York, and Tetsurô Tanba star in "The 7th Dawn," a 1964 film done on location in Malaysia. At the end of World War II, Major Ferris (Holden) decides to stay in Malaysia, where he becomes a land baron. The woman who fought alongside him, Dhana, moves in with him. The third member of their trio, Ng (Tetsuro Tanba) who is like a brother to both of them, leaves to work with the communists.

Over the years, it becomes more dangerous to live in Malaysia due to Communist terrorism as the British prepare for Malaysian independence. As the situation worsens, Major Ferris and Ng ultimately have a difficult and painful decision to make.

"The 7th Dawn" is visually stunning, with some absolutely magnificent photography throughout, with an interesting story that was overshadowed in history by Vietnam. William Holden is perfectly cast as the world-weary Ferris, and Capucine gives a very dignified performance as the highly regarded activist Dhana. Susannah York plays a beautiful young woman who falls for Ferris, and handsome Tetsuro Tanba gives a powerful performance as the dedicated Ng.

Very good script without a typical Hollywood ending. I'm not quite sure why this film isn't more regarded.

There is a haunting, lost quality to this film that is really special. The mysterious jungles, ethereal sunrises, lost colonial world are all woven together beautifully.

The life-enhancing youth of Susanna York, and exotic Capucine at the peak of her career converge at just the right moment in time to play off of the wasted, weary Holden (though still an effective acting presence). Few viewers at the time realized that the famous globe-trotting Holden was perfectly suited to this role as an aging man who accumulates wealth but realizes that he has thrown away all his opportunities for success in a personal life. Now we know that age and mistakes were catching up with Holden himself, just like the character he portrays here.

Expensively made, fine cinematography, beautiful but haunting musical score written at the perfect time.

Sincere acting conveys the simplistic ideals believed by everyone in those days (The British, the Communist leader Ng, the naive Americans). Simplistic thought by so many people who did not realize that the world was becoming very complicated. The USA that very year on the brink of massive effort and tragedy in Vietnam. The early 1960's with so many nations on the cusp of independence as colonialism was literally dying as this film was being made.

Viewers in 1964 were still expecting movie-star Holden and happy endings. Instead, Holden gave them the truth here and they couldn't handle it. So, this movie was long forgotten, only shown a few times over the years in various chopped-up prints, and achieved obscurity. We are lucky that a full-length version was preserved. This kind of independent-minded, carefully photographed, rare unique movie is seldom encountered and should be treasured, despite how uneven or flawed it may be.

As others have noted, The 7th Dawn is a surprisingly good film and deserves more attention. It opens with a stunningly photographed title sequence that evokes the haunting atmosphere and strange tension of Henri Rousseau's jungle paintings. As soon as the titles fade, however, we are suddenly thrust into the middle of a brutal mass execution towards the end of World War II in Malaysia. The entire film plays off of this combination of sudden violence and the mysterious, unearthly beauty of the jungle.

In its quest for national independence for Malaysia, a guerilla army threatens British colonial society with acts of terrorism that leave the good civilized folk on edge. They ask an American ex-pat, William Holden, to intercede with the leader of the rebels, played by Tetsuro Tamba, because the two are old friends and served together in a guerilla army on the side of the Allies when they were all fighting the Japanese. Capucine also served with the two men in their guerilla days, and these three form an interesting romantic triangle that goes much deeper than those found in most films, involving loyalty to and betrayal of friends, lovers, family, nation, and ideology.

Though we've seen Holden's character, Major Ferris, in other movies (from Rick in Casablanca on down), it's a great role for the actor, who fills it with vigor, intelligence, and the necessary animal sensitivity. It helps that he has good writing behind him, and, in fact, the screenplay is one of the strengths of the movie, with complex characters involved in murky moral situations, a plot that keeps you intrigued and guessing, and some larger themes right out of Joseph Conrad. Susannah York's character may be a weak point of the film, but the acting in general is quite good. The Malaysian setting is quite exotic, and Freddie Young's (Lawrence of Arabia, Doctor Zhivago, etc.) incredible photography adds to the moody, violent and lush atmosphere of the film. It all adds up to action, adventure, mystery, political intrigue, some refreshingly mature romantic relationships, and even a touch of humor. Though it doesn't quite rank up there with The Bridge on the River Kwai or Lawrence of Arabia, people who liked those films should find The 7th Dawn a surprisingly strong film and definitely worth watching.