Conspiração Violenta

A fun politically charged, fast-paced action drama. No politically correct dialog here, as the principals give no quarter when the name calling and racial badgering ensues. A White man and a Black man are thrown together on a political twist of fate and have to overcome their mutual disdain for one another if either of them is to survive. Caine and Poitier, in my humble estimation, do a bang-up job of fulfilling the requirements of their respective roles. Neither widely known nor often mentioned, Prunella Gee does a nice job as Caine's sweetheart and Poitier's legal/political confidant, especially as it pertains to her keeping the peace between them so that they can achieve the task at hand.

What is also interesting is to see that even though Indian people and indigenous Blacks were similarly discriminated against in S. Africa (esp. during apartheid), there is still racial friction between those two groups. Not particularly earth-shattering news to many people, but a subject not often underscored in most modern cinematic fare.

If you like political melodrama with good plot development and plenty of action, you should like this one.

This little movie is a combination of political thriller , comedy and adventure movie. Sidney Poitier and Michael Caine have really good chemistry together . It's a well working duo which has to overcome their differences to survive. The way how they begin to trust and care about each other is believable.

The story is simple and moves quite fast , which isn't usual for 70's movies. The movie is mostly entertainment with apartheid being an issue in the background. The people who are expecting something deep might be disappointed . Personally I think that this movie sends a clear anti-apartheid message without being preachy or sappy. There is also a reflection about human greed and sacrifice .

Watch out for Rutger Hauer in small episode of pilot Blane . I also have to compliment the performances of Prunella Gee , Saeed Jaffrey and Persis Khambatta . The movie is both funny and dramatic and there are some beautiful landscapes here.

I give it 6/10.

This was really a surprise for me since I had never even heard of this film before. It takes a hard look at apartheid-run South Africa (remember this was 1975) in the form of an interesting action thriller with very good acting from all actors/actresses and with a plot that keeps you glued to your seat. This, even though (or because) it is not the typical "action-packed" kind of movie of this sort. You won't miss if you watch this.

I've seen many of the movies of this era. As remarked elsewhere, it is a fast-paced action film but has fetching little vignettes along the way that point out the characters' humanity.

Superb performances by Nicol Williamson and Michael Caine. Poitier plays his usual role to perfection. Many good supporting performances -Persis Khambatta is a revelation and there is really not a weak link in the cast. Not often remarked, this movie deserves a solid 7 out of 10. The Rutger Hauer sequence is worth the price of admission.

Black anti-apartheid activist , a "Kaffir" (in South Africa , the term is regarded as highly racially offensive) from African National Congress ("Black Congress") , called Shack Twala (Sidney Poitier) and an Englishman named Jim Keogh (Michael Caine) on the wrong side of the law are forced to run from South African secret police . As they escape from Cape Town to Johannesburg , across 900 miles or 1,448 kilometers . They team up to getaway the clutches of a prejudiced law agent (Nicol Williamson) , a violent cop and other underlings in Apartheid Africa . Meanwhile they pursue some smuggled diamonds along the veld and are themselves relentlessly pursued by the AfriKaner Police . The film's closing credits declare: "This motion picture is fictional and any resemblance to actual persons or events in South Africa is purely coincidental".

The focus of the movie is on the moving pursuit with bigotry creaming the surface , not the political uprising taking place around it , though in the course of entertaining and amusement may also make people think about racism and other thought-provoking themes . Well-done chase movie that contains thrills , emotion , interracial screwing , crossfire , profound racial issues are overseen and action as well as thriller is maintained throughout . The flick is more an action movie than a racism yarn , it is about man's humanity to man . Based on a story by Peter Driscoll and released three years after its source novel that first published in 1972 and screen-written by Rod Amateu who provides an agreeable script . The film is pretty well , but some moments results to be unpleasant , extremely violent , and invidious . Over-the-range performances from Sidney Poitier as the hand-cuffed African and Michael Caine as a British engineer who is served with some amusing deadpan sentences . Support cast is frankly good , as Prunella Gee , Saeed Jaffrey , Persis Khambatta , Rutger Hauer , Patrick Allen and shinning Nicol Williamson as a leering security cop . Stanley Myers's musical score is characteristically cool , with an attractive initial song and plenty of Indian sounds . Colorful cinematography by John Coquillon , most of the film is set in Johannesburg and Cape Town , but due to the political sensitivity of anti-apartheid , no attempt was made to film there , in fact it was shot in Kenya and Pinewood Studios, Buckinghamshire, England, UK .

The motion picture was compellingly made by Ralph Nelson . He has got himself a ¨South African Soldier Blue¨ . Being the third collaboration between Nelson and Poitier and final film together, after previously collaborating on Duel at Devil (1966) and The lilies of the field (1963) . Director Ralph was expert on all kinds of genres as Western : ¨Soldier Blue¨, ¨Duel at Diablo¨; Sci-Fi : ¨Embryo¨ ; Wartime : ¨Soldier in the rain¨ , ¨Father goose¨ ; and Drama : ¨Charly , ¨A hero ain't nothing' but a Sandwich¨ , ¨lady of the house¨ and his greatest hit ¨Lilies of the field¨ who had an inferior sequel titled ¨Christmas lilies of the field¨.