Inferno nos Céus

I remember 1964 quite well and "633 Squadron" was one of those highlights. I first saw "633" during its initial release. I was 8 years old at the time and infatuated with just about any plane that flew especially WWII aircraft. My dad, being in the Air Force's Strategic Air Command (SAC) at the time, knew that "633 Squadron" was for me.

Yes, I have read some comments on this movie about the use of less than realistic props (airplane models) but let's not forget this was shot back in the early 60's. I think it was done well for the special effects technology available at the time.

Just the sight of the actual Mosquito flying scenes (don't forget there weren't very many restored Mosquitos around to fly) did it for me not to mention the opening scene flying through the clouds as the opening score played on. It really gets my blood pumping to this day!

No, I haven't said a lot about the plot or the characters because the movie went beyond that for an 8 year old boy "flying" with the Squadron. Now at 42 I have re-lived those great memories by seeing this movie a second and third time. I recommend this movie for just about everyone.

Sometimes we must look thru the leaves to see the tree.

I have a feeling this isn't the only time that Cliff Robertson played the trans-Atlantic star beefing up a late British war movie for the US market. However, Cliff is NOT playing a British squadron leader! There were a large number of Canadian and Australian flyers in British squadrons during WWII. We also have the fleeting appearance in the movie of an Indian pilot. I suspect Cliff is representing a Canadian - though there were also a few US volunteers flying in the RAF in WWII (as late as 1944 and in a bomber I'm not so sure about - but its not totally impossible!) The real casting problem is George Chakiris. Very Greek/Italian and not at all Norwegian in appearance or accent! Also he lacks the screen presence or acting ability of Robertson. Considering his sister's looks I can only assume that there was a Greek milkman in that Norwegian town in the 1930s! Maria Perschy looks suitably Norwegian (and stunning) and doesn't try too hard for an accent otherwise than educated English - which considering she was Austrian may well have been a very good thing! Oh but the film has real flying scenes of Mosquitos and a flying score to match the Dambusters March so its a film worth watching. The lack of CGI is a huge bonus (though it does present us with some very dodgy models in action and the memory they destroyed a few real Mosquitos making the film). It also has one of the most stirring old-fashioned closing lines in film history delivered as only Harry Andrews could.

So I'd recommend watching it with critical facilities on 'mute' - enjoy what's there to be enjoyed and ignore the rest of it!!!

In the spring of 1944 an RAF Mosquito Squadron are ordered to attack a German rocket fuel plant in Norway. The mission involves flying up a heavily defended fjord and bombing a cliff overhang in an attempt to bury the factory, which is built into the rock.

I bought this on DVD in a '3 for £20' offer, as I had fond memories of it from childhood, and it had been around 20 years since I last remember seeing it. I have to say that it's not nearly as good as I remembered it to be. The plot is full of cliches and there's the inevitable love interest for the lead. That said, there are points to recommend it. Cliff Robertson gives another reliable performance as the Wing Commander in charge of the squadron, and there are equally dependable turns from Harry Andrews and Donald Houston. The numerous flying sequences with the Mosquito Bombers are expertly filmed, and it's a real bonus to finally see the film in its correct 2.35:1 aspect ratio. The special effects aren't bad for 1964, and Ron Goodwin's famous score underpins the whole venture.

The main problem that I have with the film is that it borrows heavily from 'The Dam Busters' in terms of plot, without ever scaling the heights (no pun intended) of that classic. It may have lush Panavision photography, better effects etc., but lacks the nail biting tension and expertly constructed drama of its predecessor. However, it's perfectly acceptable entertainment, if somewhat abrupt at the end.

This film which begins with its blood pumping Ron Goodwin's musical score and the cloud opening sequences fire's it's beginning, then lets one down with it's almost 'World War II pulp comic book' screenplay.

However...watch this film for its remarkable footage of one very remarkable aircraft, the film's real stars.......the exciting, beautiful, fast, deHavilland Mosquito's. The dialogue is sometimes painful to recall, the story could have been better written, but the flying sequences recalls many real Mosquito W.W. II exploits as a pinpoint high speed strike aircraft, such as the real historical attack at rooftop height in France on the Gestapo headquarters freeing the many French Resistance prisoners standing out foremost. Why could the story not revolve around this real historical exploit, among many others?

Cliff Robertson's real life flying experience bleeds through somewhat, but we are wishing more. The romantic subplot?...fast forward the video through this. Also the kinky Gestapo woman interrogating Chakiris! Enjoy the Goodwin score, as the Mosquitos practice for there mission in the Scottish highlands, and the sound of those Merlin engines. Love those planes! '633 Squadron' is a keeper, but for aircraft buffs only really.

Corfman

A WW2 squadron of Mosquito bombers are training for a perilous mission to bomb a cliff face in Norway; with the aim to bring the cliff tumbling down on the German arms factory below it.

633 Squadron may not be a film for the War enthusiast purists? But the work done here to make this film a winner should never be understated. In this day and age it's often forgotten how these type of film's relied on good aerial photography, deft model work, and a stirring score. All of which this picture contains, thus making 633 Squadron more than a wet day crowd pleaser. Sure the intermittent scenes between the training sequences and the actual mission are mere filler, and the subplots obviously halt the flow of the movie (hello romance, hello sacrifice clichés); but what they do do is give a sort of added feel to the proceedings come the mission at the end. We do after all have to have some sort of affinity with the characters putting their lives at risk, and we get that here courtesy of a well written first half. Also boasting (in my opinion naturally) one of the greatest scores used in a War movie, courtesy of Ron Goodwin, the film triumphs because the ending is all that you hope for. In truth it's never in doubt given the build up we are given (and being the normality for many genre pieces), but with little dashes of poignancy and slivers of adrenalin rushes, the impact is akin to a jingoistic chest thudding.

Besides which, if you can't get a tingle on your neck watching the Mosquitoes fly over the Norwegian fjord? Well you got no blood in your body say I. 7/10