24 Horas em Moscou

"I Am Walking Along Moscow" aka "Ya Shagayu Po Moskve" (1963) is a charming lyrical comedy directed by Georgi Daneliya in 1963 that was nominated for Golden Palm at Cannes Film Festival. Daneliya proved that it is possible to create a masterpiece in the most difficult genre of romantic comedy. Made by the team of young and incredibly talented artists that besides Daneliya included writer/poet Gennady Shpalikov, composer Andrei Petrov, and cinematographer Vadim Yusov (who had made four films with Andrei Tarkovski), and the dream cast of the talented actors even in the smaller cameos, "I Am Walking Along Moscow" keeps walking victoriously through the decades remaining deservingly one of the best and most beloved Russian comedies and simply one of the best Russian movies ever made. Funny and gentle, dreamy and humorous, romantic and realistic, the film is blessed with the eternal youth and will always take to the walk on the streets of Moscow new generations of the grateful viewers.

I would place it on the same level as Fellini's Roma or Woody's "Manhattan" - yes, I think it is that good and I see it as the love letter to the magnificent city on the Moskva River which used to by My city, too. It is about spring in Moscow of 1963, (in more ways than one), about youth, first love, smiles, sudden meetings and inevitable goodbyes. It takes place on the streets of Moscow, in its parks, subway stations, and movie theaters. It follows the "Moskvichi" and the guests of the city, young and middle-aged, romantic and tired, friendly and suspicious, happy and disappointed, wise and naive in the series of short vignettes and it introduces us to the characters whom we get to meet, to like, and to follow on their journey in the course of one long sunny rainy spring day.

for the admirable portrait of freedom. for the young Nikita Mihalkov, doing a great role. for the touching portrait of Mosow, youth, friendship, love and innocence. for the status of slice from a period spirit. because it is a beautiful film, remembering the air of a time, the talent of young actors, the force of a good director, for the delicacy and realism of a world, almost magic, surely - unique. a film about a city and about a splendid age. that is all. and it is enough. to see it time by time.

Georgiy Daneliya surely must have seen some French films at the time, and the music which is charming reminded me a little of the Italian Nino Rota. It is no masterpiece, but it is a film that deserves a wider viewing. Fortunately YouTube is showing it in widescreen with English subtitles and despite just a touch of propaganda and small reminders of Soviet life it has a free wheeling charm that carries the viewers along. And now I may be a bit controversial. I watched it with a Gay/Queer eye and there is a lot of male eroticism in it. There is even a shower scene which almost opens the film which is a Gay trope in so many Gay films. And as much as I do not respond to Nikita Mikhalkov and his work as a director he makes a handsome lead. But it is Aleksei Loktev who really steals the eye and no doubt the hearts of many as an aspiring Siberian young writer who comes to Moscow to talk to a famous writer. If he had been French he would have brought a lot to French cinema. Along with Evgeniy Steblov as a hesitant young man timid about marriage this makes for a good looking trio with gentle male on male touches ( all of course in the name of comrade friendship ) but if you pause for stills as I did there is a slight romantic edge there. That is my opinion anyway, so any gay person reading this see what you think! There are young women of course and romance there as well, and yet it is the guys who take up most of the film. There is a song at the end when Mikhalkov is in the metro about the undisputed charms of Moscow that could have come out of a Francois Ozon or Christophe Honore film in its male charm. As for the filming it is as good as many a Nouvelle Vague film of the time, and the camera probes and captures the spirit on location of Moscow as it was then. And there is a gentle comedy that pervades the whole scenario that had echoes of certain moments in Louis Malle's ' Zazie dans le metro. ' I will watch this film again as it touches the heart, and there is no rigid formalism, but a lightness of touch that is remarkable and I had the feeling that everyone in it was trying to forget politics and just enjoying what seemed to me a great deal of freedom of life. Not quite a masterpiece, but a very good film.

There is some kind of hackneyed opinion in the world that Moscow is a city of almost everlasting winter. Unfortunately there is a lot of truth in such words: we live in cold and rather dark city for 5-6 months a year. But if you'll come to Moscow in May or maybe in last April, it is most likely that you'd fall in love with this city. The film of G.Danelia brings you this delightful and intoxicating scent of spring Moscow, a fresh and brilliant scent of youth, beauty and first love.

I think it is a best role of well-known Russian actor and director Nikita Mikhalkov - and it's of no doubt the most sincere work of him. And I also should say about sparkling supporting role of Vladimir Basov - his clever Floor polisher is really wonder :))

The film is a well-executed attempt to record the transient youth impressions of the aging generation of the Soviet baby-boomers. Or rather the inevitable fantasising about them 20+ years later. Not that it makes it any different from any other generation which has ever lived.

Just as in the end of a news hour, there's a 60 second feel-good segment, in every generation, there's its own feel-good story. The scrutiny of how realistic those dreamy fantasies of the past are is beyond the point. Relaxing in the backyard's arm chair with a glass of well-deserved glass of wine reflecting on the past is of course a part of the drill.

In the end, this patriotic narcissistic drivel could have been "Ya shagayu po Berlin (1964)" or "Ya shagayu po Hiroshima (1964)" full of love, spring vitality and romanticism. Which is of course fine as the life obviously goes on.

And perhaps it's fine. It depends on the viewer's outlook. But for some, the film will be clearly interspersed with visual and conceptual references aggrandising and beautifying what the country has gone through in the preceding 50 years. A sort of the Soviet Union of Amnesia that is. A common propaganda "feel-good" trick in a wide range of other tricks in the toolboxes of various Ministries of Truth across the globe.

One thing is for sure: this is a movie done by the power which won the war, so history is written accordingly. Small but curious detail.