Scum of the Earth

A naive and innocent teenage girl (Allison Louise Downe) is blackmailed into modeling in the nude for a photographer who is in league with a teenage gang whose boss illegally sells photos of teenage girls being abused and degraded.

First of all, let's get it out of the way: the father (Edward Mann) is possibly the worst actor who ever lived. Downe, on the other hand, does a great job, and it is interesting that she transitioned from nude victim to one of Lewis' longest collaborators.

Allmovie wrote, "Unintentionally funny and poorly photographed, this film certainly has its moments for connoisseurs of bad cinema, but others will find it tawdry and dull." This may be true, but to put it in the context of H. G. Lewis, it is actually one of his better-made movies and the film quality has held up well. Most of his films have awful prints, but not this one. Even the score seems pretty decent.

If anything of "SOTE" is to survive, it is the monolouge and direction of Lawrence J Aberwood's speech as Lang, where he dresses down a young model and the fury of the earth's mysogony pours fourth from his repulsive gob, as Lewis cuts closer and closer into this strange piehole of hell. I think it's probably the best sequence Lewis ever directed. If it appeared in a less rediculous film it might be more recalled, but I guess "Blood Feast" stole it's thunder. I like that when Lang knows the jig is up, he is pretty philosophical about ditching his business. I mean, how much money can you make selling cheap cheesecake in the High School underground? Aberwood's excellent work is matched by William Kerwin, who is quite believeable as the morally conflicted photographer. The rest of the cast stubbles along. As this may have been the first "roughie", there is only one rough scene and it's not that rough.

I was looking for another film called SOTE, but accidently ordered this one which I had seen years ago. The "You're dirty!" speech makes it more than worth seeing again.

Scum of the Earth (1963)

** (out of 4)

Early sexploitation film from director Herschell Gordon Lewis about a young girl named Kim (Allison Louise Downe) who starts posing for pictures for Harmon (William Kerwin) but soon she finds out that he's actually a creep and has naughty plans for her. While the first pictures were tasteful, he eventually gets her into bikini shots and then (gasp!) nude shots. SCUM OF THE EARTH is a fairly decent sexploitation picture but people should be warned that it's an early one and there's actually not any nudity outside of a clever nipple slip. I think this film is mainly going to appeal to fans of the director who must see everything that the drive-in maverick has made. For the most part this is a fairly entertaining movie, although it feels more like those exploitation pictures from the 1930's instead of something from the swinging 60's. There are a couple nice moments scattered throughout the film but for the most part it's just another morality tale warning young girls from taking their clothes off no matter how "simple" they think the pictures are going to be. As the film says, you might start off with your clothes on but there are perverts out there who want to see you naked. The film manages to have a couple fun performances from the two leads. I thought Kerwin was actually pretty good and believable in the role of the photographer. Downe isn't "good" by any stretch of the imagination but she brings a rather sweet and naive quality to the character that makes her work. At just 73-minutes the film seems a tad bit long at times but the director never slows the picture down too much.

While this was the, as yet, uncrowned Godfather of Gore's final film shot in B/W it was later said to have been one of the first 'Roughies' and proved so financially successful that many similarly deranged films would muckily follow in its wonderfully mucky footsteps! While probably a tad naive and quaint when seen today, 'Scum of The Earth' nonetheless maintains a strange fascination outside of it merely being a crusty ol' museum piece of celluloid history. Fans of fearless filmmaker, H. G Lewis will be only too aware of the inordinately likable, more than robust character actor, Bill Kerwin's place in the triumphantly bloody pantheon of proto-splatter history by his memorable performance in the iconic cannibal opus 'Blood Feast' (1967), so it is doubly thrilling to see future Ishtar idolator, Fuad Ramses (Mal Arnold) in his earlier guise as, Larry, the blithely abusive lackey to odious Lang (Lawrence J. Aberwood), the porcine head of this sordid, photographically reprehensible flesh-pot factory.

Ostensibly a cheaply made, moderately lurid morality tale, or to be pedantic, an 'immorality tale', this grubby-fingered monochrome 'expose' of crass female exploitation highlights the desperate plight of a guileless,Sherilyn Fenn lookie-likie, Kim Sherwood (Louise Downe) as she is crudely coerced into the unwilling role of 'glamour model' by arch manipulator, serial groomer of young women, Harmon Johnson (William Kerwin), erstwhile photographer, and full-time Heel! The grimily unsophisticated narrative very rapidly plunges ever deeper into the darkling mire of smut, since the fourth abject member of these insidious flesh wranglers is the vicious, over-muscled thug, Ajax (Craig Maudsley Jr.) who takes enormous pleasure in psychologically and physically assaulting these poor women into tearful submission in order to momentarily sate his openly sadistic lusts, perhaps, the estimable Mr. Lewis might have had some additionally powerful effects on future creators of extreme Japanese Pinku as well as single-handedly inventing the splatter movie genre! 'Scum of the Earth' simmers stagnantly to a marvellously melodramatic, all hellz' a poppin' climax, being tritely bookended with a pleasingly earnest voice-over from the mercurial mondo mastermind himself!

Appearing somewhat rudimentary in style and content, 'Scum of The Earth' is most certainly not without dramatic interest, since one can't help but readily sympathize with our ingenious protagonist's increasingly desperate plight, and there's an amusingly broad, almost pantomime-esque quality to her abusers nastiness! These sleazy smut-rakers and their outrageous machinations remain consistently fun to watch, perhaps a few years earlier these dastardly sinister archetypes of cartoonish despotism would have no less callously tied shrieking damsels to the train tracks whilst repeatedly swirling oily moustaches with hubristic aplomb!

Initially released on VHS by psychotronic curators 'Something Weird Video' many loons ago, it is certainly no small joy to view this formative example of H. G Lewis's trope-inventing filmmaking in much improved HD quality, perhaps not one of the more essential works from his inimitable cannon of kaleidoscopic, crimson-soaked lunacy, and while not the best place to begin investigating H. G Lewis's exhilaratingly orgiastic oeuvre but undoubtedly an important, hugely influential trashy B-Picture in its own right. Without belabouring the point, one can plainly see how utterly essential the charismatic, Bill Kerwin's myriad acting contributions have been to the continued relevance of H. G Lewis's extraordinary, convention-baiting, sin-suppurating, epoch-defining, heroically hyperbolic, celluloid freight train of midnight movie madness!

I watched "Blood Feast" last weekend - also included on the same blu ray is the film "Scum of the Earth!" - another Hershall Gordon Lewis, which I decided to watch this weekend. It's a tawdy affair, and quite slow moving.

Having reached the end of her rope, Sandy (Sandy Sinclaire) begs pornograhpher Lang (Lawrence Wood) to let her go. He decides that he will stop shooting with her, provided she brings in her replacement, the naïve Kim (Vickie Miles). Harmon (Thomas Sweetwood) who takes the photographs slowly convinces Kim to reveal more, until they have enough to blackmail her to continuing. Then they introduce Ajax (Craig Maudsley Jr) a brutal thug who has no concerns about the girl's willingness to perform with him, in front of the camera.

Much like "Blood Feast" were in the realm of low budget exploitation films here. As a result of that, the actors, some of whom are using pseudonyms for the film, are again not particularly strong. The film does, somewhat, try to have its cake and eat it too by having the pornographers as the villains, but also by showing you it's female leads topless. That said, I didn't find any of those moments sexy as, we know that the characters have been tricked, blackmailed or threatened into it. Not since "Three Billboards" have a seen a character so underserving of his heroes turn at the end of the film

My main flaw though was that it was slow.

Tough to recommend for anyone but the Lewis completists.