Scum of the Earth

One of the earliest of "roughie" films of the 60s, this cheap Florida film about how nudie photographers lure innocent cuties to shed their clothes and morals is pretty dull with only brief flashes of H.G. Lewis' brand of low-grade brilliance. Acting that ranges from overwrought to amateurish plus static direction keeps this from being a good film but a vicious belt-whipping scene keeps it from being too timid with its seedy subject matter. Look for much of the cast of Lewis' classic film BLOOD FEAST in this.

While this was the, as yet, uncrowned Godfather of Gore's final film shot in B/W it was later said to have been one of the first 'Roughies' and proved so financially successful that many similarly deranged films would muckily follow in its wonderfully mucky footsteps! While probably a tad naive and quaint when seen today, 'Scum of The Earth' nonetheless maintains a strange fascination outside of it merely being a crusty ol' museum piece of celluloid history. Fans of fearless filmmaker, H. G Lewis will be only too aware of the inordinately likable, more than robust character actor, Bill Kerwin's place in the triumphantly bloody pantheon of proto-splatter history by his memorable performance in the iconic cannibal opus 'Blood Feast' (1967), so it is doubly thrilling to see future Ishtar idolator, Fuad Ramses (Mal Arnold) in his earlier guise as, Larry, the blithely abusive lackey to odious Lang (Lawrence J. Aberwood), the porcine head of this sordid, photographically reprehensible flesh-pot factory.

Ostensibly a cheaply made, moderately lurid morality tale, or to be pedantic, an 'immorality tale', this grubby-fingered monochrome 'expose' of crass female exploitation highlights the desperate plight of a guileless,Sherilyn Fenn lookie-likie, Kim Sherwood (Louise Downe) as she is crudely coerced into the unwilling role of 'glamour model' by arch manipulator, serial groomer of young women, Harmon Johnson (William Kerwin), erstwhile photographer, and full-time Heel! The grimily unsophisticated narrative very rapidly plunges ever deeper into the darkling mire of smut, since the fourth abject member of these insidious flesh wranglers is the vicious, over-muscled thug, Ajax (Craig Maudsley Jr.) who takes enormous pleasure in psychologically and physically assaulting these poor women into tearful submission in order to momentarily sate his openly sadistic lusts, perhaps, the estimable Mr. Lewis might have had some additionally powerful effects on future creators of extreme Japanese Pinku as well as single-handedly inventing the splatter movie genre! 'Scum of the Earth' simmers stagnantly to a marvellously melodramatic, all hellz' a poppin' climax, being tritely bookended with a pleasingly earnest voice-over from the mercurial mondo mastermind himself!

Appearing somewhat rudimentary in style and content, 'Scum of The Earth' is most certainly not without dramatic interest, since one can't help but readily sympathize with our ingenious protagonist's increasingly desperate plight, and there's an amusingly broad, almost pantomime-esque quality to her abusers nastiness! These sleazy smut-rakers and their outrageous machinations remain consistently fun to watch, perhaps a few years earlier these dastardly sinister archetypes of cartoonish despotism would have no less callously tied shrieking damsels to the train tracks whilst repeatedly swirling oily moustaches with hubristic aplomb!

Initially released on VHS by psychotronic curators 'Something Weird Video' many loons ago, it is certainly no small joy to view this formative example of H. G Lewis's trope-inventing filmmaking in much improved HD quality, perhaps not one of the more essential works from his inimitable cannon of kaleidoscopic, crimson-soaked lunacy, and while not the best place to begin investigating H. G Lewis's exhilaratingly orgiastic oeuvre but undoubtedly an important, hugely influential trashy B-Picture in its own right. Without belabouring the point, one can plainly see how utterly essential the charismatic, Bill Kerwin's myriad acting contributions have been to the continued relevance of H. G Lewis's extraordinary, convention-baiting, sin-suppurating, epoch-defining, heroically hyperbolic, celluloid freight train of midnight movie madness!

An innocent girl Kim (Allison Louise Downe) is forced to pose topless to pay for her college tuition.

The script is actually pretty good (except for a few clunky lines) and the direction is VERY good--for Herschell Gordon Lewis. The man made a lot of infamous blood and gore films of the 1960s--they were badly acted, directed and scripted but the plentiful gore kept you watching. But with this film something happened--he photographed in B&W and he actually wrote a fairly good script. Also there are a few competently directed sequences. Still it's really a bad film because of one thing--the acting. It's just AWFUL!!!!! It's just beyond belief how bad everybody is in the film (especially Downe). Also, despite the subject matter, there is no nudity. They come close but this would probably get by with a PG-13 rating today. So, a pretty good script and direction ruined by lousy acting. I'm sure some people are reading this and thinking I've lost my mind but seriously--HG Lewis made a fairly serious, good film!

One hilarious mistake--at one point Kim gets a letter addressed to her in Detroit MI--yet all the exterior shots show palm trees that only grow in CA!!!!

I watched "Blood Feast" last weekend - also included on the same blu ray is the film "Scum of the Earth!" - another Hershall Gordon Lewis, which I decided to watch this weekend. It's a tawdy affair, and quite slow moving.

Having reached the end of her rope, Sandy (Sandy Sinclaire) begs pornograhpher Lang (Lawrence Wood) to let her go. He decides that he will stop shooting with her, provided she brings in her replacement, the naïve Kim (Vickie Miles). Harmon (Thomas Sweetwood) who takes the photographs slowly convinces Kim to reveal more, until they have enough to blackmail her to continuing. Then they introduce Ajax (Craig Maudsley Jr) a brutal thug who has no concerns about the girl's willingness to perform with him, in front of the camera.

Much like "Blood Feast" were in the realm of low budget exploitation films here. As a result of that, the actors, some of whom are using pseudonyms for the film, are again not particularly strong. The film does, somewhat, try to have its cake and eat it too by having the pornographers as the villains, but also by showing you it's female leads topless. That said, I didn't find any of those moments sexy as, we know that the characters have been tricked, blackmailed or threatened into it. Not since "Three Billboards" have a seen a character so underserving of his heroes turn at the end of the film

My main flaw though was that it was slow.

Tough to recommend for anyone but the Lewis completists.

Directed by, according to the opening credits, a one Lewis H.Gordon. No fooling any student of horror or exploitation cinema, this of course was actually the legendary Herschell Gordon Lewis, famous for his gore movies. His former wife, Allison Louise Downe, stars as a naïve young woman who earns some much needed cash posing for photographs but eventually finds herself posing nude, with the threat of blackmail hanging over her. And indeed there is some nudity here, breasts and bottoms. Which is probably the purose behind this film, rather than the moral message. Acting is bad, as to be expected with a HG Lewis. One character, Larry, is meant to be a minor but was actually 30 years old when this was filmed. One nice touch is that although filmed in black and white there is a split second red blood splat on screen. I only watched this film because it was an extra on a blu ray of another Lewis film but I'm glad that I did. Turned out to be reasonably entertaining.