AVALIAÇÃO DA IMDb
6,4/10
3,8 mil
SUA AVALIAÇÃO
Os sobreviventes de um naufrágio lentamente se transformam em cogumelos.Os sobreviventes de um naufrágio lentamente se transformam em cogumelos.Os sobreviventes de um naufrágio lentamente se transformam em cogumelos.
- Direção
- Roteiristas
- Artistas
Takuzô Kumagai
- Doctor
- (as Jirô Kumagai)
Avaliações em destaque
I have noticed that many of the commentators in this forum have stated that this film gave them nightmares. No wonder. This film based on William Hope Hodgson's novel "The Voice in the Night", has a plot that is so bizarre that it could only have been inspired by someone's nightmares. The premise of intelligent fungus luring people to eat them and then the people slowly turn to "mushroom people" is so nightmarishly creepy that I can't imagine that Hodgson (or anyone else) could of dreamed this idea up when he was wide awake.
MATANGO (aka ATTACK OF THE MUSHROOM PEOPLE) is a surprisingly low key atmospheric Japanese horror fantasy. The film is a bit slowly paced at times and too much time is spent on the castaways bickering amongst themselves. There are some elements that I suspect were better developed in the novel. One scene has the two female castaways hearing the voices of dead relatives trying to lure them into the rainforest. This never occurs again and leads nowhere. I'm sure the stuff about nuclear experiments was not in Hodgson's novel. However, the art direction is excellent, the music creepy and the final sequence memorable. Overall, the boys at Toho did a good job.
I don't care what the Medvids think of this film, or the pseudo hip MST3K crowd thinks either, your old pal jim says, see this one.
MATANGO (aka ATTACK OF THE MUSHROOM PEOPLE) is a surprisingly low key atmospheric Japanese horror fantasy. The film is a bit slowly paced at times and too much time is spent on the castaways bickering amongst themselves. There are some elements that I suspect were better developed in the novel. One scene has the two female castaways hearing the voices of dead relatives trying to lure them into the rainforest. This never occurs again and leads nowhere. I'm sure the stuff about nuclear experiments was not in Hodgson's novel. However, the art direction is excellent, the music creepy and the final sequence memorable. Overall, the boys at Toho did a good job.
I don't care what the Medvids think of this film, or the pseudo hip MST3K crowd thinks either, your old pal jim says, see this one.
First of all, if possible avoid the dubbed version of this one (ATTACK OF THE MUSHROOM PEOPLE). The dubbing is no worse than usual for a Japanese sci-fi/horror movie, but this one really needs the subtitles so the viewer won't be distracted by the cartoonish dubbed voices. There is an excellent widescreen/subtitled edition of this available from Video Daikaiju ( if they're still in business; they somehow got away with putting out excellent-quality subtitled versions of the films that Toho released for the Japanese video market), and it is also pretty easy to find at various comics/sci-fi/media conventions.
MATANGO scores very high on the slow-burn creepiness meter, and the story of a bunch of hapless castaways slowly descending in to distrust and madness is utterly compelling. What they find on the island is truly disturbing, and I can't put into words how thankful I am for not having seen this during my formative years. This is one of those movies that can royally mess up your mind if you're a little kid. HIGHLY RECOMMENDED.
MATANGO scores very high on the slow-burn creepiness meter, and the story of a bunch of hapless castaways slowly descending in to distrust and madness is utterly compelling. What they find on the island is truly disturbing, and I can't put into words how thankful I am for not having seen this during my formative years. This is one of those movies that can royally mess up your mind if you're a little kid. HIGHLY RECOMMENDED.
Toho are mostly known for their dark bleak period pieces and their goofy monster flicks, but every once in a while they delved into something else and Matango is a great example of this.
Well ahead of its time it tells the story of ship wreck survivors trying to make it until help comes, but they don't appear to be alone on the island and tensions are beginning to build.
So okay I admit the concept is daft, the antagonists are a bit silly but lets be honest they aren't a million miles from those in The Last of Us (2013). Despite this they actually do the job quite well and look considerably better than you'd imagine considering this was the early 60's.
The film is a real slow burner and very little of it features the antagonists at all, the majority is the turmoil between survivors but it does this to a passable degree.
Though not everything it could have been there is a lot to be impressed over in Matango and it's a neat little forgotten Toho movie that deserves attention.
The Good:
Looks excellent for its time
Some good ideas
The Bad:
Cast and characters are pretty forgettable
Very slow burn
Things I Learnt From This Movie:
An opportune time to tell a woman you love her for the first time is straight after hitting her
Could easily have had a sequel about killer cheese people
Well ahead of its time it tells the story of ship wreck survivors trying to make it until help comes, but they don't appear to be alone on the island and tensions are beginning to build.
So okay I admit the concept is daft, the antagonists are a bit silly but lets be honest they aren't a million miles from those in The Last of Us (2013). Despite this they actually do the job quite well and look considerably better than you'd imagine considering this was the early 60's.
The film is a real slow burner and very little of it features the antagonists at all, the majority is the turmoil between survivors but it does this to a passable degree.
Though not everything it could have been there is a lot to be impressed over in Matango and it's a neat little forgotten Toho movie that deserves attention.
The Good:
Looks excellent for its time
Some good ideas
The Bad:
Cast and characters are pretty forgettable
Very slow burn
Things I Learnt From This Movie:
An opportune time to tell a woman you love her for the first time is straight after hitting her
Could easily have had a sequel about killer cheese people
First a correction : the making year and distribution release year in Japan of MATANGO is 1962 and not 1963. It is of course a very good movie from Inoshiro Honda, the father of "Kaiju Eiga" and every cinephile knows what that means. Besides, it is a "Kaiju eiga" (= "monster movie" as trasnlated in English) quite closer to horror than to science-fiction, even it is also a sci-fi, including mentions of the atom research in the ghost boat in which the survivors are living. It is closer to BINJO TO EKITAI NINGEN [L'HOMME H] (Jap. 1958) than to GOJIRA (Jap. 1954), both directed by Honda, if you want to have a comparative idea. Anyway, it is a very original movie in Honda carrier. Even it can remind, as a cultivate reader mentionned it, a W.H.Hodgson's novel. But were the Japanese scriptwriters aware of that source ? Interesting question. I am glad to announce you that in France, a smart distributor has bought the rights from Toho and distributed that movie in a beautiful Cinemascope complying with 16/9 TV screening : it has been shown on Canal + private famous French TV but I do not think it is available on DVD or video.
It was around one or two years ago and we have been able to discover it in original japanese langage with French subtitles : beautiful master and beautiful movie. Honda is my favorite horror and sci-fi movie director with regard to history of Japanese movie. I have recently written an "Elementary filmography of Kaiju Eiga" in which Inoshiro Honda has of course the main place, as far as Toho is concerned. MATANGO is a masterpiece.
It was around one or two years ago and we have been able to discover it in original japanese langage with French subtitles : beautiful master and beautiful movie. Honda is my favorite horror and sci-fi movie director with regard to history of Japanese movie. I have recently written an "Elementary filmography of Kaiju Eiga" in which Inoshiro Honda has of course the main place, as far as Toho is concerned. MATANGO is a masterpiece.
If you look around on the Internet you can see that almost all the entries for this movie, are above average and there are probably a million different reasons for that. I think they all have in common that somehow this movie really gets people on a sub-conscious level and represents something.
I remember seeing this movie at various times growing up on the late night horror shows, in Houston, Texas, called "Weird" and "Late Wierd", and then in California on "Creature Features".
There is something about watching this movie about a groups of somewhat related friends who are out on a cruise in their rich friends sailboat, well, actually the exact details escape me, and I am not sure that the English tranlation accurately tells what was supposed to be going on in the original story.
The boat is caught in a storm, and they drift through heavy fog to a deserted island where everything is misty, moist, and fungus ridden. To survive they look for food, and find that people have been to the island before, in fact a large group of people on a freighter ship that has wasted away.
There are some clues on the ship as to what happened, and some strange goings on that stress these "friends" to the breaking point, and their cohesion starts to unravel.
There is just something special about this eerie and fun movie that if I ever see it in DVD format I will pick it up.
I remember seeing this movie at various times growing up on the late night horror shows, in Houston, Texas, called "Weird" and "Late Wierd", and then in California on "Creature Features".
There is something about watching this movie about a groups of somewhat related friends who are out on a cruise in their rich friends sailboat, well, actually the exact details escape me, and I am not sure that the English tranlation accurately tells what was supposed to be going on in the original story.
The boat is caught in a storm, and they drift through heavy fog to a deserted island where everything is misty, moist, and fungus ridden. To survive they look for food, and find that people have been to the island before, in fact a large group of people on a freighter ship that has wasted away.
There are some clues on the ship as to what happened, and some strange goings on that stress these "friends" to the breaking point, and their cohesion starts to unravel.
There is just something special about this eerie and fun movie that if I ever see it in DVD format I will pick it up.
Você sabia?
- CuriosidadesThe film was nearly banned in Japan. The makeup some characters wore as they were turning into humanoid mushroom creatures was very similar to how many Japanese people looked after the atomic bombings of Hiroshima and Nagasaki.
- Erros de gravaçãoWhen Kasai shoots at Yoshida and Mami as he chases them off the boat, you can see the bullets ricochet off the ground before he even fires a shot.
- Cenas durante ou pós-créditosThe opening credits of the Japanese version are on animated sailboat sails.
- ConexõesEdited into Gli ultimi giorni dell'umanità (2022)
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- How long is Matango?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Attack of the Mushroom People
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 29 minutos
- Mixagem de som
- Proporção
- 2.55 : 1
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What is the Spanish language plot outline for Matango, a Ilha da Morte (1963)?
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