Mercado de Corações

After years of only knowing about the title, I finally watched this on Amazon Prime Video with Mom just now. A nice mixture of romance and slapstick comedy, we both enjoyed much of the goings on that ensured. Fine performances by Glenn Ford and Hope Lange when they were an item at the time as well as Charles Boyer, Ricardo Montalban especially when doing many of the physical gags, and especially Telly Savalas playing a different role than I usually know him as. I'll just now say that Mom and I most highly recommend Love Is a Ball.

What surprise(s)? Plenty. How about Telly Savalas playing an effeminate guardian? How about Ricardo Montalban playing a klutz! This movie has all that and then some. Hope Lange is perfect as the rebellious young girl who doesn't want to be stereotyped (this was pretty racy for the 50s mind you), and Glenn Ford totally disarmed by his circumstance and his company.

Great chemistry between the players especially between Charles Boyer and Montalban, who just doesn't seem like he's ever going to play up to his title...this is really funny.

A movie I can watch again and again.

This piece of light comedy is very under-rated by many of those that I have spoken to about it, and invariably improves upon second viewing.

The timing of Mr.Boyer's deliveries are impeccable. Those who are familiar with Telly Savalas in his tough-guy roles will be astonished at his performance here. Hope Lange gives one of her warmest performances in this movie; although playing a spoiled rich girl, she never loses our affection and sympathy.

The supporting cast members play their parts wonderfully, each one adding just the right flavouring to the mix.

Ricardo Montalban does so well (Maybe just a little too simple for a European noble fallen on hard times - but I think that is acceptable in this part, where they want humour, someone believably attractive without being a challenge to Ford), that we never for a moment want him to win the female lead, yet we are pleased that he does find a good match. His closing scenes restore our respect for him.

Glenn Ford is charming in a low-key fashion. Charming yet rugged, with principles. A good, strong partner for Miss Lange's character.

The closing scene between Lange & Ford never fails to leave me smiling.

"Love Is a Ball" is a very strange sort of matchmaker movie. Instead of doing things the NORMAL way, Etienne Pimm (Charles Boyer) is one sneaky guy! He finds poor members of nobility and pairs them up with super-rich spouses. However, he IS sneaky....and doesn't tell the rich folks he's doing this. Instead, he and his crew are actors who ingratiate themselves to the rich family and covertly arrange for the pair to meet and fall in love! It's all very mercenary and Pimm is really good at his job. However, in the care of Millie (Hope Lange) he has an unexpected problem...over time, instead of falling for the poor nobleman (Ricardo Montalban), she starts to fall for her new chauffeur (Glenn Ford)! What's next in this cute little romance? See for yourself...

This is a nice and inconsequential romantic comedy--the sort of date film that is fun to watch with someone you love. It won't change your life but will make you smile...unless, of course, you're a nasty jerk-face who doesn't like happy endings and romance.

Director David Swift also co-wrote this harmless adaptation of Lindsay Hardy's book "The Grand Duke and Mr. Pimm" about an American heiress on the French Riviera unknowingly set up by a marriage broker to fall in love with a handsome, klutzy Duke. Unfortunately for all, he's secretly in love with the broker's secretary while she has eyes for a temporarily-grounded boat captain, now working for the matchmaker in confidence. Despite lush locations, the picture doesn't look as marvelous as it should--nor do the comically-mad circumstances sparkle like those nutty romantic plots of the 1930s. Still, the cast makes the most of it, with leads Glenn Ford and Hope Lange (then a dating twosome in real-life) enjoying terrific chemistry. First-rate supporting work from Ricardo Montalban, Charles Boyer, Telly Savalas and character actor John Wood, who disappears after the first-third. ** from ****