O Pior dos Pecados

This was a marvelous little comedy that in many ways is reminiscent of the great Alec Guinness film, THE MAN IN THE WHITE SUIT. Like this other film, the movie's main theme is unintended consequences that arise from some selfless and altruistic acts of the leads.

Peter Sellers plays a rather "straight" role as a well-meaning and decent Anglican minister. Unlike Inspector Clouseau and Dr. Strangelove, this character is much more subtle and believable. He didn't play the part strictly for laughs but was more of a characterization. Sellers was a truly gifted and amazing man in how he could seemingly become the people he was playing. His gentle manner and working-class accent worked perfectly to create one of the nicest and sincere priests in film history.

The movie is exceptional in that I think the movie can be enjoyed by religious and non-religious people alike. The film is very cynical and explores human nature in such a way that everyone can take something profound from the film. It is also unusual in that while technically a comedy, it is also serious social commentary. It had a lot to say about the teachings of Jesus and just how impossible it would be to truly implement them in a basically selfish world! Aside from a bad word used here or there, none of this should put off by the film. It isn't heavy-handed or preachy and isn't meant to offend organized religion.

The only reason the film only merits an 8 is because the ending is a bit of a let-down. It really didn't make much sense and was impossible to believe and because of this it really blunted the overall effect of the movie.

"Heavens Above!" is a barbed satire that cuts both ways, ridiculing organized religion for its complacence and its unrealistic aspirations and humanism regarding the perfectibility of man, especially the working-class kind. Though far from the funniest Peter Sellers comedy, it certainly is worthy in its own unique way.

Sellers plays Rev. John Smallwood, an Anglican prison chaplain accidentally assigned to the affluent community of Orbiston Parva. A sincere man of faith, Smallwood tries to drum up a little church fervor from his largely lapsed congregation, preaching the Gospel as Living Word rather than as aural wallpaper for weddings and funerals. Yet every earnest effort only stokes greater amounts of selfishness, even brutality.

"There aren't enough real Christians about to feed a decent lion," Smallwood laments.

At the same time, he must deal with the miserable quality of the clergy around him, like his own bosses in the Church of England hierarchy who strain only to keep their rich donor base happy and generous or the odd Pentecostal preacher who offers up damnation-filled sermons: "It's only the fires of hell that keep the churches warm."

"Heavens Above!" is a comedy of despair. If there is a God, it seems to say, He has better sense than to waste His time with blighted human riffraff like the Smiths, an itinerant family who leeches off Smallwood while feigning piety. Sellers is terrific, though in a largely straight performance, pulling us in with his naive gentility to the point where a lot of the gags turn painful when he is the butt of humor. The closest Sellers gets to laugh-getting - other than when Smallwood unknowingly snacks from a bowl of dog treats - is the opening, where he provides an uncredited voice-over as an American narrator introducing us to the uninspiring sight of Orbiston Parva. However much he stumbles and is tripped up, Smallwood is simply too nice a character to laugh at.

For all the apparent agnosticism in "Heavens Above", there's a strain of true religious belief in Smallwood's situation. Perhaps it's because the idea came from Malcolm Muggeridge, the last faith-friendly satirist England has produced. Smallwood is presented as a man of good works, but also doctrinal zeal. His scorn for the local pep-pill product "Tranquilax", it seems, is largely due to its proclaiming itself the "three-in-one restorative". For him, the only 3-in-1 restorative is the Father, Son, and the Holy Ghost.

"Heavens Above!" is also interesting for the fact it catches Sellers just on the cusp of becoming an international star, still relatively round in body, making one of his last films aimed exclusively at his home British market. Like the later "Hoffman" and "Being There", this shows just how well Sellers could carry a film without resorting to silly accents or slapstick.

The film's directors, John and Roy Boulting, do well to set Sellers up with an ace supporting cast recognizable from other Sellers productions of the period, including George Woodbridge and Cecil Parker as a pair of agreeably venal curates; Irene Handl and Eric Sykes as Mr. and Mrs. Smith, heads of a scruffy, thieving clan; and Kenneth Griffith as the fire-and-brimstone preacher.

If only they cut that silly ending! There's other issues, too, like a penchant for slow camera zooms without reason, and the way the movie piles on Smallwood at the expense of comedy, but the out-of-left-field ending stings worst, an attempt at giving the film a falsely up note. Alas, when you really think about it, it only leaves Smallwood worse off than ever.

But you do care about the guy, a sign someone was doing something right. Obviously that includes Peter Sellers. With more laughs and a tighter ending, "Heavens Above!" would have ranked among his greatest films. As it is, it's pretty good all the same, food for thought in our secular times.

This is one of the classic British comedies of the 1960's Peter Sellers is superb as the Rev Smallwood a socialist priest mistakenly sent to an upper-crust English village. Eric Sykes and Cecil Parker excel in their roles, Sykes as the lay about, work dodging Smith and Parker as the holier than thou archdeacon. Irene Handle and Ian Carmicheal also make appearances in this film in their typical roles played to perfection.

This film is a satire (with elements of farce) on British society particularly the class system as well as religions role in it. The character are typically English and all show their true nature as the Rev Smallwood bumbles his way into a media frenzy without really knowing it.

All in all if you like British comedy this film is a must see but if you haven't lived in the U.K some of the lines and issues may be lost on you.

A classic up there with the likes of The Ladykillers and Lavender Hill Mob as the cream of British Comedy. 8/10

Heavens Above! has so much going for it - a wonderful and very gentle performance by Sellers, a who's who of British comedy from the late 1950s, and the Boulting Brothers at the helm. This is a film that stands the test of time and remains both fun and interesting and a fascinating take on Anglicanism. In Britain, children of a certain class went to privileged school with the eldest son being shipped off to serve as an officer, or join the Foreign Office for the larger good of the Empire, and the second son would go to the City or the Church.

Anglican vicars aren't meant to be like Peter Seller's John Smallwood - who really does hold to the Gospel rather than doctrine, and is appointed vicar, by mistake, of a decidedly complacent and snooty town. What follows gently pokes fun at the double standards.

All in all, this remains one of Seller's gentlest, truest, and straightest characterisations. Like Alec Guinness he really does become the character he's playing - from the hair to the accent to the smallest gestures, but more than that, here, is the heart. He captures something ethereal that we would all recognise as sincerity and good intentions.

When he introduces true gospel values everything, of course, starts to fall apart. Historically, this is interesting in that Billy Graham has come to Britain and there is something of that spirit about this; but it is no way heavy handed or blunt.

Heavens Above! resorts to a weak ending - wish he'd been sent to the East End of London or Liverpool - but it remains a wonderful film well worth the time to catch when it comes around.

An acid and scathing satire about a prison chaplain : Peter Sellers , he is a well-meaning and good-natured priest who is sent by mistake to a snoobish county parish . The location is ruled by the wealthy Despad family who owns the prosperous factory run by widow Lady Lucky : Isabel Jeans and her son : Mark Eden. Then Sellers accommodates a gipsy famly : Eric Sykes , Irene Handl, Míriam Karlin , and he unwisely opens his home .But good intentions of the new reverend go wrong and it leads to mayhem, strikes and chaos . Or how a humble Man of the cloth was given the Old Double Cross !

A biting and sharp satire on cleric life in England , dealing with a real critique to uselessness of charity , as well as differences between upper and lower classes and the Protestant Church too . Peter Sellers finely plays as the quiet, down-to-earth reverend who is wrongly appointed to a new post in a little town and finally in space . After the hilarious goings on of Private's progress , Brothers in law and Lucky Jim was a quiet departure for the Boulting brothers who here wrote, produced and directed . Here Peter Sellers is well accompanied by a great plethora of Brit actors , some of them considered to be the best English secondaries , such as : Bernard Miles , Isabel Jeans , Eric Sykes , Irene Handl, Milles Malleson , Kenneth Griffith , Gerald Sim, Mark Eden , Roy Kinnear, Thorley Walters of Hammer, Joan Hickson of Marple series and the Afro-American Brock Peters as priest assistant Mattew.

It includes an adequate and evocative musical score by Richard Rodney Bennet. Adding atmospheric cinematography in black and white by Mutz Greenbaum. This sour motion picture was well written/produced/directed from filmmakers John and Roy Boulting . They were two of the best British directors of the England post-war . As they made nice films wether realizing together or separated at times , such as : I'm all right Jack, Brighton Rock , Lucky Jim, There's a girl on my soup , Charlton Brown of the F.O. , Brothers in law , The Guinea Pig , Fame is the Spur , among others . Rating : 7/10. Decent British comedy with great cast.