Um Grito de Revolta

I wanted to see the movie because of Samantha Eggar, very young here, before the movies that made me fall in love with her, "The Collector" and "The Walking Stick". But she has just a small, unrepresentative role. Ralph Thomas made later "Deadlier Than the Male"(1967), a film that I saw many times and that I really liked when I was just a teenager. In this "Young and Willing" (1962) we have also a very young Ian McShane, discovered by me also when I was a teenager in "If It's Tuesday, This Must Be Belgium" (1969). The revelation of this film is Virginia Maskell, excellent in the role of a woman who's married to a man who loves her in his own way, without giving her sex. Paul Rogers is also very good in the role of that man, her husband, a professor. A very very young and unrecognizable John Hurt, in the role of Ian McShane's colleague, who dies falling from the Lincoln tower. Not bad, but neither a masterpiece.

I saw some of this film being shot around Lincoln Cathedral, an area not condusive to great film making. The film is important because of the debut of three future stars. Firstly the brigadier's daughter Samantha Eggar (older half sister of the also beautiful Toni) who went onto fame in The Collector and, for U.S. audiences, Dr Dolittle. Faded from view pretty quickly. Secondly Ian McShane who has had a long career, more in the U.K., but has been in some U.S blockbuster miniseries. He is also known to A&E audiences for his portrayal of a lovable, rascally antique dealer in the hilarious "LoveJoy'series. Last but certainly the best known is John Hurt who has proven himself in the International cinema as a highly respected actor and star. Don't watch the film watch the people.

This is the sort of movie that should be so bad it is good. It is just bad, period. Notable only for being the debuts of some good actors who do the best they can with unintentionally parodic material. But the pacing is so slow and the characters so uninteresting my only reaction was to sit watching, stupefied, as it just went on and on.

This 'angry young man' film was brilliantly parodied by Harry Enfield in NORBERT SMITH: A LIFE which I dearly wish I had watched instead.

It's the days when university was quite special, where the students that attended liked to revel, a pint of bitter in Ye Olde Crown, making locals squeal and frown, boys and girls were kept apart, not on the level. But like today some found their way to go astray, as their hormones opened other doors for play, on this occasion it's the wife, of a lecturer in strife, who entices Harry through, her porch doorway. More high jinks leads to a climb up Lucy Tower, where poor Phil decides to mimic a rain shower, and cascades down to the floor, his ascent turns into pour, and the life of Harry continues, as dour.

Ian McShane's debut film has him playing a scholarship university student, Harry Brown, who has a high opinion of himself and comes unstuck by taking too many risks.

As a plot, The Wild and the Willing is dated and a bit forced, but the interest these days is in the cast - top billed are Paul Rogers and the ill-fated Virginia Maskell, but we also have McShane (best known these days for Lovejoy and Deadwood), John Hurt (here not really displaying the qualities he would in The English Civil Servant, The Elephant Man, and 1984), Johnny Briggs (Coronation Street's Mike Baldwin), and Jeremy Brett (probably the screen's best Sherlock Holmes).

So the film is watchable and has interest because of its cast, but it isn't really a classic. If you like the usual story of shenanigans at university with a macabre twist, then you'll probably like this. If not, just enjoy some youthful performances from actors you'll know much better from their later work.