De Volta das Cinzas

Classy mid 60s thriller with plenty of meat in the burger and almost no cheese. "Return" goes to all the familiar places but never lingers long on cliches. I remember the theater cards in the lobby saying "Nobody enters the theater after Fabienne enters her bath". It's twisty and pushes the plausibility envelope some, but the ride is good enough to cover the bumps.

This is one of the last films to use lobby hype, and it didn't need any hype. Ingrid Thulin shines in a truly convincing way, what a talent. Samantha Eggar simmers with heat and hate. Schell and Lom both set their person bars a little higher in this one..

Bottom Line: Just Find It And Watch It.

J. Lee Thompson may have been only a jobbing director but he was one of the best, graduating from British studio pictures in the fifties to international hits such as "Ice Cold in Alex", "Northwest Frontier" and "The Guns of Navarone". The latter earned him an Oscar nomination and the chance to work almost exclusively in America where he made "Cape Fear", one of the best thrillers of the sixties. In 1965 he made another first-rate thriller, "Return from the Ashes", which used the War and the Holocaust as jumping off points for an almost Hitchcockian tale of murder and greed, set in Paris but filmed in a British studio with an international cast.

If the plot is more than a little convoluted, Thompson's handling of Julius Epstein's fine script and first-rate performances from Maximilian Schell, Ingrid Thulin and Samantha Eggar go a long way in making this one of his most entertaining films. Thulin is the rich Jewish doctor, thought to have died in a concentration camp, Schell the gigolo who marries her for her money and Eggar the duplicitous daughter who's having an affair with Schell and the good thing is it doesn't quite go the way you expect it to. It's also superbly shot in widescreen black and white by Christopher Challis and is certainly worth seeing.

One of those excellent films that has never been released on video or DVD. The first time I watched this there were only 2 other channels and both were showing programs I hated at that particular moment, so I ended up watching this film by default. What luck! I was treated to a beautiful, haunting film that featured great performances by Herbert Lom, Samantha Eggar, Maxmillian Schell and Ingrid Thulin. Thulin's performance in particular is flawless. She is utterly convincing as a death camp survivor trying to return to the world. If cable ever gets tired of endlessly re-running "Jaws", "The Breakfast Club" and "It's a Mad Mad Mad Mad World" (Excellent films but shown 5 nights a week) and happens to air this true gem, be SURE you see/record it. The second time I caught it was on PBS--20 years after my initial viewing.

Certain films travel just below the radar. "Return from the Ashes" is such a film. The ones who've seen it never forget it but somehow it's nowhere to be found. Never on video and so far not on DVD. I'm not going to tell you about the devilish plot because that's most of the pleasure of seeing it for the first time. Just let me wet your appetite by saying that Maximilian Schell plays a young amoral polish guy who seduces a French, older, wealthy widow, played for real by a great Ingrid Thulin. The action takes place at the dawn of the German occupation. She is Jewish he is not. When Schell asks her to marry him, she laughs it off as a surprisingly conventional request but he means it saying "At this time is not convention but defiance" So he marries the older Jewish woman...that's all I'm going to tell you about the story. Samantha Eggar, beautiful and skinny gives a powerful performance of seductive evilness. She is a stand out of major proportions. The ending seems a bit of a commercial concession but it doesn't spoil the cleverly tailored plot. If you see it announced on late night TV, set up your VCR or whatever contraption at your disposal.

TCM gave this movie two stars. Ridiculous. I saw this film YEARS ago. I never forgot it and at one point, I tried to find out the name of it and was directed to another film. I suspected when I read the plot on the channel guide that this was the movie.

Set in flashback in pre-war Paris and in the present in post-war Paris, the story concerns a doctor, Michele, (beautiful Ingrid Thulin) hopelessly in love with Stanislaus, a chess-playing roué, excellently played by Maximillian Schell.

He doesn't pretend to love her - he likes her, but what he loves is her money. They marry, but because she's Jewish, she's picked up and sent to Dachau.

During the time she's gone, her husband becomes involved with her now grown-up albeit unstable stepdaughter Fabienne (Samantha Eggar). After the war ends, and Michele doesn't return, Fabienne and Stan assume she's dead. However, because of the laws in France they can't get their hands on her money.

The truth is that Michele is alive, but had to go to a sanitarium after the war to recover from her horrendous experiences in the camp. She's scarred and aged, and when she finally returns to Paris, she stays in a hotel and turns to an old colleague, Charles (Herbert Lom) to fix her up.

When Fabienne spots what she thinks is a Michele-lookalike (actually Michele), she comes up with a plan to have her stepmother return from the dead, with the imposter taking a cut.

A really good movie, very intriguing, with good performances all around and excellent photography. I'm so sick of being burned by TCM's ratings - four stars for trash and two stars for a fine movie like this (not all the time, but occasionally).

By the way, this story is based on a novel by Hubert Monteilhet called "Return from the Ashes," and was remade into the magnificent German film "Phoenix."

Highly recommended.