AVALIAÇÃO DA IMDb
7,3/10
574
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn 17th century Italy, a simple and clumsy young man joins a Franciscan order, pursues full priesthood and performs a miracle that eventually ensures his sainthood.In 17th century Italy, a simple and clumsy young man joins a Franciscan order, pursues full priesthood and performs a miracle that eventually ensures his sainthood.In 17th century Italy, a simple and clumsy young man joins a Franciscan order, pursues full priesthood and performs a miracle that eventually ensures his sainthood.
- Direção
- Roteiristas
- Artistas
Giacomo Rossi Stuart
- Young Examining Prelate
- (as Giacomo Rossi Stewart)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
An excellent movie that I deeply appreciated. I give this high marks for its respectful representation of the life of a simple saint. At times, the movie is certainly dated, but the humor and truth of it remains. I recommend this movie with some disclaimers; its not terribly exciting or romantic; its just a good, clear biography of a saint.
God is simple as it is the essence of our life and existence. Theology and scriptures tend to complicate it as we humans love intellectualism and find it exciting. The movie and the life of the saint Joseph shows us just this simple thing. The wonderful explanation of Trinity in the three folds of the blanket, being humble even when others label you as saint and even accepting the ordeal of exorcising of the devil in full humility, has shown how a man of God is simple, loving and does not hate anybody. He has love and compassion for others. The scene when Joseph goes for begging and sees a destitute mother nursing her child is simply enhancing his character. He is a beggar but he willingly gives away food and a piece of cloth to the woman. It was touching to see that immediately after that the boys loot his collected food and beat Joseph. It is the same woman who lovingly returns the cloth covering his bare bruised back. This is true in all religions whether Christian, Hindu, Budhhism, Jew etc that Love, Charity and not harming others is the foundation, rest is only sophistry. Wionderfully enlightening Movie.
I regard this as one of the most significant movies I have ever seen. Perhaps even more meaningful because I had never heard of it and did not expect it to be so beautiful at so many levels. The story of Saint Joseph of Cupertino, as it is described here, is a triumph of blessed simplicity, innocence and childlike sainthood. The emphasis, far from being on the saint's miraculous and spectacular levitations, is rather, as I see it, on the contrast between the way of spontaneous spirituality and the path of spiritual discipline, with the two being luminously reconciled throughout the movie. I believe this film can reach the hearts of many, believers and non-believers, providing space both for tears and laughter. In some way it looks as a Christian version of "Being There" and "Forrest Gump". I hope and trust it will also be available as DVD.
10VINGA5
Most 'saints' receive the title from other men. This movie skillfully presents the convincing evidence that St Joseph of Cuppertino received the title directly from its source. The moral of the story is not dependent on its Christian setting. The most important movie I have seen so far.
The Reluctant Saint is a film based on the life of St. Joseph Desa of Cuppertino, who reputedly did some involuntary feats of levitation while at prayer. In the next century he was canonized a saint by the Catholic church and today is the patron saint of both aviators and bad students.
Maybe today we would say Joseph suffered from attention deficit disorder or maybe he was a milder case of the idiot savant syndrome that Tom Hanks portrayed so well in Forrest Gump. At any event he's considered the village idiot. There are some funny moments at the beginning of the film, especially where Joseph loses control of a donkey and he's dragged through the vineyards, tearing up the fields. In watching that, I swear Maximilian Schell must have watched some Jerry Lewis movies to get it right.
But there's a lot more to Joseph than that. His parents finally prevail upon an uncle who's a priest to take him into a monastery. And he's just as bad there, except when he finally is transferred to the stables.
The key scene of the film for me is when a traveling bishop comes to inspect the monastery. The stables he finds are an unsightly mess and the other monks start to berate him. But the bishop played by Akim Tamiroff sees that Joseph has stayed up all night trying to help a ewe deliver her lambs. He says that Joseph is just the kind of person we need in the order, one who St. Francis of Assissi would understand.
Later on the Bishop at dinner that night gets very bored with a lengthy dissertation on the Trinity goes out to the stable where Joseph is still caring for his animals. Turns out the Bishop comes from just such a peasant background as Joseph and relates to him as no others have ever. He mentions to him that even he has problems understanding the concept of the Trinity. Joseph then takes his blanket and folds it twice and says this is the trinity, one blanket, three folds.
Right then and there the Bishop knows that this young man is not the idiot everyone takes him for. He becomes his friend and patron.
I saw this film in theaters back in 1962 when it first was released. Starring the man who had just been named the Best Actor of 1961 for Judgement at Nuremberg, you would have thought it would have been given more publicity. But it was playing on the bottom half of double bills which we had back then. I can't remember what was the feature attraction. But I never forget Maximillian Schell's simple explanation of the trinity.
And it's hard to believe that the erudite and articulate defense attorney of Judgement at Nuremberg is also the Forrest Gump of the Counter Reformation. But that's how good an actor Maximilian Schell is.
Up to the point of the trinity explanation, the audience is seeing Joseph through the eyes of all around him as a simpleton. After that we see and adopt Akim Tamiroff's point of view. The rest of the film concerns the incidents surrounding the reported levitations.
Schell and Tamiroff head the cast of mostly players from the Italian cinema. The only other name that Americans would recognize is Ricardo Montalban who plays a priest who remains unconvinced to almost the end of Joseph's worth. Schell, Tamiroff, and Montalban should all be proud of the work they did here.
This is a really fine, but sadly neglected film.
Maybe today we would say Joseph suffered from attention deficit disorder or maybe he was a milder case of the idiot savant syndrome that Tom Hanks portrayed so well in Forrest Gump. At any event he's considered the village idiot. There are some funny moments at the beginning of the film, especially where Joseph loses control of a donkey and he's dragged through the vineyards, tearing up the fields. In watching that, I swear Maximilian Schell must have watched some Jerry Lewis movies to get it right.
But there's a lot more to Joseph than that. His parents finally prevail upon an uncle who's a priest to take him into a monastery. And he's just as bad there, except when he finally is transferred to the stables.
The key scene of the film for me is when a traveling bishop comes to inspect the monastery. The stables he finds are an unsightly mess and the other monks start to berate him. But the bishop played by Akim Tamiroff sees that Joseph has stayed up all night trying to help a ewe deliver her lambs. He says that Joseph is just the kind of person we need in the order, one who St. Francis of Assissi would understand.
Later on the Bishop at dinner that night gets very bored with a lengthy dissertation on the Trinity goes out to the stable where Joseph is still caring for his animals. Turns out the Bishop comes from just such a peasant background as Joseph and relates to him as no others have ever. He mentions to him that even he has problems understanding the concept of the Trinity. Joseph then takes his blanket and folds it twice and says this is the trinity, one blanket, three folds.
Right then and there the Bishop knows that this young man is not the idiot everyone takes him for. He becomes his friend and patron.
I saw this film in theaters back in 1962 when it first was released. Starring the man who had just been named the Best Actor of 1961 for Judgement at Nuremberg, you would have thought it would have been given more publicity. But it was playing on the bottom half of double bills which we had back then. I can't remember what was the feature attraction. But I never forget Maximillian Schell's simple explanation of the trinity.
And it's hard to believe that the erudite and articulate defense attorney of Judgement at Nuremberg is also the Forrest Gump of the Counter Reformation. But that's how good an actor Maximilian Schell is.
Up to the point of the trinity explanation, the audience is seeing Joseph through the eyes of all around him as a simpleton. After that we see and adopt Akim Tamiroff's point of view. The rest of the film concerns the incidents surrounding the reported levitations.
Schell and Tamiroff head the cast of mostly players from the Italian cinema. The only other name that Americans would recognize is Ricardo Montalban who plays a priest who remains unconvinced to almost the end of Joseph's worth. Schell, Tamiroff, and Montalban should all be proud of the work they did here.
This is a really fine, but sadly neglected film.
Você sabia?
- CuriosidadesMaximilian Schell's favorite film.
- Cenas durante ou pós-créditosOpening Credits include: "The story you are about to see is true in its essential details" and "Cupertino, Italy 1623"
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- How long is The Reluctant Saint?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 45 minutos
- Cor
- Proporção
- 1.78 : 1
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By what name was O Santo Relutante (1962) officially released in India in English?
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