A Canção de Bernadette

Bernadette Soubirous, 1844-1879, was a modest, shy, retiring religious girl of strong convictions in her faith who would have passed through this world unnoticed by many, but for an incident in her hometown of Lourdes in France. If you believe it was all a hallucination than this film will mean nothing to you.

But there are a great many people who believe that the pious young lady was chosen for a visit from the Virgin Mary one day when she was an adolescent teen. The Virgin Mary appeared to her several times in that location which in fact was the town garbage dump. In that spot an underground spring was discovered that had healing properties.

The film is based on a historical novel by Franz Werfel and Darryl F. Zanuck decided on an unknown to play young Bernadette. The girl chosen was Phyllis Isley of Oklahoma whose name was changed to Jennifer Jones and in her third film and first under her new identity, Jennifer Jones walked off with Best Actress Award of 1943. She beat out such seasoned veterans as Ingrid Bergman, Joan Fontaine, Jean Arthur, and Greer Garson. I'm sure it helped Jones that Fontaine and Garson were the previous two year's winners, that the film was such a hit, and that David O. Selznick had totally flipped for her and used every bit of influence to get that Oscar.

With all of that and a great performance as well. Jones captures both the simple beauty and piety of the young girl who may have been given insights into matters spiritual. Playing the Virgin Mary in an unbilled part was Linda Darnell, a fact I believe that did not come out until after Ms. Darnell's death in 1963.

Director Henry King gave his young unknown a lot of support by assembling a thoroughly professional cast without a bad performance in the lot. Such people as Lee J. Cobb, Vincent Price, Charles Dingle, Gladys Cooper, Roman Bohnen, and Anne Revere were just perfect in their parts.

As was Charles Bickford in the role of the priest and director of the Catholic school in Lourdes. He's very skeptical at first, but becomes her firm champion. Jones and Bickford became extremely close in this film, she looked up to Bickford for the rest of his life as a father figure in Hollywood. Bickford was nominated for Best Supportin Actor, but lost to Charles Coburn and Cooper and Revere both received nominations for Best Supporting Actress, but lost to Katina Paxinou.

Even with a more recent film telling the Bernadette Soubirous story that came out in 1989 with Sydney Penny, this film is still owned and shown in many Catholic churches and schools to this day. But even the most hardened of unbelievers will be blown away by Jones's performance.

Despite being a huge classic film fan, it took me a while to get round to watching 'The Song of Bernadette'. Partly because of being so busy, but also, although being an admirer of a lot of the cast and crew, finding that the subject matter didn't appeal to me for a while.

Goodness knows why though, because finally getting round to it 'The Song of Bernadette' was a miracle of a film. Sure it is a long film, perhaps a little too long (the only thing that counts as a debit against it for me, and it is so small because what it does right is enough to fill a novel), but contrary to one might think its point of view that it portrays is valid and very sincerely put across, not heavy-handedly or in a way that's biased. It also, from personal view, doesn't contrive to move audiences, or convert viewers and sceptics to its way of thinking. The emotional impact comes from how well it explores its subject matter and how much the sincerity and poignancy shines through every frame and performance.

Before one forgets, 'The Song of Bernadette' is a surprisingly quite faithful account of the story of Bernadette Soubirous, which is an amazing story in itself, some may ask how idealised it is, actually considering other films based on true stories/history etc and the subject matter it doesn't actually feel that idealistic. It manages to do the seemingly impossible in making capture the main events, spirit, background and atmosphere of Werfel's novel and making everything cohesive while condensing things necessarily to the point from a book so rich in detail to the point of bloat.

There are so many that make 'The Song of Bernadette' a film miracle. The luminous black and white photography wholly deserved its Oscar, that, the atmospheric lighting and sumptuous production values help make 'The Song of Bernadette' one of that year's (that half of the decade even too) most visually beautiful films. Alfred Newman's score adds so much to the film to the extent that the film may have been a completely different one without it, and it's hardly surprising it's garnered a soundtrack album of its own considering how well it stands up as music on its own. It's stirring and achingly gorgeous music, some of my favourite work of his.

Scripting doesn't resort to preachy sermonising or bias, instead it's very intelligently written and as aforementioned the argument it makes is valid and sincere, and it makes sense. The dialogue itself does provoke thought some time after. The story is incredibly moving and inspiring, also being careful not to paint its characters too black and white. Despite being a long film, the production values, music and performances are so wonderful, Henry King's direction so sensitive and the emotions so high that one is riveted throughout.

Jennifer Jones, in her debut performance (in her own name that is, having done a few other previous projects under a different name), seldom gave a more touching or better performance, of her five Oscar nominations this was the only time she won one and it was a very deserved win from personal view.

In support she is particularly well aided by Gladys Cooper, on fiery form, Vincent Price, impeccably giving his character menacing colour and unusual restraint, and Charles Bickford, suitably sympathetic. The Virgin is sincerely portrayed as a symbol of hope by Linda Darnell, am also of the opinion that the film and role were not trying to say anything comparing who was greater between Mary and Jesus, it was just a symbol.

Overall, a miracle of a film. Whether one is converted is very dependent on the person, personally I watched 'The Song of Bernadette' expecting to be challenged but still admire it a good deal, finished it feeling very moved and inspired. 10/10 Bethany Cox

The weighty subject matter and emotional performances overshadow the film's flaws, which are numerous. Characters and events are not adequately introduced, leaving the viewer with a persistent, though not overwhelming, confusion. It runs a little long, and at times loses focus. But "The Song of Bernadette" has much to redeem it. This is true black and white cinematography, and Henry King uses highly effective lighting techniques to enhance his actors' performances. The bright lighting and soft focus on Jennifer Jones, for example, makes her angelic pose of peace believable.

One scene near the end of the film is utterly beautiful, and truly makes the movie. It takes place at a convent after Bernadette has been accepted as a nun. Sister Marie Vauzous, who has doubted Bernadette the entire film, stands over her in a pose of authority and accuses her of trying to get attention. Sister Marie is lit from an angle at sharp focus, which accentuates the lines and imperfections of her face as she asks for "proof" and laments about her own suffering. Meanwhile, Bernadette is lit straight on with a soft focus as usual, and the smoothness of her peaceful, humble face is perfect and divine. She agrees with Sister Marie that she is "a hundred times more worthy" than herself, all the while hiding the true nature of her own suffering. It is at this point that the Christian theme of salvation through suffering which has meandered its way through the film really makes its point, and it is a genuinely moving moment.

I'm not Catholic, but this film makes you want to believe the whole thing. I've never been so moved by a story demonstrating the incredible power of innocence and simplicity as performed by Jennifer Jones in this faithful adaptation of the true story of the now-canonized Bernadette Soubirous. Beyond this story, the sets, performances, narrative flow, and in particular, the heavenly-inspired music of Alfred Newman is nothing short of transporting. Some may find the movie overlong, but I cherished every character and angle to the story--much like enjoying the book with all of its detail. This effort demonstrates more than just the quality of the golden age of cinema and 20th Century Fox, but it adds a cast and crew clearly inspired to tell this true story like no other has been told before or since.

I recently bought this movie, and just finished watching it the first time. All I can say is, WOW! Why doesn't Hollywood make movies like this anymore? I know, there's more money in showing gratuitous sex and violence...at least that's what they tell themselves. But for my hard-earned dough, nothing tops a film about the purity and innocence of faith, and that's what 'The Song of Bernadette' is all about. It's also good for quite a few laughs, as you see the imperial prosecutor's scheming against Bernadette fail time and time again. :)

My only complaint is that toward the end of the movie, I found myself wondering what was left to tell. Thankfully, I liked the answer and won't be complaining next time I watch it.

This film is a must-see, especially for my fellow Catholics. It's made my top 10 list...why not give it a chance to make yours?