Minha Doce Gueixa

Although I only saw this movie once over ten years ago on late night TV,I was struck by the beautiful scenery and the storyline somehow reminded me of James Mason & Judy Garland "A star is born".Shirley Mclaine is a favorite of mine and she managed to imbue the Japanese persona so purely and one could feel Yves Montand frustration and eagerness to achieve success without his wife.I cannot recall much more of this film but I do know that my best friend Maruschka has watched it so many times that her tape copy is wearing out.It is a classic love story. Very hard to find a copy for it and I would love to see it out on DVD.I would then surprise my friend by buying her a copy (and one for me also).Millie

Shirley MacLaine is such fun to watch. She dives into her character body and soul. She leads you on and you follow her. It would be foolish not to. We don't question anything because we're in love with her. This movie is a real rarity.I suspect that Steve Parker, Shirley's husband then and producer of "My Geisha" actually directed this. He chose Jack Cardiff as the director, the great Cardiff one of the top cinematographers of all time -- See "Black Narcisus" for instance -- But, as we all know, a cinematographer is used to work with directors, cinematographers must be artists with a very different kind of ego. What a spectacular way for Steve Parker to direct his movie by proxy. Better plan, impossible. The film is a comedy slash morality tale with a stunning Cardiff like look and a delicious performance by MacLaine. Yves Montand plays her husband. His English is tentative at best but he is unquestionably charming in a clumsy written part. Edward G Robinson is another plus. His character's delight is utterly contagious. Many of my contemporaries are to jaded to enjoy this film, but I've tried it on kids and it works, let me tell you, they love it. Not to mention my parents. So there you are, I guarantee you'll love "My Geisha" if you're young, if you're old or if you're me.

What on the surface appears to be an improbable plot line becomes increasingly plausible due to the combination of great make up work, spectacular costuming, (Edith Head) and a truly amazing performance by Shirley Maclaine. Crisp, sharp focus, color cinematography, interesting locations and set design, combine with a genuine fondness for Japanese culture resulting in an admirable early 60's comedy/drama.

"my geisha" is charming. suspend belief a bit, and one realises how good an actress shirley maclaine is and how convincingly she becomes a geisha.

the movie is fluff. but the attempt to parallel the plot to the libretto of "madama butterfly" is clever and almost successful. edward g.robinson as sharpless; maclaine as pinkerton, and montand as butterfly... it is a very literate attempt to use the sub-plot as the driver for the main plot.

there are moments when one is reminded of a doris day-rock hudson frolic - expected in a comedy from 1962. but there's also a real "edge" that comes from the characters being a little less than saccharine. as has been pointed out, the cinematography is quite sharp. so there is an air of substance to the production, and quality is evident.

in the end, though, one just should enjoy it.

Not a great film by any means---the dialogue tends to the wooden, and the plot to the improbable---but, somehow, it is fun to watch. As the movie goes on, Montand and MacLaine seem to warm to their roles, and some of Montand's introspective musings about love, career, and marriage, in the unwitting presence of his wife, are genuinely touching. MacLaine looks quite stunning made up as a geisha, and the location scenes of Japan in 1961 (Kyoto, Tokyo, Miyajima, Hakone) are alone worth the price of admission. Japanese culture is treated with fond respect, not simply with amusement or exotic interest. The speech by the ancient geisha "master" about the idealization of womanhood strays a bit into embarrassing hyperbole, but this is the exception, not the rule, in the film.