AVALIAÇÃO DA IMDb
5,7/10
12 mil
SUA AVALIAÇÃO
Um jornal e uma estação de televisão financiados por uma empresa farmacêutica querem causar uma sensação, que é a descoberta do King Kong em uma ilha. Ele é capturado e levado ao Japão, onde... Ler tudoUm jornal e uma estação de televisão financiados por uma empresa farmacêutica querem causar uma sensação, que é a descoberta do King Kong em uma ilha. Ele é capturado e levado ao Japão, onde escapa do cativeiro e luta contra o Godzilla.Um jornal e uma estação de televisão financiados por uma empresa farmacêutica querem causar uma sensação, que é a descoberta do King Kong em uma ilha. Ele é capturado e levado ao Japão, onde escapa do cativeiro e luta contra o Godzilla.
- Direção
- Roteiristas
- Artistas
Kenji Sahara
- Kazuo Fujita
- (as Keji Sahaka)
Avaliações em destaque
This movie is not the movie to see for an epic fight between the two legendary monsters. It's a movie to see for all the fans of badly executed special effects in the true spirit of 50's scifi b-movies. In that respect, it's a true classic. If you enjoyed the Beasty Boys' video for "Intergalactic Planetary", you'd love this movie as a Japanese feature length counterpart. They've got the same quality feel to them, and the same incredible special effects - and here, "incredible" is meant literally.
Some of the highlights of this movie for me: the toy plane a little boy sees hanging in a toystore and makes him stop because he badly wants it, is the same plane that flew in formation attacking Godzilla. And by that I don't mean the same type of plane, but it's the exact same plastic model! Also, true to the original story, King Kong comes from a tropical island. As we all know, the cliché has it such an island is inhabited by black people wearing banana-leaf skirts and toting spears. This being a Japanese production, the natives are played by Japanese, painted black and given curly wigs...
So if you enjoy laughing at the ridiculous details in movies, love to see fights between people wearing halloween suits trying to make it look like the real thing, with some mediocre fireworks in between, you have to see this movie. If you're looking for a credible classic, such as the original King Kong movie, or high-tech special effects and stunning visuals, this is not the one for you ;)
Some of the highlights of this movie for me: the toy plane a little boy sees hanging in a toystore and makes him stop because he badly wants it, is the same plane that flew in formation attacking Godzilla. And by that I don't mean the same type of plane, but it's the exact same plastic model! Also, true to the original story, King Kong comes from a tropical island. As we all know, the cliché has it such an island is inhabited by black people wearing banana-leaf skirts and toting spears. This being a Japanese production, the natives are played by Japanese, painted black and given curly wigs...
So if you enjoy laughing at the ridiculous details in movies, love to see fights between people wearing halloween suits trying to make it look like the real thing, with some mediocre fireworks in between, you have to see this movie. If you're looking for a credible classic, such as the original King Kong movie, or high-tech special effects and stunning visuals, this is not the one for you ;)
Most of us saw the English language version of KING KONG VS. GODZILLA, which discarded alot of fun bits found only in the original Japanese language version of this near classic. In it's original Japanese, this is a fun movie about these rather boob-ish guys who work for a Tokyo advertising firm going to a desolate island. They encounter music loving natives who worship none other than King Kong. At the same time, Godzilla re-appears on the scene, threatening to destroy Tokyo. The film is made with wild energy, and goes with wild logic (how can you not love the scene where King Kong is knocked out with bongo music?!) Proof that director Inoshira Honda loved his audience and wanted to make them happy.
Obviously, KING KONG VS. GODZILLA is all about getting these two big lugs together for a showdown. The Americanized version has a lot of extra chatter, adding very little substance to the movie.
The setup is perfectly absurd, having something to do with giant berries, an island, and a mysterious, giant creature (Kong). An idealized United Nations dispatches a team to the island, while their gameshow host-like spokesman narrates the proceedings.
Godzilla is the bad guy on a rampage. Kong is mankind's only hope. In other words, it's time for the battle of the titans.
Despite the fact that in their original films both King Kong and Godzilla were exterminated, they're very much alive here. For his part, Kong is also much taller, as his first incarnation would have been easy pickings for the lumbering lizard.
Any fan of giant rubber monster movies will cheer aloud as these two legends face off...
The setup is perfectly absurd, having something to do with giant berries, an island, and a mysterious, giant creature (Kong). An idealized United Nations dispatches a team to the island, while their gameshow host-like spokesman narrates the proceedings.
Godzilla is the bad guy on a rampage. Kong is mankind's only hope. In other words, it's time for the battle of the titans.
Despite the fact that in their original films both King Kong and Godzilla were exterminated, they're very much alive here. For his part, Kong is also much taller, as his first incarnation would have been easy pickings for the lumbering lizard.
Any fan of giant rubber monster movies will cheer aloud as these two legends face off...
Director Ishiro Honda, who first brought The Big G to the screen in the brilliant 1954 film GOJIRA (re-edited in the US as Godzilla King of the Monsters) decided to scrap the heavy messages and themes of the original film when he made King Kong vs. Godzilla, however he does appeared to have had a great deal of fun making this goofy rubber monster classic. Godzilla breaks out of an iceberg he was imprisoned in and heads to knock down Tokyo. Meanwhile, a pharmaceutical company discovers King Kong on an island full of Japanese actors in blackface playing the natives (!) and the flamboyant CEO decides to bring Kong to Japan as a publicity stunt. The government decides to pit the two titans against each other on the top of Mount Fuji in the climatic scene of the movie. Much of this film is film is intentionally goofy, particularly the island scenes. The screenwriters decided that electricity makes King Kong stronger, but it weakens Godzilla (to make sure it would be a fair fight). Honda also put in several homages (parodies) to the original 1933 King Kong. The final battle on Mount Fuji is similar to watching WWF wrestling, except better, because they're wearing monster suits. If you want a film with epic romance and sweeping drama, you should watch Gone With the Wind, but if you're in the mood for campy monsteriffic fun like only the Japanese can do, watch this.
Before Freddy VS Jason, before Aliens VS Predator, even before the clash of the titans that is Puppet Master VS Demonic Toys (but after Frankenstein Meets The Wolf Man, obviously), there was King Kong VS Godzilla.
Before I proceed with this review, I should point out that the version I have seen is the American one, which is dubbed and had several scenes added featuring a United Nations news broadcast. The original Japanese release was apparently much more satirical in tone, whereas the American version removes all the comedy. It is still enjoyable as a giant monster movie, though.
This movie originally began life as a stop-motion feature entitled KIng Kong VS Frankenstein, and was conceived by Willis O'Brien as a sequel to the 1933 Kong, gradually turning into a Godzilla movie after Toho studios got involved. Although there are some brief stop-motion sequences, it is by and large a typical kaiju ega movie (in other words, it's men in rubber suits). While fans of O'Brien's still-impressive stop-motion work on the original King Kong may be irked by the idea of the big ape being played by a Japanese guy in a suit, I personally think Kong looks pretty cool (it's certainly more impressive than the suit Toho used for their second Kong film, King Kong Escapes).
There are some inconsistencies, most notably the fact that King Kong and Godzilla were radically different sizes in their respective films, but Toho got around this by the simple expedient of ignoring it. We've got two great big monsters beating each other up, so who cares about details? Also, in the original King Kong, the big ape had no special powers beyond being very strong, whereas Godzilla has radioactive breath; Toho addressed this seeming imbalance by having Kong derive strength from electricity, whereas Godzilla is weakened by touching power lines. One point that bugs me a little is the fact that, although this is the third Godzilla film, and the second to feature King Kong, there seems to be no connection to the previous movies. When the two monsters appear, the human characters act as though they have no prior knowledge of them, which seems odd when you take into account Godzilla had twice previously tried to destroy Tokyo, and King Kong did make kind of a mess of New York. King Kong VS Frankenstein was intended as a sequel to the original, but this idea was obviously dropped from the movie it became.
The climactic fight between the two monsters is great fun, sort of a giant sized version of a WWE match, only with more believable physiques and personalities. Kong shoving a tree down Godzilla's throat and the big green guy responding by walloping Kong with his tail are highly entertaining moments; obviously not as spectacular as the scenes of Kong fighting the dinosaurs in either the 1933 original or Peter Jackson's remake, but that's not the point. King Kong VS Godzilla is an enjoyable example of this type of movie; if you're new to the kaiju ega genre, it's an excellent starting point. It's just a shame King Kong VS Frankenstein never got made. Maybe if we all ask Peter Jackson nicely....
Before I proceed with this review, I should point out that the version I have seen is the American one, which is dubbed and had several scenes added featuring a United Nations news broadcast. The original Japanese release was apparently much more satirical in tone, whereas the American version removes all the comedy. It is still enjoyable as a giant monster movie, though.
This movie originally began life as a stop-motion feature entitled KIng Kong VS Frankenstein, and was conceived by Willis O'Brien as a sequel to the 1933 Kong, gradually turning into a Godzilla movie after Toho studios got involved. Although there are some brief stop-motion sequences, it is by and large a typical kaiju ega movie (in other words, it's men in rubber suits). While fans of O'Brien's still-impressive stop-motion work on the original King Kong may be irked by the idea of the big ape being played by a Japanese guy in a suit, I personally think Kong looks pretty cool (it's certainly more impressive than the suit Toho used for their second Kong film, King Kong Escapes).
There are some inconsistencies, most notably the fact that King Kong and Godzilla were radically different sizes in their respective films, but Toho got around this by the simple expedient of ignoring it. We've got two great big monsters beating each other up, so who cares about details? Also, in the original King Kong, the big ape had no special powers beyond being very strong, whereas Godzilla has radioactive breath; Toho addressed this seeming imbalance by having Kong derive strength from electricity, whereas Godzilla is weakened by touching power lines. One point that bugs me a little is the fact that, although this is the third Godzilla film, and the second to feature King Kong, there seems to be no connection to the previous movies. When the two monsters appear, the human characters act as though they have no prior knowledge of them, which seems odd when you take into account Godzilla had twice previously tried to destroy Tokyo, and King Kong did make kind of a mess of New York. King Kong VS Frankenstein was intended as a sequel to the original, but this idea was obviously dropped from the movie it became.
The climactic fight between the two monsters is great fun, sort of a giant sized version of a WWE match, only with more believable physiques and personalities. Kong shoving a tree down Godzilla's throat and the big green guy responding by walloping Kong with his tail are highly entertaining moments; obviously not as spectacular as the scenes of Kong fighting the dinosaurs in either the 1933 original or Peter Jackson's remake, but that's not the point. King Kong VS Godzilla is an enjoyable example of this type of movie; if you're new to the kaiju ega genre, it's an excellent starting point. It's just a shame King Kong VS Frankenstein never got made. Maybe if we all ask Peter Jackson nicely....
Você sabia?
- CuriosidadesThe unedited original Japanese version of the film remains the highest attended Godzilla film in Japan. It is also one of the most attended films of all time at the Japanese box office as well as the most successful live-action science fantasy film with admission numbers surpassing Hollywood blockbusters such as Star Wars and Avatar. To this day it remains as the 13th most attended film of all time in Japan. The heavily re-edited US version that inserted new actors and deleted several scenes from the original was just as much of a success at the US box-office as well.
- Erros de gravaçãoWhen being hauled around by the balloons, Kong's right leg is twisted around painfully and sticks out of him at an odd angle. When it cuts to the suit with an actor inside it, the leg is back to its normal shape.
- Cenas durante ou pós-créditosIn the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka."
- Versões alternativasThis USA version is re-edited from the Japanese original, King Kong vs. Godzilla (1962), and is vastly different. New scenes featuring Eric Carter as a United Nations reporter were inserted for the USA version, replacing some footage from the Japanese release. Most of the comedy bits featuring Shôichi Hirose and Ichirô Arishima are deleted in favor of bland action, screeching to a halt U.N. news reports which are completely dissociated from the story. In the USA version, Harry Holcombe recites a ludicrous idea that Godzilla is a cross of a tyrannosaurus (while pointing to an allosaurus in a children's book) and a stegosaurus. Most of Ifukube's magisterial score is deleted and replaced with themes from the score of O Monstro da Lagoa Negra (1954).
- ConexõesEdited from Os Bárbaros Invadem a Terra (1957)
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Detalhes
Bilheteria
- Orçamento
- US$ 200.000 (estimativa)
- Tempo de duração1 hora 37 minutos
- Proporção
- 2.35 : 1
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What is the Hindi language plot outline for King Kong Contra Godzilla (1963)?
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