Sangue de Apache

You have got to give a compliment to Chuck Connors for making this fine film...he was at the height of his popularity in 1961 when this film was made as "The Rifleman"...a very successful TV western....Connors checked in his rancher duds for an Indian wig and clothes and this is one of the very best westerns made in the 60s... The story concerns the Indian chief Geronimo who outfought, outwitted and outmaneuvered the US army for a few years during the 1880s in the western US and parts of Mexico. Geronimo, a fierce warrior reluctantly accepts a parcel of land for him and his warrior band as part of a peace treaty...Little did he know in this film that a crooked army captain and crooked reservation politician was scheming to sell off his land due to a crooked land deal that paid them a considerable amount of money. Geronimo learns of this crooked deal and escapes with his warrior band and goes on the run....outwitting and out fighting the US army at every turn. Pat Conway, who formerly starred as the "Sheriff of Tombstone Territory" is cast as the crooked and nasty army captain....look for a young Adam West a few years before his Batman days as a young army lieutenant with a conscience, who feels betrayed by his crooked army captain in the treatment of Geronimo and his band. A beautiful young Indian lady, Kahali Devi is the wife and lady love of Geronimo. Look for Ross Martin as the chief friend of Geronimo, Mangus......this film is nearly two hours of good solid western entertainment albeit Chuck Conners does not look the real part of an Indian, despite all the makeup. In the end the US government realizes that the Indians have been done wrong by the government and the army and submits a peace treaty with dignity that Geronimo can accept. You will really marvel at how devious in the film Chuck Connors is in making his warrior band live and learn off of the land to survive. This is a western you will not want to miss.

There's really nothing to distinguish GERONIMO from any standard Hollywood western about outlaws, except that this time it's a lone outlaw against the U.S. cavalry at a time when Indian treaties were being broken and the Indians wanted to fight over territorial rights. Nothing complex here, just a fictionalized account of Geronimo's love for an Indian woman who bears him a son before the fadeout and after the final battle.

Blond and blue-eyed CHUCK CONNORS isn't anyone's idea of an Indian so it's hard to tell what the casting director was thinking, but he does a commendable job of looking like one, thanks to make-up and costumes, except for the blue eyes. He makes no attempt at any sort of native accent but his stoic manner and steely-eyed gaze does help the characterization. KAMALA DEVI is good as the Indian woman who bears his child and ADAM WEST has a pivotal role as a sympathetic officer.

Nicely photographed but short on battle skirmishes, it makes passable entertainment but is hardly an outstanding western by any yardstick, dull in some stretches with a less than inspired script.

On the Arizona-Mexico border in 1883, Apache warrior Geronimo surrenders himself and his tribe to the US Calvary in exchange for food and shelter on government land; naturally, the villainous, despicable whites sell the ground out from underneath the Indians after a greedy land baron sees they have turned the hard dirt into fertile soil for farming, leading to an unwinnable war between the fading Apaches and the Americans. Mixing "fact and legend", screenwriter Pat Fielder shamefully reduces history to textbook eye-for-an-eye business. Western-adventure from United Artists is further hurt by a TV cast and budget. Chuck Connors' Geronimo wages war on the Cavalrymen, though from what we can see it's really just Pat Conway's smirking Captain who's against him. Conway, decked out with an ostentatious neckerchief, unmercifully struts his way through this thing like a smug peacock...but, at least he wasn't forced to wear a ratty black wig like most of his co-stars. Some good scenes, such as an impromptu chicken dinner at the house of a strict widow, almost makes up for the general lack of story and character development. ** from ****

Possibly because The Rifleman series that Levy-Gardner-Laven produced on television was shot in black and white was the reason that no one apparently noticed that Chuck Connors had blue eyes. In any event when they produced this B film about the last great Indian warrior chief Geronimo since they had Chuck Connors under contract for The Rifleman they figured to get him dirt cheap for this film. I'm sure Connors was also looking towards a big screen career as well.

If you can get over how ridiculous Connors looks as a blue eyed Indian, the film Geronimo is not a bad one given the fact it is a B film. It takes the Indian point of view dispassionately, just letting facts speak for themselves.

Geronimo in fact had surrendered and was sent to live on the San Carlos Reservation, but ill treatment by corrupt politicians and self righteous do-gooders as exemplified by John Anderson in this film, sent Geronimo packing along with some of his best warriors. They bedeviled the Arizona territory and the Mexican authorities for several years.

Geronimo took one thing he liked from San Carlos along with him, beautiful Indian maid Kamala Devi. Ironically enough Kamala Devi is an actual Indian Indian, but she's drop dead gorgeous in any culture. Chuck Connors thought so too because he left his first wife for her during the making of Geronimo.

With certain reservations, no pun intended, Geronimo is not a bad telling of the tale of the last campaign against the American Indians. But I can't believe that the team of Levy-Gardner-Laven couldn't afford some contact lenses for Chuck Connors in the budget.

Although this movie has stale writing, uninspiring acting, and a cheesy plot, an understanding of the Historical context of the film adds much to one's viewing enjoyment. The movie, by no means, claims to be historically accurate (Geronimo is played by a white guy with make-up!), but it is a socially commentary on a century of unmoral and assimilationist Indian Policy in the United States. During the early 1960s President John F. Kennedy proposed a revision of this policy, calling for the recognition of Native Americans as distinct Nations. Kennedy's proposition was a dramatic diversion from the Indain Policy of administrations before him. This movie highlights, the poor conditions of the reservations, the forced conversion of Aboriginals to Christianity, and the policy's attack on the Aboriginal culture and way of life. This historical context, coupled with Adam West (who rocks my socks!) adds to the enjoyment of this film.