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IMDbPro

Freud - Além da Alma

Título original: Freud
  • 1962
  • Approved
  • 2 h 20 min
AVALIAÇÃO DA IMDb
7,2/10
3,6 mil
SUA AVALIAÇÃO
Montgomery Clift, Susan Kohner, Larry Parks, and Susannah York in Freud - Além da Alma (1962)
An examination of Czech-Austrian psychologist Sigmund Freud's career when he began to treat patients diagnosed with hysteria, using the radical technique of hypnosis.
Reproduzir trailer2:22
1 vídeo
13 fotos
Period DramaBiographyDrama

Uma análise da carreira do psicólogo tcheco-austríaco Sigmund Freud quando ele começou a tratar pacientes diagnosticados com histeria, usando a técnica radical da hipnose.Uma análise da carreira do psicólogo tcheco-austríaco Sigmund Freud quando ele começou a tratar pacientes diagnosticados com histeria, usando a técnica radical da hipnose.Uma análise da carreira do psicólogo tcheco-austríaco Sigmund Freud quando ele começou a tratar pacientes diagnosticados com histeria, usando a técnica radical da hipnose.

  • Direção
    • John Huston
  • Roteiristas
    • Charles Kaufman
    • Wolfgang Reinhardt
    • Jean-Paul Sartre
  • Artistas
    • Montgomery Clift
    • Susannah York
    • Larry Parks
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    3,6 mil
    SUA AVALIAÇÃO
    • Direção
      • John Huston
    • Roteiristas
      • Charles Kaufman
      • Wolfgang Reinhardt
      • Jean-Paul Sartre
    • Artistas
      • Montgomery Clift
      • Susannah York
      • Larry Parks
    • 31Avaliações de usuários
    • 28Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 2 Oscars
      • 9 indicações no total

    Vídeos1

    Trailer
    Trailer 2:22
    Trailer

    Fotos13

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    Elenco principal42

    Editar
    Montgomery Clift
    Montgomery Clift
    • Sigmund Freud
    Susannah York
    Susannah York
    • Cecily Koertner
    Larry Parks
    Larry Parks
    • Dr. Joseph Breuer
    Susan Kohner
    Susan Kohner
    • Martha Freud
    Eileen Herlie
    Eileen Herlie
    • Frau Ida Koertner
    Fernand Ledoux
    Fernand Ledoux
    • Dr. Charcot
    David McCallum
    David McCallum
    • Carl von Schlosser
    Rosalie Crutchley
    Rosalie Crutchley
    • Frau Amalia Freud
    David Kossoff
    David Kossoff
    • Jacob Freud
    Joseph Fürst
    Joseph Fürst
    • Herr Jacob Koertner
    • (as Joseph Furst)
    Alexander Mango
    • Babinsky
    Leonard Sachs
    Leonard Sachs
    • Brouhardier
    Eric Portman
    Eric Portman
    • Dr. Theodore Meynert
    Ol Abdou
      Manfred Andrae
      • Student Doctor
      • (não creditado)
      Victor Beaumont
      Victor Beaumont
      • Dr. Guber
      • (não creditado)
      S. Brecht
        Allan Cuthbertson
        Allan Cuthbertson
        • Wilkie, Student in Paris
        • (não creditado)
        • Direção
          • John Huston
        • Roteiristas
          • Charles Kaufman
          • Wolfgang Reinhardt
          • Jean-Paul Sartre
        • Elenco e equipe completos
        • Produção, bilheteria e muito mais no IMDbPro

        Avaliações de usuários31

        7,23.6K
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        10

        Avaliações em destaque

        8scgary66

        excellent bio by Huston

        Huston does very good work here, using a fine script in presenting the story of Freud not as a standard biography, but concentrating only on his initial work in examining the effect of the subconscious mind on conscious (though perhaps involuntary) actions - an idea believed preposterous at the time. The narrative is presented essentially as a psychological detective story, as Freud tries to discover the root causes of one patient's multiple afflictions and aberrant behavior, none of which has any physical cause. The film uses depictions of memories, dreams, thoughts as visual clues - all progressively revealing more - to lead us (and Freud) steadily closer to the underlying truth in the case, as well as in other areas disturbing him.

        The opening and closing narration (by Huston) is effective, though the occasional narration he does as the story progresses bothered me a little; it was as if they felt there was something missing from the film which had to be explained in voiceover, and it also pulled me out of the story momentarily. Probably it would have been more effective if Clift (rather than Huston) had done the narration, from Freud's point of view, in the body of the film.

        The film, which maintains a serious, fiercely somber atmosphere throughout (similar to The Elephant Man though perhaps more so here), does not proceed with any real speed - you'll need to stay with it; and the dark, harsh style of photography and music (while effective) might be difficult for some viewers. You need not agree with Freud's concluding theories (many of which are not held in particularly high regard today) in order to recognize the importance and validity of his primary methods and pioneering work in what was then a highly ridiculed field. 8 of 10
        7TBJCSKCNRRQTreviews

        Very good semi-biographical film

        It's always interesting to see how the art of cinema... a form of expression which much too often suffers under an audience and financial backers who demand simple entertainment, easily taken in and processed... deals with topics that are more complex and intricate than can be explained to the common movie-goer in a limited space of time, that being between an hour and a half and about three hours(in recent years, there has been a return of the longer running times... for better or for worse, and with ranging success). Psycho-analysis was also dealt with by the master of suspense himself, Alfred Hitchcock... in Spellbound, in 1945. He, as Huston does here, gave it a fair treatment, though oversimplifying it some. What's interesting is that Huston, while his film seems to be the lesser known, is actually the better representation of the subject(though, mind you, not necessarily the better film). This deals with Freud and his discoveries, following him for half a decade, giving what may be a fairly accurate account of his first work with hypnosis and psycho-analysis. We see a few of his patients, and the film focuses on him as he works on one particular patient... whose symptoms strongly resemble some he, to a (considerably) lesser degree has himself, and we experience how he develops and presents(and is met with strong protest and outrage, as he indeed was in real life) one theory which would become a cornerstone of his psychological writings and his view on man. I will not reveal what it is here, but anyone should know what he believed before watching this, since it is a rather provocative idea(and it is somewhat glorified in this film... Freud comes across as more of a misunderstood genius than the hopeful man(who did yield some important and interesting discoveries) that he was in real life). The cinematic values of the film are fine... the pace could have been more consistent(it should be noted that I watched a cut that was 120 minutes, not 139, long), and there are one or two scenes which seem obsolete, but there's little else that stands out, neither positively nor negatively. The film's score is dramatic, but that is not uncommon for a movie of that period. There are several nice touches in the film, in regards to who it is about... among them the Freudian slip in a scene with a patient. I recommend this to anyone interested in psychology, regardless of their view on Freud... it's interesting to watch, and fairly nicely done, to boot. Just keep in mind that it's neither a documentary nor a proper biographical film. 7/10
        7ags123

        Freudian Slip

        While this film would never set the box office on fire in today's world, there still remains a place for serious, intelligent, albeit talky ventures such as this. Plot is presented as a series of case studies, none of which are particularly convincing. Montgomery Clift's portrayal reveals just as much about the troubled actor himself as it does about Freud. If you've ever wondered what happened to Susan Kohner after her knockout performance in "Imitation of Life," she turns up here in her final film appearance in a very low-key minor role as Freud's wife. Too much attention is paid to Susannah York's character, plagued with a host of psychological ailments. David McCallum's Oedipus complex is far more compelling. The dream sequences are artfully conceived and photographed, adding a spark of excitement to the proceedings. Kino Lorber DVD transfers contain some truly awful commentaries, but this time film historian Tim Lucas' fact-filled narration is as interesting as the film itself.
        parkerr86302

        Hollywood Legends

        I agree with most of the positive reviews here at IMDb, so I will concentrate on another aspect of the film.

        Hollywood legend contends that during the shooting of FREUD, John Huston gleefully and sadistically brutalized poor, trusting Montgomery Clift, both physically and emotionally. The story took hold and has been repeated countless times by Clift biographers down to this day, despite the lack of any corroborating witnesses, plus no other actors ever came forward to say that Huston was so cruel to them on other shoots.

        For the most part, John Huston didn't care what people said about him, but this story actually did damage to his reputation. It is the only negative story about Huston that he felt the need to respond to. In his 1979 memoirs, AN OPEN BOOK, Huston gives a detailed account of the shooting of FREUD, and addresses the specific allegations against him. We may never know the whole truth, but Huston does quite a credible job of defending himself. Naturally, his side of the story never got as much attention as the original charges. You should find the book and read it.

        More trivia: After Jean-Paul Sartre's death, his admirers published much of his original, unused screen treatment, and predictably condemned John Huston for not filming Sartre's eight-hour screenplay (as if anyone would have tolerated an eight-hour movie).

        Because of Sigmund Freud's theories, FREUD was arguably the first motion picture to deal, even briefly, with the subject of incest. In real life, Freud contended that many adolescents go through a phase where they have sexual feelings for their parents of the opposite sex, and then go into denial that they ever felt such things after they get older. If Freud was correct, the denial is very strong, for he is reviled for this theory to this day. But readers, can you HONESTLY say that, as a young teen, that you never once cast a glance at mom's legs or her cleavage?

        FREUD is a good biographical film, and it is a shame that it has never been pleased on VHS or DVD. One has to wonder why---maybe Freud's theories still hit that raw of a nerve?
        char-30

        The stuff of which nightmares are made

        The very underrated 1962 picture "Freud" shows again why its director John Huston was a masterful biographer and adapter of the works of others. As much as a movie is able to, he captures the slightly mad, intense world of psychoanalysis using its father as his dramatic subject. In fact, the film is a perfect and popular introduction into this the most personal of sciences. The film puts me in mind of Hitchcock's "Spellbound", Bergman's "Wild Strawberries", Lynch's "The Elephant Man" and Kubrick's "Eyes Wide Shut" - all of which deal with the stuff of which nightmares are made.

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        • Curiosidades
          Jean-Paul Sartre wrote the original script at the request of director John Huston, but it was unused as it was too long. Many key elements from Jean-Paul Sartre's script survive in the finished film, such as the creation of the composite patient Cecily, who combines features of Freud's patients Anna O., Elisabeth von R., Dora, and others. After Sartre's death, his screenplay was published separately as "The Freud Scenario."
        • Citações

          Narrator: Since ancient times there have been three great changes in man's idea of himself. Three major blows dealt us in our vanity. Before Copernicus, we thought we were the centre of the universe, that all the heavenly bodies revolved around our Earth. But the great astronomer shattered that conceit and we were forced to admit our planet is but one of many which swing around the sun, that there are other systems beyond our solar system in myriad worlds. Before Charles Darwin man believed he was a species unto himself separate and apart from the animal kingdom. But the great biologist made us see that our physical organism is the product of a vast evolutionary process whose laws are no different for us than for any other form of animal life. Before Sigmund Freud, man believed that what he said and did were the products of his conscious will alone. But the great psychologist demonstrate the existence of another part of our mind, which functions in darkest secrecy and can even rule our lives. This is the story of Freud's descent into a region almost as black as hell itself: Man's unconscious, and how he let in the light.

        • Versões alternativas
          Originally prepared at 140 minutes; cut to 120 minutes for theatrical release. Some older TV prints still use the cut version; full-length version is now available on DVD in the UK (as of 2015 there has been no domestic Region 1 DVD release.)
        • Conexões
          Featured in Discovering Huston (2012)

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        Perguntas frequentes17

        • How long is Freud?Fornecido pela Alexa

        Detalhes

        Editar
        • Data de lançamento
          • 12 de dezembro de 1962 (Estados Unidos da América)
        • País de origem
          • Estados Unidos da América
        • Idioma
          • Inglês
        • Também conhecido como
          • Freud
        • Locações de filme
          • Bavaria Studios, Bavariafilmplatz 7, Geiselgasteig, Grünwald, Bavaria, Alemanha
        • Empresa de produção
          • Bavaria Film
        • Consulte mais créditos da empresa na IMDbPro

        Bilheteria

        Editar
        • Orçamento
          • US$ 4.000.000 (estimativa)
        • Faturamento bruto mundial
          • US$ 6.388
        Veja informações detalhadas da bilheteria no IMDbPro

        Especificações técnicas

        Editar
        • Tempo de duração
          2 horas 20 minutos
        • Cor
          • Black and White
        • Proporção
          • 1.85 : 1

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