O Dia Final

Looking at the cast list it should have been great and I am one who does not build up his expectations but I was expecting so much more. Pretty true to the book but it had no surprises. It could have been more exciting but the pace was slow for the most part and the triffids were not scary in the least. These actors are better than the script they were given and I am sure that some regret taking part. Eddie Izzard is an excellent baddie and the cinematography is very good but for me that is all I can say in it's favour. I prefer the 1981 TV series and even the film version has more going for it. Much as I like sci-fi and the book this is not one for my collection.

I started with all possible good intentions: it was a BBC production and I am a fan of Doctor Who and even Torchwood; I have seen the original Day of the Triffids and I liked it (even if I thought the premise to be pretty hard to believe) and I was prepared to enjoy it as a holiday release, with not much substance in it.

This being said, I really enjoyed the start, even if clearly beset with budget issues. I replaced the set in my mind and went on. The premise was a bit ridiculous, but that was in the book, so OK. Then Joely Richardson entered the scene and it all went bad. I have seen her in other movies and she was a decent actress. So either my memory plays tricks on me or the director messed it up. Badly! All her lines were out of place, her behavior like taken from a blond girl joke and her acting appalling. Eddie Izzard did a decent role as the psychopath trying to take over London, the rest of the stars just played average and mostly pointless roles, roles which could have been played by any other actor.

The ending was a chaos of irrational behavior, bad acting, predictability and pointless narration supposed to "open our eyes". The ending really messed things up, both from the standpoint of character development and end feeling.

Bottom line: decent effort, but ultimately a failed one.

With modern production capabilities, this version could have been the most brilliant rendering of Wyndham's book, but it wasn't. The CGId triffids from the leaves upwards were fair depictions of Wyndham's description but the speedily creeping tendrils at the bottom were more reminiscent of the Evil Dead than the Day of the Triffids. The lack of the three stumpy legs on which the plants 'hobble' and (through which they obtained the name Tri-ffed), as well as the hammer appendages through by they communicate with an indecipherable and creepy kind of Morse code (replacing this with typical Bug-Eyed-Monster growls), really wrecked the essence of the title.

What we got was not 'The Day of the Triffids' but 'The Night of the Salivating Foxglove' As normal, the script suffered from 'BBC Disease' - the sacrificing of literary accuracy for 'Social Relevance', which was taken to such extremes that it threw away any relationship with the original story and could only be described as supremely silly.

Eagerly anticipated, a sad anticlimax! better by far is the 1981 production starring John Duttine.

Very few of the actions of any of the characters are credible, and this makes it hard to relate to. Torrence behaves like a personal Nemesis to Jo and Masen. There is no logic to his operation nor why people follow him. The plot proceeds through a series of accidents and stupid or careless mistakes in unlikely situations. Cars in the UK seem scarcer than automatic weapons. No one behaves cautiously, like a survivor. Even triffid experts, scarred by triffid fights, go deliberately into battle against unrestrained triffids without eye protection that was mandatory for them when working with secure captive triffids. Relationships evolve clumsily and implausibly. People in general are more afraid of each other than triffids, spend more energy fighting each other than fighting to survive. This is an attempt to create 'drama' - was the writer not able to get enough drama out of the premise of flesh eating plants conquering the world? Nothing rings true. Watching it becomes a disappointing waste of time. A great shame since the effects and production values are excellent. Another example of where spending a little more time, thought & money on the script would've paid huge dividends. This could've been awesome, but sadly it's a complete turkey.

The premise of this mini-series is the world is harnessing the oil from a carnivorous slow-moving plant for fuel. They have these plants that blind people before eating them contained in farms. Then comes the solar flares that blinds everybody who stares at them. Apparently everything wants to blind us. There are some survivors who didn't get blinded played by Joely Richardson, Dougray Scott, Jason Priestley, and Eddie Izzard.

The premise has two sci-fi creations. That's usually one too many. And that's before Eddie Izzard survive a plane crash by piling a bunch of floatation vests in the washroom. How he walks away is pure make believe. And what about the rest of the world? I'm sure there are whole sections of the world that was sleeping through the event. The problematic setups do pile on. If you're willing to forget all the problems with the setup, then the movie is acceptable apocalyptic TV fare. But that's asking too much for me.