Um caubói solitário se envolve na luta de uma cidade contra um xerife corrupto.Um caubói solitário se envolve na luta de uma cidade contra um xerife corrupto.Um caubói solitário se envolve na luta de uma cidade contra um xerife corrupto.
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This short 1-hour Western movie centers on a drifter who comes to a small town and has run-in with its sadistic sheriff. A string of circumstances leads to running from a posse, robbery, and murder. Considering the limited length of this movie, it's a good story, the characters are likable, the dialog is literate, the performances are good (particularly Jack Nicholson), and it's well directed. If you collect Western movies, this one is worth having.
Director John Bushelman rings no bells for me but I see that he directed the 1978 TV mini series THE DARK SECRET OF HARVEST HOME, which was a better than tolerable horror effort.
Regrettably, the low budget puts paid to any hopes one might have of a hidden gem, particularly after one learns that a very young Jack Nicholson is in the jail of nasty Marshall Jim Cogan (Kent Taylor), who runs the place with whip and Colt .45, and does not hesitate to press false charges, even against the mentally retarded town idiot, amateurishly played by Gary Sneed.
Double chin Diana Darrin seems more than a tad old for the part of love interest to Robert Sampson, but at least she has some information about Marshall Cogan that she imparts to the populace at the decisive moment.
Nicholson and his mordant smile inevitably catch your eye as the sole spirited performance. Clearly, budget limitations did not permit contracting better players and script writing team, but at least the cinematography stands as better than usual for a B (C?) Western, all shot on rocky and dusty Arizona location.
Worth a watch, though probably not a rewatch. 5/10.
Regrettably, the low budget puts paid to any hopes one might have of a hidden gem, particularly after one learns that a very young Jack Nicholson is in the jail of nasty Marshall Jim Cogan (Kent Taylor), who runs the place with whip and Colt .45, and does not hesitate to press false charges, even against the mentally retarded town idiot, amateurishly played by Gary Sneed.
Double chin Diana Darrin seems more than a tad old for the part of love interest to Robert Sampson, but at least she has some information about Marshall Cogan that she imparts to the populace at the decisive moment.
Nicholson and his mordant smile inevitably catch your eye as the sole spirited performance. Clearly, budget limitations did not permit contracting better players and script writing team, but at least the cinematography stands as better than usual for a B (C?) Western, all shot on rocky and dusty Arizona location.
Worth a watch, though probably not a rewatch. 5/10.
And what a delight to watch it in LBX please folks !!!! What a pleasure because it is so rare from an API production. The story itself is not that terrific, but for a B western, that's what I like, instead of the bland and standard yarns with the same character, as the likes of Bill Elliot or Roy Rogers.... Don't mind about Jack Nicholson, focus instead on this cosy tale, despite the fact that it won't bring anything exceptional, except the villain as lead character, but it is only a rare little gem, so unique and hard to find in LBX. And the acting is pretty good too for this kind of production, even the directing, from this unknown director. But I have always craved for evil lead characters, especially a rogue sheriff, played here by Kent Taylor.
To Put it in Perspective, Anthony Mann and Budd Boetticher put a "New Face" on the Western in the 1950's and Sam Peckinpah put an Amen to it with Ride the High Country (1962) and then Reincarnated the "New" Western with The Wild Bunch (1969). Peckinpah, it Could be Said, Ended the New Wave of Westerns and Started the New New Wave of Westerns. No Mean Feat.
While Hardly in the Mann/Boetticher/Peckinpah Camp, This Little Movie is Indeed a Bit Different from Standard Stuff in its Introspection of Some Off Beat Characters that Include a Brutal Dictatorial Sheriff, a Dim-Witted Likable Stiff, a Good Hearted Drifter, and Jack Nicholson as a Slightly Miscast Bad/Good Guy. Diana Darin is the Damaged Goods still Managing to Look Good and Emote Kindness.
Overall, Worth a Watch for Early Nicholson, a Good but Short Story, and Some Colorful Cinemascope Landscapes.
While Hardly in the Mann/Boetticher/Peckinpah Camp, This Little Movie is Indeed a Bit Different from Standard Stuff in its Introspection of Some Off Beat Characters that Include a Brutal Dictatorial Sheriff, a Dim-Witted Likable Stiff, a Good Hearted Drifter, and Jack Nicholson as a Slightly Miscast Bad/Good Guy. Diana Darin is the Damaged Goods still Managing to Look Good and Emote Kindness.
Overall, Worth a Watch for Early Nicholson, a Good but Short Story, and Some Colorful Cinemascope Landscapes.
This early 60s western would be totally forgotten if not for a performance by a young Jack Nicholson. The film barely clocks in at 60 minutes, IMDb timing notwithstanding, and its bare bones screenplay tries to to far too much in that brief span. Characters are thinly drawn and poorly (and bizarrely) motivated. Not much to recommend here except for Jack completists.
Você sabia?
- CuriosidadesBurt Reynolds was originally cast to play Will Brocious.
- Citações
[Billy picks up a gunbelt]
Billy: Well, I guess if I am going to be wanted man, I might as well wear this.
Will Brocious: Every well-dressed bad man does, Billy.
- ConexõesFeatured in Best in Action: 1962 (2018)
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- Vanishing Frontier
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By what name was The Broken Land (1962) officially released in Canada in English?
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