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IMDbPro

Boccaccio '70

  • 1962
  • Unrated
  • 3 h 25 min
AVALIAÇÃO DA IMDb
7,0/10
5,4 mil
SUA AVALIAÇÃO
Sophia Loren, Anita Ekberg, and Romy Schneider in Boccaccio '70 (1962)
A bigot obsesses over the gigantic poster of a voluptuous pin-up, a married woman finds a way of dealing with her husband's passion for call-girls, a sacristan wins a night with a beautiful fairground woman in a village lottery and a married couple's mishap enables them to buy their own house. Four of the greatest Italian directors - Fellini, Visconti, De Sica and Monicelli - join forces with show-stoppers Sophia Loren, Anita Ekberg and Romy Schneider in a carousel of sex and satire mocking the mores of Italian 60's society...

Four arresting tales of women's empowerment and the sexual revolution in Italy's 1960s boom years. This light-hearted hymn to life is presented for the first time in both English and original Italian, with improved subtitles, and shown here as originally intended by the filmmakers in the original widescreen film format - now in restored HD.
Reproduzir trailer1:04
1 vídeo
99+ fotos
ComedyFantasyRomance

Inspirado nas novelas de Boccaccio, cada episódio se concentra em sexo, amor e sedução na Itália dos anos 1960, uma era de crescimento econômico e grandes mudanças culturais.Inspirado nas novelas de Boccaccio, cada episódio se concentra em sexo, amor e sedução na Itália dos anos 1960, uma era de crescimento econômico e grandes mudanças culturais.Inspirado nas novelas de Boccaccio, cada episódio se concentra em sexo, amor e sedução na Itália dos anos 1960, uma era de crescimento econômico e grandes mudanças culturais.

  • Direção
    • Vittorio De Sica
    • Federico Fellini
    • Mario Monicelli
  • Roteiristas
    • Giovanni Arpino
    • Suso Cecchi D'Amico
    • Italo Calvino
  • Artistas
    • Anita Ekberg
    • Sophia Loren
    • Romy Schneider
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    5,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Vittorio De Sica
      • Federico Fellini
      • Mario Monicelli
    • Roteiristas
      • Giovanni Arpino
      • Suso Cecchi D'Amico
      • Italo Calvino
    • Artistas
      • Anita Ekberg
      • Sophia Loren
      • Romy Schneider
    • 32Avaliações de usuários
    • 35Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos1

    Boccaccio '70 trailer
    Trailer 1:04
    Boccaccio '70 trailer

    Fotos126

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    Elenco principal38

    Editar
    Anita Ekberg
    Anita Ekberg
    • Anita (segment "Le tentazioni del dottor Antonio")
    Sophia Loren
    Sophia Loren
    • Zoe (segment "La riffa")
    Romy Schneider
    Romy Schneider
    • Pupe (segment "Il lavoro")
    Marisa Solinas
    Marisa Solinas
    • Luciana (segment "Renzo e Luciana")
    Germano Gilioli
    • Renzo (segment "Renzo e Luciana")
    Peppino De Filippo
    Peppino De Filippo
    • Dr. Antonio Mazzuolo (segment "Le tentazioni del dottor Antonio")
    Tomas Milian
    Tomas Milian
    • Conte Ottavio (segment "Il lavoro")
    • (as Thomas Milian)
    Romolo Valli
    Romolo Valli
    • Lawyer Zacchi (segment "Il lavoro")
    Luigi Giuliani
    Luigi Giuliani
    • Gaetano (segment "La riffa")
    Alfio Vita
    Alfio Vita
    • Cuspet (segment "La riffa")
    Antonio Acqua
    Antonio Acqua
    • Commendatore La Pappa (segment "Le tentazioni del dottor Antonio")
    • (não creditado)
    Nando Angelini
    • Man Winning a Bottle (segment "La riffa")
    • (não creditado)
    Silvio Bagolini
    • Secretary of Monsignore (segment "Le tentazioni del dottor Antonio")
    • (não creditado)
    Ciccio Barbi
    Ciccio Barbi
    • Engineer in the Car (segment "Le tentazioni del dottor Antonio")
    • (não creditado)
    Lars Bloch
    • Red Priest (segment "Le tentazioni del dottor Antonio")
    • (não creditado)
    Suso Cecchi D'Amico
    Suso Cecchi D'Amico
    • (segment "Renzo e Luciana")
    • (não creditado)
    Ermelinda De Felice
    • Donna che balla di sera sotto il manifesto della ekberg
    • (não creditado)
    Donatella Della Nora
    • Donatella - Mazzuolo's Sister (segment "Le tentazioni del dottor Antonio")
    • (não creditado)
    • Direção
      • Vittorio De Sica
      • Federico Fellini
      • Mario Monicelli
    • Roteiristas
      • Giovanni Arpino
      • Suso Cecchi D'Amico
      • Italo Calvino
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários32

    7,05.3K
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    Avaliações em destaque

    6lasttimeisaw

    Boccaccio '70

    A quartet mini-features from the 4 most prestigious Italian directors must be a rare treat for aficionados, but since shorts sometimes has been designed to experiment maestro's more daring or outlandish innovation, so a 1+1<2 formula is well acceptable for the viewers at least.

    Act 1, Monicelli's amiable modern tale of a pair of young newlyweds working in the same factory while conceiving their nuptial facts since it breaches the unfeeling regulation. Monicelli's devotion and affection to the general mass is ubiquitous, the camera follows intimately to record the lovebirds' daily work, diversion and quagmire, and the bittersweet ending is unerringly sanguine which should be the bloodline runs inside the Italian lineage.

    Act 2, Fellini's ever-first colour endeavour, surrealistic, sumptuous and luscious fantasy of a moral watchdog's eventual relinquishment towards a sexy bomb (an enormous 50 feet-tall Anita Ekberg), a female-exploitation gag which is constantly overplayed (not inclusively) in Fellini's canon. But visually, Fellini's manoeuvre of projecting different proportioned characters (creates two identical settings with different sizes) is quite nimble without exposing any shoddy clues (except the forged beasts, which is a buzzkill).

    Act3, Visconti's pleonastic noble Count whose brothel scandal evokes a major crisis with his wealthy but vindictive wife, a higher-tier pastiche ends up with a sloppy reference of a disparaging stinking rich's gauche prostitute fetish. At any rate Romy Schneider is the best thing in it, pairs with a well-suited Tomas Milian, presents a paragon of bourgeois vulnerability and emptiness.

    Act 4, another "prostitute" farce in a rural background, De Sica seduces the world with Sophia Loren's vulgar and crude beauty, a sultry whore will spend one night with the man who guess right of the lottery number, but it turns out to be a mental masturbation joke, quite tedious and a bit offensive.

    Apparently this is another patchy miscellany doesn't live up to the test of the time, Monicelli's neo-realistic part (which suspiciously is taken out completely in the original US release) is the standout and quite a pity it didn't make up to a feature-length piece of work which producer Carlo Ponti had promised then.
    7tim-764-291856

    The weird and the Wonderful...

    Though an ardent Fellini fan, it took me some time before getting round to buying this 'portmanteau' of four separate stories from Italy's leading directors of the time.

    Which was actually 1962 and not the 1970 that the title suggests. Portraying love, sex and lust in the 'modern age' hence the futuristic date in the title each part is 50 minutes long and in my experience, is best watched in two sittings. You'll probably have read that as well as Fellini, Vittorio de Sica, Luchino Visconti and Mario Monicelli, all but the last being very well known to knowledgeable film buffs.

    It takes nine writers, including input and ideas from the directors themselves to mould the very different stories here. The women definitely hold the upper hand in every one of them, loftily placed on pedestals - busty Anita Ekberg in Fellini's; Romy Schneider in Visconti's and Sophia Loren in de Sica's.

    The first segment, from Monicelli, is actually a bonus on the DVD as it was apparently cut from theatrical releases shown outside Italy. But, actually, that part is a good setting point - ordinary young female factory workers who live with the worry of everyday life and love and the hanging threat of old traditions, the Church and ruthless employers who attempt to quell their youthful desire for sex. Some scenes, with busy trams and bustling street scenes at rush-hour, remind me of the earlier classic 'Bicycle Thieves'.

    Visconti's part is a talky - and fairly boring - 'discussion', fixed to one nice, very posh apartment. The subject is now rather ordinary, probably unlike then, that I'm wanting more substance and variety. There again, I never was 'into' Visconti - high on style and period detail but low on flair and exuberance, at least compared to the others.

    Fellini was in the late autumn of his career at this point and this manifests itself by him displaying some trademark vaguely tasteless wit, swipes at Catholicism and Authority but surprising us with some truly inspiring set-pieces. His first foray into colour, it's a very bumpy and uneven ride, bounding from barely watchable to reassuringly great and familiar.

    A young and very shapely Sophia Loren, under De Sica, is used to portray many themes in neo-realist Italian cinema - Life itself. Outdoor fairs, sultry night-times when lovers and larger-than-life characters come out to play and village pettiness all affect this red-dressed temptress, who, like so many, yearn for greater and better things. It's at a touch funny and sad, but oddly, not as compelling as it should be. Though never the greatest actress, Loren doesn't let the side down, but her raw physical beauty always means that is what is seen first, before emotional depth.

    Critical reviews vary - some quarters saying that it's a lot of wasted talent. My immediate response is that all the directors and key players have done far better work and those seeking them out for the first time should look elsewhere - I'd hate for anyone to be put off potentially brilliant Italian cinema by them watching this and being disappointed.

    However, for Completists, like me, who have seen and loved these great director's best films, then the draw will become insufferably great and purchase will become inevitable. At least this quality transfer Mr Bongo release allows us to sample this odd collection at a good value price.
    7valadas

    Modern Eros

    Boccacio was a 14th century Italian poet, storyteller and humanist who among other works wrote "Decameron", a collection of licentious stories which is very much appreciated even nowadays. In 1962 four great Italian film directors (Monicelli, Fellini, Visconti and de Sica) made this movie in four episodes (each one by one of them) inspired on the same theme of Bocaccio's work i.e. erotic love in our times under several of its forms: marital, repressed, adulterous and paid for. It combines Monicelli's humour with Fellini's symbolism, Visconti's psychological realism and de Sica's social and moral satire. In my opinion the best episode is de Sica's one, the story of a beautiful woman (Sophia Loren) who runs a shooting sideshow in a funfair. The less good is perhaps Visconti's one story of a rich couple whose wife revenges herself of her husband's infidelity in a curious and elegant way because of somewhat dull dialogues which is however compensated by the gorgeous interior sceneries of the palace where his episode takes place like he has already made us familiar with in some of his other movies. All the episodes combine humour, sensuality and light drama in balanced doses and will undoubtedly please the viewers.
    rogierr

    temptations and taboos

    These three directors definitely distinguish themselves here from each other without being cocky. Well, Fellini and Ekberg may be VERY audacious, but that just adds positively to his work in my opinion. In his segment 'The temptations of Dr. Antonio' is enough material to fill an entire feature. It brings big fun and surrealism in a story about a very BIG billboard with a picture of Anita Ekberg on it holding a glass of milk. A moralistic guy (censor?) who lives right in front of the billboard (and BTW gets a very funny introduction in the film) can't accept the supposedly scandalous picture and takes action. After seeing it, I couldn't get this tune out of my head: 'Bevete piu latte' (you must drink milk) which is a commercial tune for the billboard. It is all very carnavalesque, versatile and entertaining. It's a pity Giuseppe Rotunno (Amarcord, Città delle donne, il Gattopardo, Carnal Knowledge) didn't dignify this segment with his cinematography (as he DID with Visconti's poetic segment which has a much more distinct atmosphere and has less special effects).

    The common factor between the three segments is a (light) moral discussion about what sexual borders people can have and what must occur to make them actually think about it. Where exactly lies the border of your taboos? The film is also watchable as plain entertainment, for the three starring ladies are captivating and intense here (though in general I don't like Ekberg that much). Romy Scheider played a girl in the silly 'Sissy' (1955-57), but is already glorious with her subtle impression in this segment of a mature lady who gets double-crossed by her fiancee and takes revenge.

    I didn't see the segment 'Renzo e Luciana' unfortunately, because it was unavailable :(, but I guess I liked Fellini's part best and De Sica's least (as most of his work): De Sica had some better short films in 'Ieri, oggi, domani' (1963, all starring Sophia Loren). Or it could be that I liked the first two segments best, because there was Nino Rota's (Godfather, Amarcord) score under them. De Sica's segment is just not interesting in any way. Nevertheless this is a triptych of the highest order: underrated.

    9/10
    9wobelix

    Finally out on DVD !!!! But...

    Words are not enough for this wonderful quadruple satire. Yes, in the beginning there were FOUR, but the Mario Monicelli story got cut to economize on time. It is the least funny but very compelling tale of two newlyweds finding no space or time to be alone together. A beautiful story.

    On the DVD distributed by the Dutch label Homescreen all 4 stories are included. Very odd though, it is a widescreen version, but from the top & bottom there are layers missing. So all the players standing up, get there heads chopped of. Astonishing, and very irritating. The sound every now and then echos, which is bad too. And the only subtitles available are in Dutch...

    But to see these wonderful tales again, of Fellini, Visconti, De Sica & Monicelli, and to see Romy Schneider, Sophia Loren & Anita Ekberg play so majestically, might be well worth it to forget about the technical problems of this DVD. And let's simply hope CRITERION can obtain the rights shortly, for they will surely do this fourfold little miracle justice...

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Federico Fellini's segment, "Le Tentazioni del Dottor Antonio", was his first work in colour.
    • Citações

      Anita (segment "Le tentazioni del dottor Antonio"): When I move my hips, convents shake.

    • Versões alternativas
      The original Italian version had four segments and was 210 minutes long. The segment "Renzo e Luciana" directed by Mario Monicelli was removed in the US version.
    • Conexões
      Featured in Cercando Sophia (2004)
    • Trilhas sonoras
      Day Dream
      Music written by Billy Strayhorn and Duke Ellington

      English lyrics by John La Touche

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    Perguntas frequentes16

    • How long is Boccaccio '70?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de fevereiro de 1962 (Itália)
    • Países de origem
      • Itália
      • França
    • Idiomas
      • Italiano
      • Alemão
    • Também conhecido como
      • Boccaccio 70
    • Locações de filme
      • E.U.R., Roma, Lazio, Itália
    • Empresas de produção
      • Cineriz
      • Concordia Compagnia Cinematografica
      • Francinex
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

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    • Faturamento bruto mundial
      • US$ 10.641
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      3 horas 25 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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