Cidade sem Compaixão

This is a very serious movie. A local teenage girl is raped by four US soldiers on a hot summer day in a little German town. Her father wants the criminals to be killed. The soldiers' lawyer (Kirk Douglas) knows he must devastate the girl's seemingly innocent image to free his clients from the death sentence. It looks like this movie never really was produced to be a huge success at the box offices at all. It treats its story with honesty and no compromises. The acting is excellent. Douglas and Marshall give very impressive performances supported by a flawless German/ American cast. Christine Kaufmann is absolutely convincing as the victim which is raped a second, this time by the legal system. Reinhardt almost tends to a documentary style, something that probably doesn't appeal to all viewers. It's exciting, well written and very depressive. A perfect movie which leaves you speechless in the end.

Four U.S soldiers at an army base in Germany are charged with a gang rape and the prosecutor is asking for the death penalty as demanded by public outrage and the girl's father, a leading citizen of the town. Although sure of their guilt, the defending lawyer is also sure that they do not deserve the death penalty. He wants to plea bargain, but he'll dig up dirt and tear the girl apart on the witness stand if that's what it takes to save the men. No person or event in the story is as innocent as it seems at first - not the girl, the town, the judicial process, or even the simple brutality of the four men.

The movie's weaknesses, unfortunately, are in the actual realization of this excellent story. The screenplay is very uneven, over-developing some of the complexities while short-changing others. The use of a voice-over is a clever way to avoid having to subtitle the German speaking scenes, but as implemented it is a clumsy shortcut to giving us information which should have been written into the action. Most unfortunate is the poor choice of music. It blatantly attempts to force its particular mood on the viewer in total discordance with the more subtle manner in which the story is presented. On the bright side, the acting is good and the main point of the story - the brutal treatment of the girl on the witness stand and by the town - is not diluted by any of these problems, making this a movie well worth watching.

Not too many films had talked about rape before this one came out in 1961. But, while in some ways the film talks around the attack (seldom ever using the word 'rape'), it still is very obvious what the film is about and it was surprisingly adult and frank.

The film begins with four American servicemen in Germany raping a local lady. Major Garrett (Kirk Douglas) is called in to represent the men at their court martial and the men, if convicted, could receive the death penalty. Considering how angry the locals are and the overall mood, the military is hoping for a quick trial and execution of the men. However, as Garrett investigates the case, he's decided that while the men are guilty, they don't necessarily merit the death penalty...or at least one of them.

The film will no doubt anger many as the victim herself becomes the object of much of the cross-examination in court. She herself is on trial in a manner of speaking...which, sadly, does occur in many rape cases. Because of this, Garrett is neither a hero or really a villain...just a dedicated man doing his job in the face of a lot of opposition. Well worth seeing but NOT a film for everyone...especially kids and folks who themselves have been victimized.

This movie has everything, including and above all style. Finally a movie that's every bit as good as the title song! So many movies are inferior to their music. The subject is sleazy, gloriously so. And there is a good dose of compassion too. Great script inspires great acting. The song is quite original and catchy, and the singer, Gene Pitney, is an overlooked and neglected genius, both as a singer and as a songwriter. And let's have a hand of applause for Tiomkin, a Russian who wrote some of the most quintessentially American music!

Town Without Pity, an American-German co-production, involves the crime, trial, and aftermath of four American GIs in occupied Germany raping a teenage girl.

Christine Kaufman who shortly after this film became the second Mrs. Tony Curtis, is attacked and raped by four American soldiers. The four, Frank Sutton, Richard Jaeckel, Robert Blake, and Mal Sondock, are in danger of capital punishment as prescribed by the American Code of Military Justice.

As another reviewer pointed out this was taking place while Germany was still an occupied country. Allied occupation of Germany didn't officially end until 1955 when our High Commissioner to Germany, James B. Conant, became our first ambassador to the German Federal Republic. After that these four would have taken their chances in a German criminal court.

The fact though that they were soldiers also meant that there was no chance for acquittal. What had to be determined was how guilty they were, even to the extent of the ultimate punishment.

Kirk Douglas for the defense and E.G. Marshall for the prosecution make a good pair of adversaries. Marshall would very shortly see how the other half lived as after this film was done, he would star in the long running TV series, The Defenders.

Kirk Douglas is a tiger in the courtroom as he ruthlessly puts Kaufman's own character on trial. It's his job, it's done down to the present day with victims of rape. But he's also a person with conscience, he knows exactly the character of the four men he's charged with the defense of, the character of each of them individually.

Anyway there isn't a player alive who doesn't relish a good courtroom scene and Douglas made the most of his opportunity here. I don't believe Kirk got back in a courtroom until a made for TV remake of Inherit the Wind.

Of the German cast and I note that several including Kaufman have had substantial careers in the German cinema, Barbara Rueting as the German reporter who narrates the film and Gerhard Lippert as Kaufman's boyfriend also stand out.

Of course no discussion of Town Without Pity is complete without the title song which I remember so well blaring from the jukeboxes of 1961. This jazz/rock and roll song was very typical of what was happening in German and other foreign culture, an overwhelming Americanization of same. Gene Pitney sold a lot of records of Town Without Pity back in the day. If you've never seen the film you'll remember the song after seeing it once.

And you'll also remember in terms of attitudes they really are the same. Those little minds will indeed tear you in two.

It's what a Town Without Pity does.