The Pure Hell of St. Trinian's

When the school is burnt to the ground, all the girls find themselves in the dock. However the judge decides mercy and takes up the offer of one Professor Canford to open a new school with a backer and try to change the girls. The backer, Alphonse O'Reilly, takes the whole school on a trip to Europe, but Flash Harry finds that the ship is actually on it's way to Africa, where Alphonse plans to sell the older girls into harems!

This entry in the series starts really well. Not only does it have what I consider to be a great line (`there's always trouble when there's arson around') but the courtroom stuff is very funny. The rest of the film from there starts to tail off, the continuation of the film sees the old characters come back in (mostly) are this is good. However once the action moves to Africa etc it all becomes a little silly but doesn't manage to be fun for it.

The action gets more frantic and less amusing as it goes along and, by the end of the whole thing, I'd pretty much lost interest in it. The cast are reasonably good. The girls are in two camps – the young thugs and the sexy `girls' (albeit it they are happily in their 20's). The support cast includes good performances from George Cole (complete with cheeky chappy music in case you didn't get it). Parker and Grenfell are OK but their stuff on the island doesn't really wash. Barker and Walters are fine, as is a cameo from Le Mesurier, but Sid James is pretty wasted.

Overall this is worth seeing if you like the series (although it fades throughout the 90 minutes), but there are better films in the series if you're just coming in now.

This is the final of the three original St. Trinian's films. Alastair Sim doesn't appear in this one, which leaves quite a space but is filled well by new characters and extensions of existing ones. The plot is a lot different from the 2 before, in that it's more surreal. In the other 2, the fact that Flash Harry, a police woman and a professor would become stranded on a desert island wouldn't have happened. Neither would the storming of an Arab sheiks palace. The charceters of Sergeant Ruby Gates (Joyce Grenfell) and Flash Harry (George Cole) are explored much more, with us learning things like Harry's middle name and where Ruby's mother lives. Fantastic performances form the whole cast but I think Cole and Grenfell steal the show. Comedy at its best. Watch out for the scene in the strippers club. Watch Harry's face. Probably the best comedy without words ever.

This film begins with the school burning down and there is a trial for arson against the girls (all of them!). They are found guilty but set free by the judge. The girls are taken on a ship, supposedly going to the Greek Isles. The ever lovelorn Sargeant Gates (the wonderful Joyce Grenfell) goes to meet up with them to see whats going on. She ends up on a desert island with Flash Harry (George Cole) and another man who has designs on her. Will they save the girls? Do they need saving? This film is not as good as the other two, since it deemphasizes the girls. Its a lot more of an adult film, they are much more prominent. Its not bad, just not quite as good. As for whether Sargeant Gates gets married..see the film. Its fine, just not essential unless you want to watch the series (all 4 films are available in a box set but unfortunately with no extras). So, check it out if you want to.

There's just something utterly magical about the first three St. Trinian's films. Almost every character in them is played by an actor recognisable from over fifty other British films of the time, and they frequently have the best cast lists of comic talent ever seen in a British comedy. Quite often a film with a cast this distinguished can turn out to be a grave disappointment (such a fate befell efforts like "The Magnificent Seven Deadly Sins", in which most of the effort on the part of the film-makers seemed to have been in actually recruiting the actors, rather than giving them anything worthwhile to perform). However, "Pure Hell", like "Belles" and "Blue Murder" before it, has a script and a story good enough to support the weight of these amassed comedy greats, most of whom you'll probably never have heard of. They're usually actors who appeared in loads of films of the period, and you'd never have thought of making a film at the time without them, but who never became stars in their own right - chaps like Raymond Huntley and Nicholas Phipps (most memorable in "Doctor in Love" as the frankly spiffing Dr. Cardew). Those actors who, if you're a vintage comedy connoisseur like me, you'll see and then go "Ahhh, yes!"

As well as an admirable leading performance from Cecil Parker (taking over from Terry-Thomas in the last film as the guesting star), we have marvellous return appearances from the likes of Joyce Grenfell as Sergeant Ruby Gates, Lloyd Lamble as the superintendent who got engaged to her 16 years ago and still hasn't tied the knot (they almost achieve it, twice, in this film), Eric Barker as the civil servant Culpepper-Brown, Michael Ripper as the philosophical lift attendant, and, of course, George Cole as the best spiv in the business, Flash Harry. Quite why I think he's so class I don't know - I mean, he quite obviously *is* top notch, but I can't put my finger on why. He's just... hurrah! It's Flash! With his cockney lingo and jaunty theme music (yes, it's here again, punctuating most of his scenes and it never gets tiresome)!

We also have the likes of Thorley Walters (hurrah!), Dennis Price (double hurrah!) and John le Mesurier (HURRAH!) as various members of the civil service, and Raymond Huntley, Cyril Chamberlain, Nicholas Phipps and Sid James making random appearances (actually, the double act of Eric Barker and Thorley Walters is one of the continued highlights of this film), and even some scenes with perhaps the best comedy actress there ever was, Irene Handl (probably best known for having played Peter Sellers wife in "I'm All Right Jack). Irene always seems to play these "posh commoner" roles, with wonderful lines like "So what bit of culture are you going to have a bash at then?", effortlessly stealing most of the laughs in whatever scene she appears in.

That's another reason to love the film - genuine wit. Whilst a lot of comedies of the period tended to rely on farce and gurning and people falling over, such scenes are kept to a minimum here (and, furthermore, even when they do happen they're actually amusing), with witty lines and comments being brought to the fore instead. There's far too many to choose from, but my favourite probably has to be in a scene where Cecil Parker, George Cole and Joyce Grenfell are stuck in a boat in the middle of the ocean, sipping tea like the stiff-upper-lipped British citizens that they are. "Stranded in the middle of the ocean," Parker laments mournfully, "With only enough food and water to last us for... six months; two sugars please." Lines like this are delivered in a dry throwaway manner and just tickled me all the way through.

The plot in this is far more complicated than those of the other films in the series, with most of the action being focused on the civil servants and adult characters, as opposed to the schoolgirls themselves. But the rambling story, which at one point seems to have ten plot lines running and intertwining at once, takes on a wonderfully surreal quality which further adds to the majesty of it all. In one scene, Parker, Cole, Grenfell, Barker and Walters are stuck out in a desert market place sipping tea at a cafe, and Phipps and Chamberlain, British soldiers in disguise, sit down at the table next to them. Chamberlain leans back to Walters to try and give his identity.

CHAMBERLAIN: "Psst. I'm a-"

WALTERS: "No, sorry, I don't want any postcards thank you."

...

PHIPPS: "Well, what did he say?"

CHAMBERLAIN: "He said he didn't want any post cards."

PHIPPS: "Oh... You haven't got any have you?"

Oh, and as for the schoolgirls, though they don't appear that often (and when they do it's usually the fourth formers, played by child actors), there are a few "sixth formers" dotted about - the glamorous twenty-something year old actresses dressed in uniforms and the shortest skirts you're ever likely to see. The initial courtroom scene contains a slow pan up the most gorgeous of the lot, with her... legs, and everything, and my word, by jove, indeed. Ha ha.

It's a quaint British comedy and I'm feeling a trifle warm just thinking about. I should have taken the tablets.

The film does at times seem to be running out of steam, but there's usually another random plot twist to pull it back into shape. Though I probably still prefer "Blue Murder" for the sheer Terry-Thomas factor, "Pure Hell" is only slightly less marvellous, and stands up as a true comedy classic in its own right. Especially for dull 50s/60s comedy fans like me.

9/10

The Pure Hell Of St Trinian's, the third movie in the series, never approaches the comic heights of the first two. Part of this is down to the absence of Alistair Sim, but also it is due to a script that switches the emphasis largely away from the school and places it more on the men from the Ministry Of Education. For long stretches you can hardly spot a schoolgirl, while the movie lacks a strong comic climax.

You can also see a lack of inspiration at work here, as the Grenfell-Parker `romance' is more or less a replay of (the better handled) relationship with Terry-Thomas in the previous movie, while the whole 'desert island' business seems designed to fill up the movie's running-time.

If it's not as fun as `Belles' or `Blue Murder', `Pure Hell' does have its good points. Cecil Parker's down-at-heel headmaster is a major asset to the movie, while it's nice to see the likes of Sid James, Denis Price and Liz Frazer make an appearance.

The comic high-points come early in the movie, with Raymond Huntley stealing the movie as a Judge distracted by the charms of a leggy Sixth-Former, while later the 'striptease' Hamlet provides the film's most memorable moment. Irene Handle is also on top form as a more than slightly batty teacher.

It's not the best of the series by a long way, but forty or so years on it is still worth watching.