AVALIAÇÃO DA IMDb
6,6/10
3,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA mysterious and cruel Baron, whose face has become frozen in a horrifying grin, demands that a prominent London physician apply experimental treatments on him to restore his face.A mysterious and cruel Baron, whose face has become frozen in a horrifying grin, demands that a prominent London physician apply experimental treatments on him to restore his face.A mysterious and cruel Baron, whose face has become frozen in a horrifying grin, demands that a prominent London physician apply experimental treatments on him to restore his face.
- Prêmios
- 1 indicação no total
Ilse Burkert
- Second Girl
- (não creditado)
William Castle
- William Castle
- (não creditado)
Constance Cavendish
- Mrs. Higgins
- (não creditado)
Albert D'Arno
- Gatekeeper
- (não creditado)
James Forrest
- Geoffery Wainwright
- (não creditado)
David Janti
- Janku
- (não creditado)
Annalena Lund
- First Girl
- (não creditado)
Mavis Neal Palmer
- Head Nurse
- (não creditado)
Charles H. Radilak
- Stationmaster
- (não creditado)
Franz Roehn
- Gravedigger
- (não creditado)
Tina Woodward
- The Girl
- (não creditado)
Avaliações em destaque
Of the great William Castle's classic gimmick films, this is generally regarded as one of the lesser ones. It should be seen for the amusing period piece that it is, and for the hilarious concept of the "Punishment Poll" with which it was originally exhibited. Upon its original release, viewers were allowed to vote "thumbs up" or "thumbs down" for the fate of the title character. In actuality, there is only one ending, but it's a pretty good one. The actors in this film are all good, with Oscar Homolka being the highlight as the sinister assistant. There is good atmosphere, with plenty of fog and shadows, and the story is intriguing, if not entertaining. The music by Von Dexter, who worked on several other Castle films, is also notable. Definitely a fun film for those who like the old-time horror films which sacrifice gore for suspense, and a must-see for fans of William Castle.
My younger sister and I saw this film when we were children and it terrified us - we still mention Sardonicus all these years later when looking for a word to describe a shocked reaction. My sister has just sent me a jokey text message in response to an insult I sent her, saying that she's so shocked that her mouth is in a "fixed Sardonicus grimace of shock" - this made me laugh so much I decided to look up info on the film and here I am!
The film would seem tame to my own teenage son now, but it has obviously had a lasting affect on my sister and me and it would be great to see it again on TV.
The film would seem tame to my own teenage son now, but it has obviously had a lasting affect on my sister and me and it would be great to see it again on TV.
Many consider William Castle to be a sort of used car salesman turned film-maker. Admittedly, he relies heavily on hype, and admittedly his hype has worn a little thin over the years, but Bill Castle has been involved with some memorable movies over the years. The Tingler, Rosemary's Baby, Strait Jacket, and Mr. Sardonicus are his most entertaining ventures. No doubt, Mr. Sardonicus will seem awfully tame to younger audiences seeking shock value and graphic gore, but to those who enjoy a more old fashioned style of horror film, Sardonicus has a definite appeal. The story line is very unique, the acting is good (especially by Guy Rolfe playing the title character), and the ending is great. Rolfe is great as the kindly, respectful peasant turned nasty, unfeeling aristocrat. Sure, the special effects are a little long in the tooth, but sit a young child down in front of this movie and watch his/her reaction when Sardonicus reveals his condition. I remember being scared witless watching this as a youth. Actually, I wouldn't recommend this movie for the very young, but it's a lot of fun for the young at heart. If you enjoy 1950s horror films, check out this little-known gem.
I saw this in the "show" when I was about 10, and seriously, I have never forgotten it. About 20 years ago, I noticed that it was on a station out of Toledo in the middle of the night, and even though I had to get up in the morning, and they had commercials every 10 minutes, I stayed up (after setting the alarm to GET UP) and watched the whole movie... I guess I am a William Castle fan, I have to admit it. (One other that still kills me is Homicidal, and woo hoo Richard Rust is in it, too, my favorite!) I play the lottery every day now, too, and that storyline about the ticket in the grave just GETS ME!! This is one odd film, like everything Castle does, but ya gotta love it!! It sticks with you, once you've seen it, you are hooked forever.
William Castle had cemented his reputation as a director of fun, gimmicky horror films by 1961, but for this one he's (almost!) dropped the fun feel and replaced it with a more serious tone; and in doing so has gone and created his best film! The film opens with an introduction from the director (I said he'd ALMOST dropped the fun feel), and from there we move onto a macabre tale of greed, curses, grave robbing and disfigurement. Based on a novella by Ray Russell, the film takes obvious influence from George Franju's masterpiece 'Eyes without a Face' in that it follows the horrifying idea of someone having their face scarred beyond belief. The tale puts greed at its centre, and it is that deadly sin which is to blame for the title character's affliction. We follow a prominent English doctor who is called to Europe on the request of his ex-lover. While there, he meets the cruel and sinister Baron Sardonicus; a man who is forced to wear a mask as his face is too hideous to look at. It's not long thereafter that we learn the reason for this facial deformity, as the man retells the tale of how he robbed his father's grave for a winning lottery ticket.
William Castle may not be the greatest director of all time, but here he creates just the right tone for the story to flourish in. The Gothic locations, sinister score and foreboding mood combine to ensure that the story is both gripping and as hideous as its central protagonist. This is helped along by the fact that the central characters are well fleshed out, and all of their motives make sense. Mr Sardonicus himself verges on comic book villainy at times, and as the plot is fairly ludicrous, this isn't always the easiest film to swallow. However, Castle ensures that the action always makes sense, and it has to be said that the tale has been given as good handling as it could afford. Castle's love for showboating shows through towards the end, however, when he tries one of his 'interactive cinema' tricks regarding the fate of Mr Sardonicus. It is these sort of things that make William Castle films what they are, and it fits films like The Tingler; but here Castle's segment feels out of place, given that the tone of the movie is largely serious. However, it's not enough to spoil what is a great Gothic horror story and overall I highly recommend this film to horror fanatics!
William Castle may not be the greatest director of all time, but here he creates just the right tone for the story to flourish in. The Gothic locations, sinister score and foreboding mood combine to ensure that the story is both gripping and as hideous as its central protagonist. This is helped along by the fact that the central characters are well fleshed out, and all of their motives make sense. Mr Sardonicus himself verges on comic book villainy at times, and as the plot is fairly ludicrous, this isn't always the easiest film to swallow. However, Castle ensures that the action always makes sense, and it has to be said that the tale has been given as good handling as it could afford. Castle's love for showboating shows through towards the end, however, when he tries one of his 'interactive cinema' tricks regarding the fate of Mr Sardonicus. It is these sort of things that make William Castle films what they are, and it fits films like The Tingler; but here Castle's segment feels out of place, given that the tone of the movie is largely serious. However, it's not enough to spoil what is a great Gothic horror story and overall I highly recommend this film to horror fanatics!
Você sabia?
- CuriosidadesWilliam Castle: [gimmick] During its initial theatrical release, attendees were given small white cards with luminous thumbs with which to vote thumbs-up or thumbs-down.
- Erros de gravaçãoSir Robert "invents" the hypodermic needle, despite its having been invented decades earlier than the film's 1880 setting.
The film doesn't say Sir Robert invented the hypodermic needle. It correctly says that Alexander Wood invented the modern hypodermic needle and syringe. However, it is true that this invention was made long before the date the film is set in.
- Versões alternativasAn alternate version was supplied for drive-ins. For this version, only the footage of 'William Castle (I)' was different. For the drive-in version, instead of the "Punishment Poll" cards, the audience was asked to flash their headlights to vote on the ending. The Columbia exchanges could replace the two William Castle segments to make an existing print suitable for drive-in bookings. As with the theater version, there was only one ending filmed.
- ConexõesFeatured in Creature Features: Mr. Sardonicus (1972)
- Trilhas sonorasFoggy, Foggy Dew
(uncredited)
English folk song
Performed by Ronald Lewis
[Sir Robert sings the song while he's taking a bath at the Baron's castle]
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- How long is Mr. Sardonicus?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 29 minutos
- Cor
- Proporção
- 1.85 : 1
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