Nas Garras do Dr. Mabuse

If you see that a big truck is following you, run as fast as you can, you are in danger of being set on fire with a flamethrower, crushed against a wall or thrown a substance that will put you to sleep and then kidnap you. All this and many other fascinating things happen in this film, it's a successful one from the Mabuse series. Harald Reinl, the director, was as good as Fritz Lang. We have a very young and beautiful Daliah Lavi in the role of a very curious reporter and at the same time the daughter of a scientist, we have the natural and very convincing Gert Fröbe as Kommissar Lohmann and Lex Barker as a FBI agent and the excellent experts in villainous roles Werner Peters as Böhmler and Wolfgang Preiss as Dr. Mabuse. And Peter Sandloff's music is good, he being also the author of the music for "Die unsichtbaren Krallen des Dr. Mabuse" (1962).

Second part of the new Doctor Mabuse series

As a competitor to the successful Edgar Wallace film adaptations, producer Artur BRAUNER brought old Mabuse out of obscurity with his CCC. The American Tarzan actor Lex BARKER, whom BRAUNER met in Rome at the premiere of THE SWEET LIFE, joined the cast of the German shocker.

In a city with the license plate P (filmed in Berlin), bizarre murders occur again, including a female FBI spy (Laura SOLARI). This brings Joe Como (BARKER) from America onto the scene. But Inspector Lohmann (Gert FRÖBE), who actually wanted to go fishing, is also investigating. The attractive Maria Sabrehm (Daliah LAVI / GOLDEN GLOBE nomination for TWO WEEKS IN ANOTHER CITY) is also bustling around the crime scene as a frenzied reporter. The investigation soon focuses on a church whose pastor (Rudolf FERNAU) writes obscure books about the devil, and a prison whose warden (Fausto TOZZI) is soon murdered. Doctor Mabuse is back at it again...

Director Harald REINL (OSCAR nomination for MEMORIES OF THE FUTURE) brings new impetus to the series. This is also ensured by the lively Lex BARKER, who was already able to warm up for the role of Old Shatterhand. Other standard actors from the German horror thriller appear: Werner PETERS, Ady BERBER, Wolfgang PREISS. Daliah LAVI from Israel, who later became very successful as a pop star, also cuts a good figure. Incidentally, Hans-Jürgen KIEBACH (OSCAR for CABARET) was responsible for the production design. 2.483 million visitors wanted to see the film in West German cinemas. Sequel follows! The series could continue!

This was another good entry in the Dr. Mabuse series, and a good German mystery movie in general.

Gert Frobe is excellent as Lohmann, and Lex Barker is a welcome addition with his character, who keeps us on our toes by never really letting us know his true allegiances until late in the film.

Once again though, a lot of traps and salient plot points are recycled from some of the previous Mabuse movies. The addition of the "Chicago Syndicate" element looks to have been added to make the movie more reachable to US audiences, but the film does manage to keep the unique verve that most German cinema had back in the fifties and sixties.

As I generally greatly detest sequels, reboots and the like, especially of great filmic franchises created and led by outstanding filmmakers (ie., the Mabuse character and Fritz Lang) I initially had quite guarded reservations about seeing Reinl's version here. But it had significant strengths that made me quickly realize my fears were undeserved and that I, in fact, was in for a treat. The pace is whipcrack, the plot is intense and in Commissioner Lohmann, the villainous 'Goldfinger' (an excellent Gert Fröbe) pulls off a gritty cross between an Ed Asner and a Popeye Doyle-era Gene Hackman. I love how one of the ways Mabuse resorts to do away with pests pays homage to Lang's 'The Testament of Dr. Mabuse' from three decades prior. It certainly made me wary of churches, one-legged men and even laundry workers, for crying out loud, and part of the fear the film brings across is because in the back of our minds, we know this is precisely how the Nazis operated, studying fluoride as a mind-control agent. If there is any negative I got from the film, the Berlin police department (good ol' Lohmann notwithstanding) seemed the most unintelligent and incompetent sleuthing force this side of Inspector Clouseau. Definitely recommended for fans of thrillers and spy films.

The previous Dr. Mabuse movies were mostly mystery thrillers but this movie is more of a crime thriller, also with some certain '60's funkiness added to it all. The movie is more starting to head into the 'James Bond' sort of direction with this entry, also by having some silly gadgets in it, used to murder people with. It also all means that the story is less believable and even a bit silly, compared to the previous Dr. Mabuse entries. In the movie it's also kept a mystery for long who Dr. Mabuse is and he's mostly featured in shadows and underneath masking clothes, though if you've seen the previous "Die 1000 Augen des Dr. Mabuse", which got released only just one year before this movie, you already know who Dr. Mabuse is and how he looks like, so it just seems a bit silly all and in some ways this movie is just basically more of the same, compared to the previous Dr. Mabuse entries, especially the last one "Die 1000 Augen des Dr. Mabuse". There unfortunately also are some unnecessary plot lines and characters. Or differently put; some characters and plot lines we just don't care about!

All of the action and especially the editing of it all looks by todays standards terribly outdated and clumsy. But who can really blame them. Action movies and action-style was basically still non-existent in 1961. Then again, the movie also isn't too action filled. The movie at least doesn't lay its emphasis on it and rather relies on its script and the thriller and mystery elements in it.

The overall style and atmosphere is great. It has a sort of dark, mysterious atmosphere, that is being enhanced by the fact that the movie was shot in black & white. Perhaps the only true thing that all of the Dr. Mabuse movies have in common (with the exception of "Dr. M schlägt zu" that was shot in color). Because lets face it, the Dr. Mabuse movies from the '20's, '30's and '60's are all quite different in style, approach and overall execution of it all, simply because of the different time periods the movies got made in. Also the character of Dr. Mabuse changed and the Mabuse in this movie does not operate the same as the one from the '20's and '30's. But that's OK all. It sort of gives each Dr. Mabuse movie its own identity and also makes sure that all of the movies are still filled with surprises. The character of Dr. Mabuse himself also doesn't get any weaker because of it.

The presence of the character of Dr. Mabuse of course really uplifts the movies and makes the movie much better than just any other average thriller from the same period. It's a great villainous, classic crime character, with lots of power over people.

Gert Fröbe is not as great in this movie as he was in "Die 1000 Augen des Dr. Mabuse" and it's of course also a bit weird and confusing that he this time plays a totally different character as he did in the previous entry "Die 1000 Augen des Dr. Mabuse" (same goes for some other actors within this movie, such as for instance Werner Peters). But of course that doesn't take away that he still gives away one fine performance. Wolfgang Preiss reprises his role from the previous Dr. Mabuse movie again and does a good job at it, though I was his role was bigger.

Not that great when compared to the previous 3 Dr. Mabuse movies but on its own this is simply a good and certainly enjoyable early crime thriller.

7/10

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