Um punk rebelde da geração beat passa os dias como piloto amador de motocross, entre festas e encrencas.Um punk rebelde da geração beat passa os dias como piloto amador de motocross, entre festas e encrencas.Um punk rebelde da geração beat passa os dias como piloto amador de motocross, entre festas e encrencas.
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This early Jack Nicholson film sees him playing Johnny Varron; a would-be motor racer who, when he isn't on the track, likes nothing better than playing chicken on the public highways. If others get hurt he isn't concerned. In the opening scene he causes a police motorcyclist to crash; he is fairly casual about it as the police can't prove he was involved. He hangs out with friends who share his attitudes however tensions in their group is rising because they think Johnny's friend Dave is dating the wrong girl. Inevitably their actions will have consequences.
This isn't a great film; it was never meant to be. It is an exploitation film centred on some fairly unsympathetic characters and the plot is far from deep. That isn't to say it is bad though; there are some exciting scenes, most notably the race sequence. The interaction between Johnny and his friends feels a little forced; perhaps because the sixties language feels dated or perhaps because it is what the writers thought young people spoke like. Jack Nicholson does a solid job as Johnny; it isn't his best work by a long way but he has the right attitude for the character; there is a sense of danger about him which fitted the role. The rest of the cast are more mixed; some good some rather less so. Overall this is a decent film that I'd recommend to those who are interesting in older films that aren't classics.
These comments are based on watching the original black and white, sixty minute version of the film not the longer, colourised 'Velocity'.
This isn't a great film; it was never meant to be. It is an exploitation film centred on some fairly unsympathetic characters and the plot is far from deep. That isn't to say it is bad though; there are some exciting scenes, most notably the race sequence. The interaction between Johnny and his friends feels a little forced; perhaps because the sixties language feels dated or perhaps because it is what the writers thought young people spoke like. Jack Nicholson does a solid job as Johnny; it isn't his best work by a long way but he has the right attitude for the character; there is a sense of danger about him which fitted the role. The rest of the cast are more mixed; some good some rather less so. Overall this is a decent film that I'd recommend to those who are interesting in older films that aren't classics.
These comments are based on watching the original black and white, sixty minute version of the film not the longer, colourised 'Velocity'.
While in 1960 Jack Nicholson was still relatively unknown here he gives his first leading man performance tho the movie was a quickly forgotten misfire. And that was reason enough for me for watching it last October.
Johnny Varron (Nicholson) is a larger than life punk that spends his nights organizing wild parties and his days racing on a dirt track and ending in trouble to the point of killing a policeman, kidnap the girlfriend of one of his friends and seeing another of his friends ending in tragedy.
The reason why this is a dud it's because in the first half was decent with Nicholson giving a decent leading man performance but in the last 20 minutes it became dull because of all the trouble his character caused. Besides, the race scenes weren't that exciting to watch as those seen in better race movies such as DAYS OF THUNDER.
Overall, a very limp film of interest probably only for three types of viewers: 1) Nicholson completists (2) fans of old movies (3) fans of bad movies because they can get a kick out of it.
Johnny Varron (Nicholson) is a larger than life punk that spends his nights organizing wild parties and his days racing on a dirt track and ending in trouble to the point of killing a policeman, kidnap the girlfriend of one of his friends and seeing another of his friends ending in tragedy.
The reason why this is a dud it's because in the first half was decent with Nicholson giving a decent leading man performance but in the last 20 minutes it became dull because of all the trouble his character caused. Besides, the race scenes weren't that exciting to watch as those seen in better race movies such as DAYS OF THUNDER.
Overall, a very limp film of interest probably only for three types of viewers: 1) Nicholson completists (2) fans of old movies (3) fans of bad movies because they can get a kick out of it.
Okay, this is not classic film-making. It has its moments though. Jack Nicholson is about as young here as I can recall seeing him - almost young enough to pull off the teenage-or-just-past delinquent role he plays. The dialog is pretty full of then-current clichés and words, so that part can be a little bit amusing. There isn't a whole heck of a lot to say about this movie, either you like late 50's teen/delinquent movies or you don't. I kinda like the '57 Ford convertible Nicholson drives in this movie. I guess they made tons of this kind of movie back in the day, because kids had little to do for evening entertainment other than to go to the drive- in week after week, and the theaters needed fresh fodder to keep the teens showing up. Well, it's a period piece, don't watch it for any great entertainment value, just watch it to see a somewhat exaggerated view of what life was like back when and let it go at that.
Jack Nicholson has done better and most likely not done worse.
He's a punky teen hot-rodder exhibiting all the characteristics of a 1959-1960 juvenile delinquent. He's sore at his best buddy for hooking up with a girl who's not into the beatnik punk-kid scene and not eager to let her new guy stay this course to disaster. Best buddy is waffling between going straight and staying with the witless crowd. Nicholson exhibits a weird sort of subconsciously gay relationship with best buddy by trying to place a wedge between the gal and the pal.
Ending is totally out of context with the morals of this leader of the pack, but necessary for the film to have sociological value. Lots of fun to watch just for the wild slang.
He's a punky teen hot-rodder exhibiting all the characteristics of a 1959-1960 juvenile delinquent. He's sore at his best buddy for hooking up with a girl who's not into the beatnik punk-kid scene and not eager to let her new guy stay this course to disaster. Best buddy is waffling between going straight and staying with the witless crowd. Nicholson exhibits a weird sort of subconsciously gay relationship with best buddy by trying to place a wedge between the gal and the pal.
Ending is totally out of context with the morals of this leader of the pack, but necessary for the film to have sociological value. Lots of fun to watch just for the wild slang.
10clayzar
The Wild Ride is the original (B&W) non-modified version. I have watched it several times and believe it is one of the best cult classics available. "Velocity" however, is a butchered color version that splices in new scenes lacking in any sort of continuity and ultimately destroying the mystique and integrity of the original film. Whoever had the idea for Velocity needs to be shot in the head because they turned a truly beautiful virgin classic film into a cheap prostitute with too much makeup. This is a true testament to the "less is more" adage. If you get to view both films you will see the ultimate travesty of how a great film was destroyed by a greed driven marketing attempt to update a true cult classic. In summary.... "The Wild Ride" GOOD............."Velocity" BAAADDDD!
Você sabia?
- CuriosidadesFilm debut of Robert Bean.
- Citações
Johnny Varron: She's got you mixed
- Versões alternativasRe-edited into a newer version entitled Velocity, which included new footage which makes the original film a long flashback sequence. The new scenes featured Jorge Garcia, Jason Sudeikis, Dick Miller, and 'Jack Nicholson' impersonator Joe Richards.
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- How long is The Wild Ride?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 30.000 (estimativa)
- Tempo de duração
- 1 h 1 min(61 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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