O Moinho das Mulheres de Pedra

This is a nice, creepy film, reminding me of a cross between "ReAnimator" (without the humor), "House of Wax" and the "Twice Told Tales" episode with Vincent Price as the father of an untouchable daughter.

A young man staying at an old windmill-turned-wax museum is seduced by the strange and beautiful young daughter of the man who runs the mill, himself an eccentric old scientist. (is there any other kind?) But he, his daughter, and the family doctor who cares for and loves her, are all hiding a terrible secret...and there's a reason why the wax statues of famous villainous women all look so lifelike! When the pretty, innocent girl from the nearby village, (whom our hero has fallen in love with, despite the best efforts of Creepy Girl) goes mysteriously missing, it's off to the mill to learn the terrible truth!

This is a dreamy, sometimes slow-moving, but never disappointing film which features a great "acid trip" sequence and the surprising nudity of several buxom young hotties. Should not be missed by fans of the colorful Italian, Hammer- esque genre. Wonderfully atmospheric and genuinely creepy. Great stuff!

Most people who write about the 1960 French-Italian coproduction "Mill of the Stone Women" can't seem to resist comparing it, and quite rightly, to "House of Wax" (1953) and "Eyes Without a Face" (1959); I guess I've just done so myself! But "Mill" has a lot more to offer than just a mashup of those two great pictures. In it, handsome Pierre Brice plays Hans van Harnim, a writer in what appears to be late 19th century Holland, who goes to the windmill home of one Prof. Wahl to do a story on his unusual abode and the professor/sculptor's carousel collection of grotesque female statues. What follows, for van Harnim, is quite the nightmarish experience, as he discovers the secrets of both this statuary and Wahl's mysterious daughter, Elfy. While not nearly as classic or seminal as two other horror films that premiered that year--Mario Bava's "Black Sunday" and Uncle Alfie's "Psycho" (then again, how many pictures are?)--"Mill" still manages to provide some shudders. The film begins quite eerily, and its unusual backdrop, that of the misty canal district in Holland's countryside, is a unique one for a horror film. An hallucinatory freakout sequence that transpires roughly halfway in is truly disorienting, before the picture turns to more conventional, albeit still quite fun, mad-scientist fare. The film also gives us handsome sets, nicely muted colors, interesting direction by Giorgio Ferroni, and perhaps the most inspired use of a creepy windmill since Uncle Alfie's "Foreign Correspondent" (1940). And almost stealing the show, in her role as Elfy, is Scilla Gabel, a gorgeous actress with Sophia Loren-type looks and the otherworldly air of the young Barbara Steele. In all, a very fine horror outing, nicely presented on this DVD from the good folks at Mondo Macabro, and with loads of fine extras, to boot.

Though I'm not quite as enamored with the film as others here, there is still much to enjoy in this sorely neglected tale of a young man researching a creepy old windmill's lurid "carousel" and his love for the owner's mysterious daughter.

Made at the same time as Bava's "Black Sunday", Ferroni's "Mill" relies on and succeeds at it's goal for the same reasons- Atmosphere in abundance and true artistic flair. Every inch of the windmill is ominous and each room (and there are many) has its own distinct feel, lighting, and color palette. With this strong foundation in place, the movie builds in the details, including a wild hallucination scene, the actual workings of the carousel, a daughter who appeared very dead but is soon quite fine, and many others.

Despite being a visual feast, well acted, and having a solid (if not overly original) plot line, the movie still suffers from a sizable problem- Pacing. As a die-hard fan of '60's horror, I have no beef with a deliberate build-up, but in this case it goes a bit overboard. There are a fair share of scenes that are filled with stretches of unnecessary dialog and lots of wandering around the mill with no real reason to be found at the end. Tighter editing would have helped immensely.

Flaws and all, "Mill Of The Stone Women" is a classy film that needs to be seen. Had I watched it just once, I have little doubt my rating would have been higher. Give it a one-time viewing and absorb it for maximum effect.

Beautifully directed and photographed European horror film that owes a debt to Franju's EYES WITHOUT A FACE.

An evocative, creepy score by Carlo Innocenzi helps director Giorgio Ferroni conjure a work of great atmosphere and intense drama.

As in EYES and Franco's ORLOFF, the subject is a fanatic obsessed with preserving the life of a dearly departed member of his family -- in this case, his daughter Elfi, played by the achingly beautiful and sensual Scilla Gabel.

The setting, a windmill outside Amsterdam, is a superb arena for the fantastic goings-on that provide frisson upon frisson of wonder and dread. The "stone women" of the title are frightening, fascinating figures of fear and are richly employed by Ferroni who demonstrates an acute talent for fantasy.

The superb opening sequence establishes a mood that never falters, and the exciting finale, with the Stone Women ablaze, is pure magic.

A handsomely produced gem.

Neatly expressionistic mood piece about a mad scientist/sculptor trying to keep his afflicted daughter from turning to stone by transfusing her with the blood of local babes. The storyline (a favorite of European horror films - THE AWFUL DR. ORLOF and EYES WITHOUT A FACE also had to do with a mad scientist trying to save a deformed daughter at the expense of anyone within reach) has holes thick enough to bowl a woman's severed head through, but the film is great on atmosphere and ambiance. Completed without credit by Mario Bava after director Giorgio Ferroni began it, the Mondo Macabro DVD version includes the uncut French edition (massacred in bad US VHS prints till now). This film was one of two that reportedly started the Eurohorror boom of the '60s and '70s, of which Bava was a primary maestro.