Mughal-E-Azam

Haha -- when I see comments that put Kuch Kuch Hota Hain or any other formulaic hindi flick as "the best film ever" they obviously didn't see K. Asif's vision of Mughal-e-Azam. From Prithviraj Kapoor's magnificent rendering of the imposing Emperor Akbar to Dalip Kumar's obvious love for the spectacular Madhubhala. The exquisite Urdu dialogues is of course not for the neophyte. But for those that can appreciate the finer things in life -- not some cloying Hum Apke Hain Kaun or Shah Rukh Khan's obsession with bleeding and overacting in every single film -- Mughal-e-Azam fits the bill perfectly.

A true masterpiece,featuring some of the greatest actors ever to grace the Indian screen.Prithviraj Kapoor,the doyen of Indian Cinema is Akbar himself and Dilip Kumar & Madhubala both put in sterling performances There is a question as to whether the storyline was actually true but the very nature of the story indicates the level of religious tolerance that existed at the time of Akbar.Akbar's wife Rani Jodhabhai was a hindu and that was the mughal method of building bridges with their hindu subjects.The role of Akbar would really serve as a model for religious amity today.The major issue Akbar had in consenting to the marriage of dancer Anarkali(represented by Madhubala) and Prince Salim(Dilip Kumar) was the class status.After all it was the 16th century All in all,a grand spectacle which showcases Indian culture at its very best and grandest and leaves one to wonder at the relative deterioration in subsequent centuries

I haven't seen the black and white original of Mughal E Azam since the '80's, but I recently saw the restored revived colourised 2004 re-release for the first time and was astounded by the results. I'm not a believer in messing around with the originals, but bearing in mind director Asif always wanted to make the whole film in colour but didn't have enough money the "final" product is amazing to see - such is technology! It was incredibly expensive to make as it was, the restoration process must have cost a fabulous amount too.

Seminal Indian epic purporting to deal with events from about 400 years ago around Prince Saleem (Dilip Kumar) falling in love with a court dancer Anarkali (Madhubala) to his father Akbar's utter opposition and eventually causing a rift leading to all out war. The drama and war spectacle scenes are memorable enough, with thousands of humans and animals as extras, and the music is uniformly superb too. But it's Pyar Kiya To Darna Kya (If I have loved someone>why should I be afraid?) sung by Anarkali (Lata) to the 2 of them in the Hall Of Mirrors that is absolutely stunning - I will have to get the original and compare, because the remaster seems to have turned this song into something even more magical and mesmerising than I remembered. It took Naushad and Shakeel Badayuni one night to compose music and lyrics so timeless - a colourful piece of poetry in motion, with the insistent kaleidoscopic climax added by Asif. Awesome! According to the legend it was supposed to have an unhappy ending - needless to say I'm glad it was altered here to a happy one after such a roller-coaster ride!

A tremendous work of Art, showing the very best of Indian cinema.

Some films are popular only in their own time and some films continue to fascinate successive generations that is the essential difference between a good film and a classic one Mughal-e-Azam

The ostentatious look, the unforgettable music, the awesome war scenes, superb performances, the well-known romance between Salim and Anarkalis MUGHAL-E-AZAM will always remain as a point of reference.

After 44 years, this masterpiece has been released after reviving it in color (the original version was 85 percent black and white and 15 percent colour), with an upgraded, contemporary sound system (Dolby Digital).

The Story is about the Ruler Akbar (Prithviraj Kapoor) and Queen Jodha (Durga Khote) give birth to a son, Salim, after years of prayer.

Prince Salim (Dilip Kumar) grows into a commendable combatant. Salim falls in love with court dancer Anarkali (Madhubala). Initially wary of his affections because of the difference in their positions, she soon reciprocates his love.

Akbar finds out about the affair and that creates a rift between the father and son.

It is a must see movie for every moviegoer for its pure canvass, for its majestic framing and not just for being a colorful costume drama, for its romance, for the glorious Sheesh Mahal and also for our fake filmmakers (like karan johar, aditya chopra, nikhil advani, kunal kohli and many others like them) who cannot think beyond Manhattan and singing heroes and have light years to reach this level of film-making.

MUGHAL-E-AZAM is a must for those who have seen it in B & W. Now watch it in color and experience the grandeur. MUGHAL-E-AZAM is a must for todays generation, who, perhaps, may not have watched this classic. Watch this epic and you will realize the difference between the cinema of yore and the cinema of today. MUGHAL-E-AZAM is a must for every moviegoer. Here is a prime example of pure, unadulterated cinema. 4 ½ Out of 5