A Teia de Renda Negra

The last of Doris Day's dramatic roles came with her being the terrorized wife in Midnight Lace. Henceforth she did nothing but comedies and musicals.

Not that she wasn't good in dramatic parts. Doris did well in Love Me Or Leave Me, The Man Who Knew Too Much, Storm Warning, and Julie. But in Midnight Lace she does pull all the stops out as a woman who seems to have attracted a stalker. In fact she meets the stalker in a fog bound London park near her home who threatens to kill just before the opening credits.

Doris is practically a newlywed, married to Rex Harrison a London businessman who is concerned but never is quite there enough to offer support. Even her visiting aunt Myrna Loy is thinking Doris has lost a step or two in her ladder. The only one who seems to believe her is John Gavin who is boss of a construction job next door. He's even a bit creepy himself because he knew who she was without any introduction.

The Man Who Knew Too Much was probably her best dramatic role and it was done for the master of suspense Alfred Hitchcock. But the Hitchcock film that Midnight Lace is best compared to is Dial M For Murder with Grace Kelly being the stalking victim there. Even the Scotland Yard inspector is the same in both films, John Williams.

By the way Williams unravels the truth behind the harassing phone calls in a most unusual way that the perpetrator never took into account.

The mood of Midnight Lace is somber and tense and Doris, Rex, and the rest of the cast perform their roles to perfection.

American Kit Preston (Doris Day) lives in London with husband Anthony (Rex Harrison). She starts being stalked and getting phone calls by a man saying he's going to kill her. But nobody else is around when he calls. Is he real or is she going crazy?

A VERY loose remake of "Gaslight". The film is far-fetched (especially at the end) and full of obvious red herrings. Also there were one or two plot threads never adequately explained at the end. Still, this was entertaining. It's very glossy with breath-taking sets and 17 costume changes (!!!) by Day--but this IS a Ross Hunter movie (he did "Imitation of Life" which had the same kind of treatment). So, even when the movie slows down there's always something to look at.

There's mostly solid acting by the entire cast. Harrison was just so-so as the husband but everybody else was fine. John Gavin pops up a few times just being incredibly handsome but actually isn't that bad. Myrna Loy steals the show as Aunt Bea in every scene she's in--and check out the incredibly ugly yellow hat with green sash she wears at one point! Best of all is Day. You might think she would be terrible in a straight dramatic role but she's actually quite good. Her terror at what's happening is totally believable and there's an incredible scene where she has a complete nervous breakdown. She hated making this film because it emotionally wore her down--she vowed never again to do a thriller. That's too bad--she was so good here.

So it's not believable but is still worth watching. Recommended.

I caught this one on Encore while staying home from school, and I was surprised at the many twists and Hitchcock-like additions. It was really entertaining.

Doris Day plays the role of Kit, an American woman living in London with her businessman husband Tony. Almost immediately, we are introduced to the story of someone threatening her continuously, first in a fog-shrouded park, then over the phone, countless times. It gets progressively worse and worse, and Tony and her Aunt Bea, who has come to stay for a few weeks, begin to suspect the credibility in it all.

This is a great movie. Fans of Hitchcock may be impressed. And the acting is great. Doris Day is thoroughly convincing, especially when she begins to go hysterical at it all after Bea picks up the phone on the mysterious caller. But thoroughout the film, she plays a strong character. Bea is also a great character, and very amusing. Overall, the film does very well. The ending has many twists you don't think to suspect, though, I would have expected more with the scenes on the scaffolding. Oh well. Still, I recommend this film to all Hitchcock fans and anyone who likes older suspense movies. This one is great.

As macabre as it sounds, I really enjoyed seeing Doris Day (The Man Who Knew Too Much) get terrorized. She was so convincing in this role especially when she provided a tour de force in acting during that scene where she finally breaks down. I can't believe other commentators were not as moved by this as I was. Rex Harrison (The Ghost and Mrs. Muir, Cleopatra, My Fair Lady) is also very good in this role though I don't think he is challenged very much here. John Williams is once again the diligent inspector as he was in the two Alfred Hitchcock hits Dial M For Murder and To Catch a Thief, both of which coincidentally starred Grace Kelly. The great Roddy McDowell (Planet of the Apes) is here just as a red herring but he is welcome nonetheless. All in all a good thriller, 8/10.

Doris Day, as an American married to an Englishman, is being terrorized in "Midnight Lace," also starring Rex Harrison, Myrna Loy, Roddy Mcdowall, and John Gavin. A scary voice speaks in the fog and calls her up on the phone - but she can't get anyone to believe her, even her beloved aunt (Loy) who wants to help but has her suspicions about her niece's mental health. The "midnight lace" is a neat title that refers to some sexy pajamas Kit (Day) buys for her Venetian trip with her husband (Harrison).

The film is based on a play, "Matilda Cried Fire" and probably owes part of its plot to "Dial M for Murder," which was also a play and made into a film by Hitchcock. John Williams is on hand in this film as in "Dial M" as a police inspector.

Unlike "Dial M for Murder," the film abounds with red herrings, so there are plenty of suspects. Roddy Mcdowall is the slimy son of Kit's housekeeper, and John Gavin is an attractive man who at one point comes to her rescue. There's also her neighbor, Peggy (Natasha Thompson). The acting is very good, the biggest and most dramatic role belonging to Day. Few people have enjoyed the variety of career that Day did. A wholesome-looking singer and vivacious actress, she was in in films from 1948. When she was in her late thirties, producer Ross Hunter took advantage of her prettiness and beautiful figure and moved her into glamor roles, making her the #1 box office star. If she's a little over the top in spots here, it's more the material than the actress, and she creates a very sympathetic and likable character. Loy, at 55, is beautiful and sexy. Harrison doesn't have a great deal to do, and Gavin is - well, Gavin, very handsome and charming. Herbert Marshall is part of the cast as well, and along with McDowall, Williams, and Thompson, make up a strong supporting cast.

This movie isn't as good as some others of the same type, but it is very enjoyable and well produced. One of those great Sunday afternoon movies.

Some trivia: A poster mentions that Harrison was distracted during the film because of the death of his wife, Kay Kendall. He was also distracted by the fact that he and Roddy McDowell had done a play together, for which McDowell had won a Tony. The elevator scene where they are all in the elevator together took a while to film so they were all stuck in a small space. McDowell said something and Harrison said, "Yes, and you can stick that Tony up your a** too."