Algemas Partidas

I was pleasantly surprised by all of the comments on this film. I haven't seen it for many, many, years, probably 15 or more. However, I remember it well and had believed for a long time that I was the only one who knew of it's existence. *laughing* This is one of my favorite Shelley Winters movies. And of course Miss Ella Fitzgerald was an added treat. I first saw it when I was about 15 (mid-1970s), so you can imagine what an impact it had on me. I'd had a crush on James Darren from his role in the television series "The Time Tunnel". I wish I could find it on video or DVD somewhere; but that's unlikely. I was just looking over the credits and saw a couple of familiar names; Bernie Hamilton(who starred in a lot of the so-called Blaxploitation films of the seventies) and Jeanne Cooper,whom I adored in the seventies as Mrs. Chancellor in the popular soap, "The Young and the Restless". Try as I might, I cannot remember them in the film. Which is why it is a must I see it again! *Laughing* I'll be armed with "TVio" and "VCR" the next time it makes it's appearance on cable....TCM are you listening???!! Miss "P"

What a film! A classic or a thriller, I don't know, but it sure is one of those films for you not to miss. It is already one of my favorite classics. A story that makes you understand how it is important to pursue a dream, a dream of not letting a child follow the footsteps of a criminal father. A story that teaches us some important values. It is a struggle for life and an excellent opportunity for us to think about this problem. Drugs, violence and alcohol are some of the matters that make this film an important issue to discuss about. Good casting and acting also help to make this film a must-see. It is a classic worth watching.

This film is one of the favorite memories from my childhood. My memory said that Sal Mineo was in it, so I was a little surprised to see that it was actually James Darren. Not as good an actor as Sal, but a good looking kid, who could sing. Shelley Winters is beautiful in it, but very needy. Ella is a bonus. Burl Ives is bigger than life. And, you get to see Ricardo Montalban as a pre Mr. Roarke, pre Chrysler New Yorker ("Fine Corinthian leather"), bad guy. The climatic finale has stayed with me all these years. I always thought it was an older movie, but I guess it was just the genre and the cinematography. A little hokey, by today's standards, but a classic none the same.

James Darren (as Nick "Nicky" Romano) grows up innocently, in the slums of Chicago. He's the illegitimate son of the original "Nick Romano", from "Knock on Any Door" (1949). Gin-medicating mom Shelley Winters (as Nellie Romano) does the best she can raising Mr. Darren; she hopes his musical talent will help him to achieve a better life, unlike his father. Ms. Winters, to her credit, organizes a nurturing group of deadbeats. Chief among them is boozing co-dependent judge Burl Ives (as Bruce M. Sullivan). Together, they raise Darren well, but the Chicago underworld threatens to drag him down…

Interesting "sequel" (of sorts); actually, this is an adaptation of Willard Motley third novel, "Let No Man Write My Epitaph", which was a follow-up to his first, "Knock on Any Door". The earlier film starred John Derek and Humphrey Bogart, and lacked much of the realism needed to accurately tell the story. There are some allusions to the earlier film; the shot of the adult Romano (Darren) ascending a stairway recalls the earlier film, as does a picture of the original Romano. This film is much better scripted; and, importantly, Chicago denizens could be shown selling, and using, Heroin. The drug use becomes a very big part of the picture.

This film isn't without flaws; and, for most of the early running time, it teeters so close to plodding, soapy melodrama, you might get disenchanted. However, growing characterizations from the three leads, and nice location photography, enhance the production. Additionally, there are good supporting performances; from, for example, smarmy Ricardo Montalban (as Louie) and legless Walter Burke (as Wart). And, of course, Ella Fitzgerald (as Flora) sings beautifully.

Around the time (at about 1:11) Mr. Ives has a saloon scene with Ms. Fitzgerald in the background (after a fix), the film really takes off. Situations become significantly more obvious. Darren, Winters, and Ives have big dramatic, well-played scenes. The intensity of the film heightens, to quite a very exciting conclusion.

******* Let No Man Write My Epitaph (1960) Phillip Leacock ~ James Darren, Shelley Winters, Burl Ives

I am very pleased to see all of the positive responses here at IMDb to a film that was not considered to be much in its day. Very well done, and a lot more frank then you would expect from the era.

Not really a sequel to KNOCK ON ANY DOOR---the relationship is minor at best, non-existent at worst. You don't have to see the first movie to understand this one.

A very positive thing is the relationship between the lead (James Darren) and his alcoholic mother (Shelley Winters). He knows all about her past but loves her anyway, and the dialogue is good. Far too many movies perpetuate the stereotype that parents and children of the opposite sex cannot, or should not, discuss serious "adult" issues intelligently.

Strongly recommended bit of film noir.