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"Let No Man Write My Epitaph" is about the low part of a person's life and not to be dismissed as being down and out or classified as a loser. It's about living a life with dignity. Burl Ives is a judge, was a judge, but now he drinks. A man who has lost his legs sells newspapers and makes his way through life as he can. Even Ella Fitzgerald is at a low point, doing drugs, in a very rare dramatic acting role for her. And, "The Young and the Restless" star Jeanne Cooper has a supporting role as another character with problems. But the main plot concerns Shelley Winters as a widowed mother, raising James Darren. His father was given the gas chamber, but Shelley keeps saying he was innocent. James can't stay out of fights defending his father's name and his mother's reputation. Shelley has lately had no other recourse but to attach herself to men for a living. Everyone in town knows what she is. Burl has an interest in her, but she does not reciprocate the feelings. When she meets Ricardo Montalban, she is piqued – and he him. He has a legitimate front, but makes his real money by supplying. The low class seems to be front and center in this eye-opening movie, but it doesn't seem to wallow in its own desperation. Instead, hope for tomorrow permeates the film until dramatic events take place. James can play the piano and has a possible connection in Jean Seberg. "Let No Man Write My Epitaph" has good performances by all, but Shelley Winters, who was great in everything, and Burl Ives stand out. And, James Darren is surprisingly effective for his years. If you discover this on TCM, watch and witness the lows and obstacles faced and overcome in the lives of people that could be you and me.

James Darren (as Nick "Nicky" Romano) grows up innocently, in the slums of Chicago. He's the illegitimate son of the original "Nick Romano", from "Knock on Any Door" (1949). Gin-medicating mom Shelley Winters (as Nellie Romano) does the best she can raising Mr. Darren; she hopes his musical talent will help him to achieve a better life, unlike his father. Ms. Winters, to her credit, organizes a nurturing group of deadbeats. Chief among them is boozing co-dependent judge Burl Ives (as Bruce M. Sullivan). Together, they raise Darren well, but the Chicago underworld threatens to drag him down…

Interesting "sequel" (of sorts); actually, this is an adaptation of Willard Motley third novel, "Let No Man Write My Epitaph", which was a follow-up to his first, "Knock on Any Door". The earlier film starred John Derek and Humphrey Bogart, and lacked much of the realism needed to accurately tell the story. There are some allusions to the earlier film; the shot of the adult Romano (Darren) ascending a stairway recalls the earlier film, as does a picture of the original Romano. This film is much better scripted; and, importantly, Chicago denizens could be shown selling, and using, Heroin. The drug use becomes a very big part of the picture.

This film isn't without flaws; and, for most of the early running time, it teeters so close to plodding, soapy melodrama, you might get disenchanted. However, growing characterizations from the three leads, and nice location photography, enhance the production. Additionally, there are good supporting performances; from, for example, smarmy Ricardo Montalban (as Louie) and legless Walter Burke (as Wart). And, of course, Ella Fitzgerald (as Flora) sings beautifully.

Around the time (at about 1:11) Mr. Ives has a saloon scene with Ms. Fitzgerald in the background (after a fix), the film really takes off. Situations become significantly more obvious. Darren, Winters, and Ives have big dramatic, well-played scenes. The intensity of the film heightens, to quite a very exciting conclusion.

******* Let No Man Write My Epitaph (1960) Phillip Leacock ~ James Darren, Shelley Winters, Burl Ives

I was pleasantly surprised by all of the comments on this film. I haven't seen it for many, many, years, probably 15 or more. However, I remember it well and had believed for a long time that I was the only one who knew of it's existence. *laughing* This is one of my favorite Shelley Winters movies. And of course Miss Ella Fitzgerald was an added treat. I first saw it when I was about 15 (mid-1970s), so you can imagine what an impact it had on me. I'd had a crush on James Darren from his role in the television series "The Time Tunnel". I wish I could find it on video or DVD somewhere; but that's unlikely. I was just looking over the credits and saw a couple of familiar names; Bernie Hamilton(who starred in a lot of the so-called Blaxploitation films of the seventies) and Jeanne Cooper,whom I adored in the seventies as Mrs. Chancellor in the popular soap, "The Young and the Restless". Try as I might, I cannot remember them in the film. Which is why it is a must I see it again! *Laughing* I'll be armed with "TVio" and "VCR" the next time it makes it's appearance on cable....TCM are you listening???!! Miss "P"

I am very pleased to see all of the positive responses here at IMDb to a film that was not considered to be much in its day. Very well done, and a lot more frank then you would expect from the era.

Not really a sequel to KNOCK ON ANY DOOR---the relationship is minor at best, non-existent at worst. You don't have to see the first movie to understand this one.

A very positive thing is the relationship between the lead (James Darren) and his alcoholic mother (Shelley Winters). He knows all about her past but loves her anyway, and the dialogue is good. Far too many movies perpetuate the stereotype that parents and children of the opposite sex cannot, or should not, discuss serious "adult" issues intelligently.

Strongly recommended bit of film noir.

Kind of a cross between "West Side Story" (though it's Chicago's West Side) and "Golden Boy" without Clifford Odets' lyricism, this sleaze-obsessed melodrama benefits from location filming that shows how awful the Chicago slums looked in 1960 and a motley, oddball cast. James Darren is the sensitive hood/concert pianist (and though he's proficient at the keyboard, he's hardly the prodigy the script makes him out to be), being raised by Shelley Winters at her Shelley Wintersiest, screaming and sobbing and unhinging easily. She and an assembly of longtime slum pals, including an uninteresting Burl Ives as a drunken ex-judge, are trying to give the kid a decent upbringing amid all the squalor. There are also Ricardo Montalban, excellent as an insidiously evil-charming dope peddler; Ella Fitzgerald, who gets to act a bit and isn't bad; and Jean Seberg, not quite credible as the Lake Shore girl Darren loves. The direction is uninspired, and the screenplay a little contrived (when it wants us to know Ives loves Winters, it just has him confess to the camera), but what's fascinating is the brio with which the filmmakers depict all the sex and violence and addiction and grimness. It's as if they were trying to show how grownup they are by thrusting all that misery in your face. It moves fast, and if your attention starts to wander, be assured, Shelley Winters will be erupting again soon.

Huge, huge names in here! Montalban, teen star bobby darren, singers/actors ella fitzgerald and burl ives!! Whether by choice or by circumstance, almost every character here has fallen on hard times, and either can't or won't leave the rough side of chicago. And each one has his or her own weakness, and his or her own remedy. However short term it may be. When nellie's son nick gets in trouble for fighting, she wants to make sure he doesn't end up like his dad. And nellie's neighbors vow to help look after him. But nick and nellie are both in for deep, dark challenges ahead. Some of nellie's friends aren't the friends she thought. Story of addictions, futures, challenges, family, possible recovery. I was never a big shelley winters fan, but she carries it off in this one. Fun to watch the big names play rougher roles. Showing on cinevault streaming. They hardly ever show this one. Directed by philip leacock; he was nominated for an emmy for directing a bunch of "the waltons".

What a film! A classic or a thriller, I don't know, but it sure is one of those films for you not to miss. It is already one of my favorite classics. A story that makes you understand how it is important to pursue a dream, a dream of not letting a child follow the footsteps of a criminal father. A story that teaches us some important values. It is a struggle for life and an excellent opportunity for us to think about this problem. Drugs, violence and alcohol are some of the matters that make this film an important issue to discuss about. Good casting and acting also help to make this film a must-see. It is a classic worth watching.

Set mostly in the slums of Chicago in the late 1950s, this intense drama tells the story of several adults trapped in depressing lives from which there seems no escape. So they bundle their good intentions in hopes of shepherding a fatherless teenager named Nick (James Darren) into a more hopeful life. Shelley Winters plays Nick's mother, Nellie. And Burl Ives plays the Judge, a man who somehow allowed his love of alcohol to derail his judicial career. A few others add to Nick's improvised family.

Although Nellie would probably be considered the lead character, the film could almost be described as having an ensemble cast, given that each of the main performers has scenes independent of Nellie. The script is talky but tight; dialogue largely drives the plot forward. Themes include dignity and self-determination despite apparent hopelessness.

Consistent with these themes, interiors are mostly drab and bleak; alcohol and drugs figure prominently in these peoples' lives. B&W lighting trends low-key and mostly low-contrast, though side lighting adds a hint of noir in some scenes. The score consists of intermittent elevator music that's very soft and nondescript. Ella Fitzgerald's piano playing and singing mirrors the softness of the background music. Casting is perfect. The main players all give topnotch performances.

Based on a novel, this film gets off to a somewhat slow start but the drama picks up, and builds to a theatrical climax. It's been awhile since I have watched a film with such a good script, particularly in the second and third Acts. And with a great cast and terrific performances, "Let No Man Write My Epitaph" makes a highly favorable impression.

Shelly Winters over emotes her usual whiny character, James Darren has no character presence at all. Dame Ella & Mr. Ives must've needed the money. One more "baby" out of Mr. Real Corinthian Leather and I'd have thrown something at the screen to shut him up. I guess this is how gritty poverty was imagined by Hollywood in 1960.

As there are so few reviews and nothing below 6 (until my 3, which is really for no good reason other than it killed some time before a better movie started) the current average rating of 7 is way too high for this movie. Why were 60's films so awful? So unless you need to waste 2 hours, pass this one by; it's seriously overrated.

This film is one of the favorite memories from my childhood. My memory said that Sal Mineo was in it, so I was a little surprised to see that it was actually James Darren. Not as good an actor as Sal, but a good looking kid, who could sing. Shelley Winters is beautiful in it, but very needy. Ella is a bonus. Burl Ives is bigger than life. And, you get to see Ricardo Montalban as a pre Mr. Roarke, pre Chrysler New Yorker ("Fine Corinthian leather"), bad guy. The climatic finale has stayed with me all these years. I always thought it was an older movie, but I guess it was just the genre and the cinematography. A little hokey, by today's standards, but a classic none the same.

I'm a 57 year old woman and I haven't seen or forgotten this film since seeing it at approx. 8 yrs. old. I remember it as being very dark. It upset me a lot as a child which is probably why I've never forgotten it. I'd like to view it again as well as it's prequel, 'Knock On Any Door', which I didn't know existed until researching, 'Let No Man Write my Epitaph', a story of a young boy of a single mother. Clearly, they were poor and living in a Chicago tenement. The Mother, played by Shelley Winters, became a heroin addict and neighbors in the tenement were trying to prevent the boy from following his Father's past as a criminal subjected to death by electric chair.

In this sequel to "Knock On Any Door" (1949) we find Nick Romano's illegitimate son being raised by his mother and a band of well intentioned, but flawed residents of a tennement slum. Winters as his drug addicted mother, and Montalban as her pusher are stand-out performances. It is a gripping scene, when young Nick walks in on his mother and her pusher and catches them "in the act.." Seldom appears on TV, but well worth catching.

Burl Ives with his acting lifts this film to greatness by making a character that you will never forget - an old judge emeritus fallen to alcoholism as a pathetic bum, but with his integrity and pathos for justice intact. The main character though ís a young pianist (James Darren) who struggles to get out of his sordid circumstances in the slum with an alcoholic mother (Shelley Winters) getting into worse trouble, and a picturesque gallery of friends, one of them being Ella Fitzgerald fallen to drug addiction. The film is heart-rending for its extremely delicate story of hardship struggling against hopeless conditions not to get worse, while everything only gets the worse for that. Jean Seberg arrives on the scene as an unexpected and positive surprise, and it does not after all end as a total tragedy, although there certainly are casualties on the way, one of them fortunately being the worst crook. This is a film to love more than to enjoy, because the trials of all these victims of unfortunate circumstances will be experienced by you as a spectator as well.

This movie has a top notch cast. It was a family film protecting each other when danger comes around especially for "NICK". This movie is one of my favorite all time movies and I am glad I have this movie to add to my movie collection.

With the recent death of Shelley Winters, all the principals in this movie are now gone, with the exception of Montalban. Having looked it up, I had forgotten what a fine cast it had, including the surprise of Ella Fitzgerald playing a heroin-addicted blues singer. Sadly, although this was a remake of a previous film, this great film could not be remade or even updated for today's market---simply because our society has changed to where the story in this picture (compelling as it is) would no longer be something people would consider important or even divisive. This plot could not even make the producers of Jerry or Maury take notice. Still, this picture will always be one of my two or three personal all-time favorites, and I will recommend it to anyone who reads these words I write: This is greatness that Hollywood can create...when it really wants to.

a real thriller, montalban is eerie as a 1960's "pusher" and sadistic heroin addict, a must for those into drug culture and film noir. the fact that it is b/w only adds to the urban scurge of drugs use ,espcially horse in the 1960's also exceeding their actting abilities are shelley winters as a drug ravaged mother, and burl ives as the "heavy" handed dudley do right....

Funny I was in my garage playing songs from a thick piano songbook of standards. I had never played this song (Reach for Tomorrow). Anyway I played it and what a soft, wonderful melody, words - the whole bit. I had my wife listen to me playing it and she fell in love what the song. Got on Youtube and listened to Ella Fitzgerald sing it and what a performance, beautiful,controlled voice and basically let the song sing itself. Now, I need to watch the movie. Probably did years ago and forgot it. I will need to find a DVD rather than just streaming it. I like having my favorites on the shelf so I can grab it when the urge is there.