Santa Fé

A former Confederate soldier takes a job building the Santa Fe railroad after the end of the Civil War and tries to persuade his three brothers to join him, fearing they will otherwise fall into a life of crime owing to their enduring hatred of the North

It's another solid Randolph Scott western, which covers the railroad expansion of SantaFe. The railroad and its set pieces convey the hard work that was done quite well. The conflict is on par too, which has Indians, gambling tents and rival companies disrupting Scott's efforts to build a railroad - but his brothers, who have gone on the outlaw track, make things awkward for Scott, and as a head of the family he takes upon himself to stop them. Which leads to gunfights, and particular exciting train fight between Scott and Jock Mahoney. It's a typically enjoyable western that also conveys the treatment of southerners from carpetbaggers and such like after the civil war.

Enjoyed this 1951 story about the expanding of the Santa Fe Railroad through Kansas and how some Southern soldiers after the war headed North to find jobs and their leader was Randolph Scott, (Britt Canfield)

and his three brothers. There plan was to make enough money in the North and head back to Virginia, however, there was still great hatred towards the Northerners for burning their property and also claiming their homestead lands. As the Santa Fe railroad is trying to lay their track across the land there is a bunch of crooks looking for their pay checks on pay day and they set up a tent with gambling, booze and hot bar maids to grab every nickle and dime and cause great delays in the building of the railroad. Janis Carter, (Judith Chandler) is a pretty platinum blonde who captures the eye of Britt Canfield, but she hates him for killing her brother in the Civil War. Great film with steam engines burning up the tracks and even an Indian takes complete control of the engine. Enjoy a great 1951 Classis Western from the past.

Santa Fe is directed by Irving Pichel and adapted to screenplay by Kenneth Gamet from the James Marshall novel and a story by Louis Stevens. It stars Randolph Scott, Janis Carter, Peter M. Thompson, Jerome Courtland and John Archer. A Technicolor production, it's photographed by Charles Lawton Jr. Story is set following the American Civil war and finds Scott as Britt Canfield, one of four ex-Confederate brothers heading West for a new life. While Britt finds honest employment on the Santa Fe railroad, his brothers veer towards the other side of the law.

A routine Western boosted by some quality set pieces and a well crafted script. Watchable from the off, film follows a true course whilst launching off narratively from the bitterness still felt by those who were on opposite sides of the war. It pitches Scott front and centre as the stoic character fending off all sorts of challenges, challenges that come courtesy of Indians, rival companies and his own kin! The acting around Scott is pretty average, tho the comic relief from Billy House & Olin Howland is most appealing, while it would have been nice to have some more imposing scenery filling out the screen. All told it's a safe recommendation to Western fans, even if ultimately it's not a genre film to revisit often. 6/10

Good but not great old time shoot-em-up western. Typical Randolph Scott pic. Brother agains brother tale. Old North/South post-war conflict. Certainly worth the 90 minutes. Good for a rainy day or lazy afternoon watch. Lots of cliches, but all good cliches. Nice cinematography. Trains. Nice sets and costumes. Black hats vs White hats. Decent acting by a lot of faces you recognize but do not know the names. Very good flat car fight on the train at the end. Of course Randolph (white hat) prevails. Last line is a classic. "As the railroad grows, so will America. You darn tootin. Please enjoy if you get the chance.

Train Buffs will Enjoy this Stiff Account of the "Iron Horse" and its Celebration as the Catalyst for "Manifest Destiny" that would Not be Denied.

It's Not Cinemascope, but a Technicolor Film.

The Post Civil-War Story and the Bitterness is Threaded Throughout the Plot but goes Virtually Nowhere.

The Acting is Stoic.

The Comedy Relief is Labored.

The Action is Average Stuff when it Occurs, and it's Not Often.

This is a Good Example of the Studio System Entering the Second Half of the 20th Century Riding the Rails of Past Glories.

Laziness Resulted in Bloated Productions that Became more Product than Art.

The Fat-Cats in Hollywood would Drain the System for another 20 Years before it Finally Gave Up the Ghost.

1950 was about the Beginning of the Decline.

There was a Sense of Atrophy as the Movie Machine made its way after a Two Decade Ride of Full Control.

Thankfully Randolph Scott would Ride the 1950's Proud as He Hooked Up with Budd Boetticher.

Excellent Movie Entertainment that were Self-Produced.